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11 Cards in this Set
- Front
- Back
Structure
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Minuet and Trio form Rounded binary form in each dance 1-51 Minuet 16-52 Section B repeated 35-42 Minuet opening repeated 52 Trio 52-64 Repeated 59-64 6 bar phrasing 64-94 Repeated Men. DC - repeat Minuet without internal repeats |
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Melody in the Minuet
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0 Anacrusis 0-1 Rising tonic triad 9-10 Legato version of theme 21-24 Hemiola with rising tonic triad 30 Bb gives a minor tinge 35-38 embellished theme |
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Harmony in the Minuet
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1-5 oboe doubles violin 2 diminished chord 3-4 plagal cadence 8-9 perfect cadence 9-12 tonic pedal 14-15 perfect cadence 17 close harmonies and resolution 20-22 brass in thirds 26-30 pedal 27 Neapolitan 6th 28 diminished chord 35-39 tonic pedal |
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Tonality in the Minuet
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1 D major, tonic major 16 B minor, relative minor 23-25 Circle of 5ths 25 A major, dominant 35 D major, subdominant |
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Texture in the Minuet
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9-15 lighter scoring, 2/8 woodwind playing and no trumpets 45-46 Grand Pause |
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Instrumentation in the Minuet
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1-8 use of timpani adds to aristocratic formality 7 trills and drumroll in measured semiquavers 43 trills |
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Melody in the Trio
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55-59 long lines of flowing quavers 65-72 violin countermelody 84-87 descending chromatic scale, ascending sequence 95-100 rising chromatic scale |
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Harmony in the Trio
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53 perfect cadence 59-61 bassoon and violin in octaves 93-94 perfect cadence 95-97 tonic pedal |
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Tonality in the Trio
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52 Bb major, unrelated, flattened submediant 64 C minor, supertonic 77 Bb major, subtonic |
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Texture in the Trio
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52-54 unaccompanied passage to ease transition 75-76 polyrhythm 87-88 tutti silence |
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Instrumentation in the Trio
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55 pizzicato71 arco81 pizzicato90 arco
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