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29 Cards in this Set
- Front
- Back
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Gregorian Chant |
- monophonic - formed around the 800s - melding of Old Roman and Gallician Chant |
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Ordinary |
1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus Dei |
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Medieval Period |
- 500-1400 - soceity organized by manors & feudalism - music tends to be simple, mostly religious |
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Parody Mass |
- L'homme arme is an example of this - widely popular in the R. P. - a secular song (melody) forms the basis of unity |
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Plausible Deniability |
- a work that has a mundane surface message - the other message is hidden - There is always a hidden meaning |
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Polyphony |
- multiple notes at once - dominates the R. P. - Christians frowned against it |
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Aria |
- mostly solo - in Operas when people break out into song - very musically interesting |
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Broadside Ballad |
- written for urban centers - audience was "lower/middle" class - lyrics printed on a single sheet |
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Recetitive |
- French Opera - dialog driven - Italians almost ignored this |
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Opera Seria |
- Italian - castrati - higher voices dominated |
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Baroque Period |
- rise of middle class - desired to impress - theatrics |
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Renaissance Period |
- growth of secular music - commercialism/ middle class - Reformation |
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"eternal now" |
- French philosophy - enjoyment of present - focused on pleasing sound that didn't drive forward. |
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Opera |
- combines theatre, music, painting, fashion, and dance - singers and instruments - musical presentation of drama |
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Tragedie lyrique |
- more ensembles - dance/ballet focused - no castrati |
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Gloria |
Gregorian Chant |
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Columba aspexit |
Hildegard von bingen |
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Sumer is icumen in |
Anon |
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Missa L'homme Arme: Agnus Dei |
Dufay |
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El Grillo |
Josquin des Prez |
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Missa Papae Marcelli |
Palestrina |
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Vespro Della Beata Vergine 1060 |
Monteverdi |
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Ershallet |
J.S. Bach |
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My thing is my own |
Anon |
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Watkin's Ale |
Anon |
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Signore, Deh, Non partire |
Monteverdi |
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Or Che Seneca E morto |
Monteverdi |
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Atys: scenes 6, 7 |
Lully |
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Cat Fugue: Sonata G minor |
Scarlatti |
