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34 Cards in this Set
- Front
- Back
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Luchina Visconti
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Occessione, La terra trema
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Roverto Rossellini
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Roma citta aperta (open city), Paisa
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Vittorio De Sica
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Sciusia (Shoeshine), Ladre de biciclette (The Bicycle Theif), Umberto D.
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tradition of quality
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cinema de papa (traditional film quality)
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Documentaries
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Le sang des betes, Nuit et brouillard, Toute la memoire du monde
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france independent
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Jean Pierre Melville (gangster film), Ed Dieu crea la demme
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Centre National de la Cinematographie (CNC) provided..
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money for films
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Cinematheque Francaise had
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copies of every french film
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cahiers du cinema was founded by
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Bazin and Donoil Valcroze; composted og young directors like Truffaut, Godard, Chabrol and Rohmer
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Aesthetic characteristics
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handheld camera, location shooting, natural lighting, improvised plot and dialouge, direct sound, swish pans, jump cuts, anti-continuity editing
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Jean Luc Godard
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a bout de souffle, Une femme est une femme, un femme mariee, masxulin feminin
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Francois Truffaut
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Les quatre cents coups, Tirez sue le pianiste, Jules et Jim
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Alain Resnais (Left Bank)
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Hiroshima, mon amour, L'anne deriere a Marienbad
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film festivals were
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gatekeepers
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Setting is
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denotative
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Genre is
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connotative
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bandung conference
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promoting economic and cultural cooperation
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50 percent of world consumes
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12 percent of gross product
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Humberto Solas
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Lucia
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Manues Octario Gomez
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La primaearga al machete
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Tomas Gutierrez Alea
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Muere de unburocrata, Memorias del Subdesrrollo
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Biograph Girl
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Florence Lawrence
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Structured Polysemy
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not just saying anything, finite multiplicity of meanings
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Zavattini on narrative
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plot is inauthentic, actprs contribute to falsehood, realism=everyday life, 90 minutes
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Post WW2 Europe
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Silant Era, Mussolini, 1930s melodramss/romance, 194p Calligraphism, Facist Propaganda
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high art
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art for arts sake; only appreciated by those without everyday concerns
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mass art
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created by few, for many
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folk or pop art
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created by many
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Dyer on actors Attitude on work
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Antagonistic, Integrated, Instrumentap and Commited
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Non-Professional actors were used in The Bicycle Theif for Authenticity
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TRUE
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Accorsing to Bazin, Umberto D has a casual narrative structure
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FALSE
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Italian Neorealist filmmakers wished to portray the underrepresented working class
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TRUE
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Neorealist films were produced in significant numbers just before WW2
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FALSE
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reflectionist genres
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reflect social and cultural process and attitudes
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