Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
21 Cards in this Set
- Front
- Back
|
Aeschylus |
Brang in 2nd actor First important Greek dramatist |
|
|
Sophocles |
Added 3rd actor Dramatic construction |
|
|
Euripides |
Rebel Realsim Mix tragedy with melodrama and comedy |
|
|
Plautus |
Comedies farce Domestic situations |
|
|
Terence |
Literary Witty comedies |
|
|
Seneca |
Emphasized violence on stage Influenced Shakespeare |
|
|
Thespis |
Preformer stepped out of chorus and became actor |
|
|
Morality plays |
Religious themes and characters to teach lesson |
|
|
Mystery plays |
Dramatized series of biblical religious events |
|
|
Commedia dell arte |
No set text. Invented words and actions |
|
|
Women preformed in.. |
Italy first Commedia |
|
|
Versimilitude |
True to life |
|
|
Neoclassical ideals |
Unity of time, place, action |
|
|
Elizabethan scenery |
No painting Simple clothes |
|
|
Elizabethan acting company structure |
Number restricted by law |
|
|
Types of plays in Spanish golden era |
Religious and secular |
|
|
Commedias |
Full length secular plays about love and honor |
|
|
Spanish acting companies |
16-20 performers Included women |
|
|
Comedy of manners |
Poked fun at social conventions |
|
|
Drame |
18th century Virtuous rewarded and wicked punished |
|
|
Govt and theater in 18th century |
Govt attempts to regulate theatre |
