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60 Cards in this Set
- Front
- Back
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Ricardo Bofill, Walden 7, 1975, Spain, Classical and medieval references, concrete, painted PINK |
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Rogers and Piano, Pompidou Center, 1971, Paris, a high-tech agora, futurism, imagery of Archigram and victorian |
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James Sterling, New State Gallery, 1977, Germany, Classical open Rotunda, glass and steel, collage of old and new, Egyptian ramping |
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Johnson and Burgee, AT&T HQ, 1978, New York, Chippendale building because of the broken pediment |
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Charles Moore, Piazza d'italia, 1976, New Orleans, Italian, cheap materials, "Italianess" Five orders |
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James Wines, SITE, 1975 Texas, Decontruction art |
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Lucian Freud, Naked Portrait, 1972, London, |
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Alice Neel, The Family, 1970, New York, unidealized |
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Anselm Kiefer, Varus, 1976, Netherlands, History paintings, german history |
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Betye Saar, the Liberation of Aunt Jemima,1972, California, Feminist and African American art and concerns, |
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Sam Gilliam, coffee Thyme, 1977, New York, abstract art |
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Congresso de Artistas, We are NOT a minority, 1978, LA, Chicano Art |
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Judy Chicago, the Dinner Party, 1974, Feminist |
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Vito Acconci, Adaptation Study, 1970, Body art |
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Dennis Oppenheim, Reading position for second-degree burn, 1970, Skin, New York, focus on leaiser that leads to self-harm |
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joseph Beuys, Arena, 1970, New York, work as public therapy rather than visually stimulating |
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Bruce Nauman, Double steel Cage, 1974, Netherlands, Steel, investigation into what art may be |
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James Turrell, Wedgework, IV, 1993, Art of light and how it divides a canvas, |
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Bell, untitled, 1971, how light hits a space and the reflection of that space |
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Smithson, Spiral Jetty, 1970, Utah |
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Jannis Kounellis, Untitled, 1969, Horses in a gallery, |
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de Andrea, Couple, 1978 Hanson, tourists, 1970 Superrealists, |
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Magdalena Abakanowicz, 80 Backs, 1976, |
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Nam June Paik, TV Clock, 1963 - 81, Video art, Fluxus group |
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Becher, Gas Tanks, 1963-92, |
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Eggleston, Memphis, 1971, New York, Saturated Color in pictures, |
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Mapplethorpe, Helmut, 1978, gay or S&M art, |
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Maya lin, Vietnam Veterans memorial |
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I. M. Pei, Entrance Hall, Louvre, 1988, glass, and steel, |
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Jean Nouvel, Institut du monde arabe, 1983, paris, islamic influences |
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Micheal Graves, Humana Building, 1982, Kentucky, glass curtain walls, classical pilaters, and art deco |
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Isozaki, LA Museum of Contemporary Art,1981, California, |
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Francesco Clemente, The Magi, 1981, neo-expressionist, more symbolises thou, Magi story from Bible |
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Mimmo Paladino, Sull'orla della Sera, 1982, Rome, expressionist, classical approach that carries a strong cultural echo |
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Julian Schnabel, The walk Home, 1985, New York, Bad Painting (Neo-expressionism) glued to the surface of the canvas |
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Eric Fischl, Squirt, 1982, Switzerland, bad painting, |
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Elizabeth Murry, Deeper than D, 1983, figuration/abstraction, |
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Jennifer Bartlett, An ordinary evening in new haven, 1989, kinetic energy |
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Paula Rego, the Cadet, and His Sister, 1988, comment on sexual roles |
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Jean-Micheal Basquiat, Untitled, 1984, Pop art Values |
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Peter Halley, Black Cell with Conduit, 1988, Switzerland, Neo Geo |
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Carlo Maria Mariani, Prophetic Dream, 1984, Italy, Neo-classical, La Pittura Colta, nudes with absurd details |
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David Ligare, Landscape for Baucis and Philemon, 1984, French Classicism in the US |
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Komar and Melamid, the origin of Socialst Realism, Perestrokia Art, |
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Micheal Leonard, Man Bending Down, 1989, |
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Anish Kapoor, Mother as a Solo, 1988, France, |
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Richard Deacon, Body of Thought No.1, 1987, London, |
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Kapoor, As if to Celebrate, 1989, London, |
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Gilbert and George, Lives, 1984, London, |
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Jeff Koons, Popples, 1988, taking the ugly or bad taste and putting it in a gallery for lots of money, didn't make it himself |
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Martin Puryear, Verge, 1987, organic and biomorphic in nature |
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Holzer, untitled. 1987, |
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Barbra Bloom, The Reign of Narcissism, 1989, California, |
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Cindy Sherman, Self-portrait, 1983, |
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Zaha Hadid, Vitra Fire Station, 1993, Germany, Suprematism influences, anti-structuralism but can it be used? |
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Cheri Samba, Calvary, 1992, New York, political narratives, |
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Yu Youhan, Mao and Blande Girl Analyzed, 1992, London, like perestroika art, history art, |
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Louise Bourgeois, The Nest, 1994, |
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Andres Serrano, the morgue, 1992, |
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Damien Hirst, The Physical Impossibility of Death in the mind of someone living, |
