• Shuffle
    Toggle On
    Toggle Off
  • Alphabetize
    Toggle On
    Toggle Off
  • Front First
    Toggle On
    Toggle Off
  • Both Sides
    Toggle On
    Toggle Off
  • Read
    Toggle On
    Toggle Off
Reading...
Front

Card Range To Study

through

image

Play button

image

Play button

image

Progress

1/15

Click to flip

Use LEFT and RIGHT arrow keys to navigate between flashcards;

Use UP and DOWN arrow keys to flip the card;

H to show hint;

A reads text to speech;

15 Cards in this Set

  • Front
  • Back
Nataysastra
-Major theatre/dance text in India
-Codifies movements and themes of dance
Two Major Indian Epics in which most dance stories come from
1. Mahabharata
2. Ramayana
Bharatanatyam
-Oldest form of Classical Indian dance
-Southern India
-Outlawed in 1910 for association with prostitution
-Gained popularity in 1930's because of caste members-> Denis and Devi
Technique of Bharatanatyam

(Body and Space)
Body and Space:
-body is easily divided down central median
-mvmt in straight lines or triangles
-lower limbs are straight lines or part of triangle and arms usually follow direction of limbs
Technique of Bharatanatyam


(Foot Contact)
1. Whole foot
2. Toes Raised
3. Heeles Raised
Technique of Bharatanatyam

(Hands and Eyes)
-Over 80 hand gestures-> each with different meanings
-Train to strengthen eye muscles so they can follow the hands
Bharatanatyam Performance
-Narrative dance
-6 sections:
1. Alarippu
2. Jatisvaram
3. Sabdam
4. Varnam
5. Abhinaya
6. Tillana
Alarippu
Part of Bharatanatyam Performance

-invocation
Jatisvaram
Part of Bharatanatyam
Performance

-musical
Sabdam
Part of Bharatanatyam Performance

-lyrics and mime
Varnam
Part of Bharatanatyam Performance

-complex and intricate
Abhinaya
Part of Bharatanatyam Performance

-interpretive dance
Tillana
Part of Bharatanatyam Performance

-conclusion; metrical cycles
Five forms of Classical Indian dance
1. Manipuri
2. Odissi
3. Bharatanatyam
4. Kathak
5. Kathakali
Odissi
-East India
-Several centuries old but reborn as neo-classical in 1950's
-Originally performed by temple dancers as a worship dance not as a performance dance