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79 Cards in this Set
- Front
- Back
Maat |
(Egypt) |
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Spanish Farthingale |
(Spanish Golden Age) Cone-shaped under-structure/petticoat that originates in Spain during the 16th C. |
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Busk |
(Spanish Golden Age) Center "bone" or stiffener of a corset or bodice |
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Bolster |
(Spanish Golden Age) Padded donut shaped hip roll |
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Ruff |
(Spanish Golden Age) Decorative device worn at the neck or sleeve cuff |
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Spanish Armada |
(Spanish Golden Age) a Spanish fleet of 130 ships that sailed from A Coruña in August 1588, under the command of the Duke of Medina Sidonia with the purpose of escorting an army from Flanders to invade England |
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El Greco |
(Spanish Golden Age) a painter, sculptor and architect of theSpanish Renaissance |
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Pizarro |
(Spanish Golden Age) a Spanish conquistador who conquered the Incan Empire. |
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Atahualpa/Incan Empire |
(Spanish Golden Age) the largest empire in pre-Columbian America.The administrative, political, and military center of the empire was located in Cusco in modern-day Peru. The Inca civilization arose from the highlands of Peru sometime in the early 13th century, and the last Inca stronghold was conquered by the Spanish in 1572. |
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Baroque |
Period of European architecture, music, and art of the 17th and Early 18th C.
Adj.: "highly ornate and extravagant", originates from Portuguese barroco or Italian baracco meaning "irregular pearl" |
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Enlightenment |
The phase of the baroque where "light became a metaphor for truth" in an age of "rational thought" - from this concept came the term "enlightenment" |
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Buff Coat |
(Early Baroque) Pale tan colored suede or soft leather coat worn for protection, generally worn while traveling |
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Bucket Boots |
(Early Baroque) Very wide, full boots large turn back cuffs |
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Millstone Rough |
(Early Baroque) Very large, flat ruff |
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Falling Collar |
(Early Baroque) Large soft collar that falls over the shoulders, originated from the ruff |
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Falling Ruff |
(Early Baroque) Soft ruff that falls over the shoulders, not stiffened or starched |
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Van Dyke (Van Dyck) Beard |
(Early Baroque) Pointed chin beard with detached, full, curled moustache |
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Love Lock |
(Early Baroque) Long tail or braid of hair worn to one side and pulled over the front of the shoulder, often a "token" to an intended admirer |
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Butterfly Spurs |
(Early Baroque) Large "butterfly" shaped decor on the top arch of the boot |
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Gauntlet |
(Early Baroque) Flared "cuff" attached to glove for wrist/forearm protection |
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17th C. Kings of England |
James I (1603-1625) Charles I (1625-1648) ~ Civil War ~ (1642-1648) Cromwell (1648-1660) ~Restoration~ Charles II (1660-1685) James II (1685-1688) Wm & Mary (1689-1702) |
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17th C. Kings of French |
Henry IV (1598-1610) Louis XIII (1610-1643) Louis XIV (1643-1715) |
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17th C. Artists |
Peter Paul Rubens, Van Dyck, Velazquez, Caravaggio, Jacques Callot, Bernini, Caracci, Frans Hals, Rembrandt van Rijn, Indigo Jones, Vermeer, van Horthorst |
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17th C. Scholars/Writers/Composers |
Galileo, Kepler, Copernicus, Descartes, Pascal, Milton, Moliere, Racine, Vivaldi, Bach, Handel |
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Chionoserie |
(Rococo) In the Chinese style, Chinese/Oriental influence |
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Justacorps |
(Rococo) Originates from the late 17th C. Cassock, but longer in the body and sleeves with a full skirt and wide cuffs, generally buttoned only at the waist |
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Crapaud or Hair Bag |
(Rococo) Small bag to hold a ponytail (queue) |
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Queue |
(Rococo) The ponytail of a wig or natural hair |
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Solitaire |
(Rococo) Black neck ribbon worn over the cravat |
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Brandenberg Greatcoat |
(Rococo) Longer, fuller version of the Justacorps, usually worn as an overcoat or traveling coat |
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Style Anglaise |
(Rococo) in the style of the English, a dress worn whose bodice closes and buttons int he front without the use of a stomacher |
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Robe a la francaise |
(Rococo) in the style of the french, a dress whose bodice closes in the front with a use of a stomacher
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Sacque or Sack gown |
(Rococo) Loose fitting "house gowns" w/ a cape like box-pleated back which falls from the shoulders |
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Watteau Gown |
(Rococo) Common term for the sacque/sack gown, named after the artist who immortalized the gown |
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French Robe |
(Rococo) The court dress accompanied by a skirt w/very wide panniers |
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Panniers |
(Rococo) Wide "hip buckets" worn to widen the skirt at the hips, also called the French Farthingale when accompanying the French Rober at Court |
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Leghorn |
(Rococo) Hat made of fine yellow straw with a large flat brim |
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Mobcap |
(Rococo) Soft gathered cap, originated on the wealthy women, later the standard headwear for household staff |
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Fichu |
(Rococo) A "modesty" shawl worn over the shoulders, made of sheer silk, linen, or fine cotton |
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Pompadour |
(Rococo) Soft, restrained "up do set close to the head in shades of white, silver, and gray. The most popular hairstyle of the 18th C., named after Mme. de Pompadour |
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Bows 'a la 'echelle |
(Rococo) Bows diminishing in scale as decor on a stomacher |
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Engageante |
(Rococo) Shaped and graded sleeve flounce of fine fabric or lace, often 2 or 3 staggered layers |
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Ruching |
(Rococo) gathered bands of fabric used as decorative trim |
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Festoons |
(Rococo) swags of garlands, lace or flowers |
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Passementerie |
(Rococo) French term covering a wide range of trims including brains, tassels, buttons, cords, and fringes using silk and metal threads. Thick textural decoration with metal threads |
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Rococo English Artists |
Hogarth, Reynolds, Gainborough |
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Rococo French Artists |
Watteau, Boucher, Fragonard |
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Rococo Middle Class French Artists |
Chardin, Greuze |
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Polonaise |
(Georgian) A popular walking costume, ankle length, with the skirt pulled up in voluminous swags |
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Redingote Gown |
(Georgian) Originated as an English riding habit, this feminine term describes the double-breasted jacket with wide lapels and the coordinating or matching skirt with a train. This jacketed gown was considered mannish |
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Levite Gown |
(Georgian) another term for a Redingote Gown |
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Carcaro |
(Georgian) Fitted jacket-like bodice |
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Therese |
(Georgian) a large "bag" or hood worn to protect the hair, often with wire cage interior |
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Calash |
(Georgian) "convertible" hood to cover large hair dos
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Cameos |
(Georgian) Type of jewelry made from shells or mother-of-pearl, return from antiquity |
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Hedgehog |
(Georgian) feminine "country" hairstyle created when the pompadour loses its height and grows in width in a natural fullness and color, or slightly powdered |
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Rose Berlin |
(Georgian) The dress maker of Marie Antoinette |
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Macaroni Club |
(Georgian) Young gentlemen from London who traveled the continent for sport, dressing in outrageous fashions, including multiple patterns (stripes, chevrons) and large hairstyles, often topped with a tiny tricorne |
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Stock |
(Georgian) Type of cravat: long narrow necktie often with decorative lace ends. Wraps the neck several times and ties/knots in the front |
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Toupet |
(Georgian) Powdered wig w/rows of curls over the ears |
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Cockade |
(French Rev) A rosette or similar ornament worn on the side of the hat, baldric knee or shoe |
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Bicorne |
(French Rev) A two corned hat, derives from the tricorne |
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Sans Culottes |
(French Rev) Name given to the Revolutionaries to distinguish themselves from the aristocrats who wore knee breeches (in french: culottes) |
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Tricoteuse |
(French Rev) name given to the blood-thirsty women who flocked to the guillotines, knitting and cheering on decapitations |
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Mervielleuse |
(French Rev) High fashion female revolutionaries, literally means the marvelous ones |
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Incroyables |
(French Rev) High fashion male revolutionaries, literally means "the incredible ones" |
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French Rev Artists |
Fragonard, Gainsborough, Jacques-Louis David, Reyonlds, Copley, Boilly, Ralph Earl (American), Trumball, Benjamin West, Elizabeth Vigee-Lebrun |
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Petticoat/Rhinegrave Breeches |
(Late Baroque) Exaggerated "skirt breeches" with origins in the bases of early 16th C. German Style |
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Peruke/Perwig |
(Late Baroque) Term for wig, particularly for men. It comes form the French perruque which means head of hair |
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Full-bottomed wig |
(Late Baroque) Below the shoulder length male wig with full curls, later with two curled "horns" on top of the head in imitation of the the ladies' fontage |
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Cravat |
(Late Baroque) Any type of male neckware or dressing that is not a collar |
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Jabot |
(Late Baroque) "Frill" or ruffle on the shirt or cravat front |
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Rabat |
(Late Baroque) Falling collar that butts at the front, orig. from Cavalier collar |
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Cassock |
(Late Baroque) Long fitted jacket with short or 3/4 sleeves w/ large turn back cuffs and full skirt |
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Waistcoat |
(Late Baroque) Aka vest |
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Steinkirk |
(Late Baroque) Neck scarf/cravat loosely tired around the enck, and twisted into the waistboat or looped thru a buttonhole. Orig. from french at Battle of Steinkirk |
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Tricorne hat |
(Late Baroque) Literally a 3 corned hat |
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Fontage |
(Late Baroque) French headress with rows upon rows of upstanding, wires, and pleated lace ruffles of lace or hair ~ marge simpon ~ |
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Commode style |
(Late Baroque) England & US, a simplified version of the french fontage |