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54 Cards in this Set
- Front
- Back
Pulpit |
A raised platform in a church or mosque where the priest or imam leads the religious service. |
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Continuous Narrative |
Multiple stories or events shown in one scene. |
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Maniera Greca |
Byzantine-style manner of art. Characterized by bold parallel lines, bold faces, stark colors. |
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Saediae Sapientiae |
Seat of Wisdom; refers to the Virgin Mary. |
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Barrel Vault |
A kind of simple vaulting in the roof. |
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Tempera |
A painting technique using pigment mixed with egg yolk, glue, or casein. |
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Predella |
The narrow ledge on which an altarpiece rests on an altar. |
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Altar Christus |
Another Christ. |
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Campanile |
A belltower of the Church, usually freestanding. |
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Hieratic Scale |
Greater size indicates greater importance. |
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Mendicant Orders |
Friars belonging to Franciscan or Dominican orders; they renounced worldly goods, lived in poverty, and devoted themselves to preaching, teaching, and doing good works. |
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International Gothic |
A style of 14th and 15th century painting begun by Simone Martini. It includes brilliant colors, lavish costumes, intricate ornamentation, and themes involving splendid processions of knights and ladies. Appealed to aristocracy. |
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Nave |
The central area of a basilica church, separated from aisles by piers or columns. |
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Bay |
The space between two columns. |
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Crossing |
The space in a Cruciform church formed by the intersection of the nave and the transept. |
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Burgundy |
What is now southern France. |
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Holy Roman Empire |
What is now central Europe. |
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Low Countries |
Northwestern coastal region of Europe, around what is now Belgium and the Netherlands. |
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Monastery |
A place for Monks to live and work. |
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Carthusians |
A monastic order that is more secluded; focused on using silent prayer and physical labor to be religious. |
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Cloister |
An open space surrounded by corridors or open halls. |
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Fons Vitae |
The fountain of life. |
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Winged Altarpiece |
An altarpiece with side panels that can open or close it. |
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Diptych; triptych; polyptych |
Two, three, or more paintings attached to each other at a hinge. |
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Manuscript illumination |
The decoration of manuscripts. |
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Vellum |
A parchment of calfskin. |
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Donor Portrait |
A painting where the portrait of the commissioner is shown somewhere in the image. |
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Madonna Lactans |
The Virgin Mary lactates. |
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Grisaille |
A painting entirely in monochrome. |
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Oil Paint |
Paint made from oil, instead of from egg like tempera. |
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Linseed Oil |
An oil often used to make oil paint. |
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Gilding |
Gold leaf or paint applied to a painting. |
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Woodcut Print |
A stamp made by carving negatively into a block of wood. |
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Engraving |
Cutting grooves into a hard surface. |
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Etching |
Using a corrosive material to cut into metal. |
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Lost-wax castin |
Using wax to create a cast to create the finished sculpture in. |
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Sculpture-in-the-round |
A sculpture that you can walk all the way around, unlike a relief sculpture. |
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Schiacciato |
Very light relief. |
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Confraternity |
An association created to promote special works of Christianity. |
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Glazed Terracotta |
Made from clay. |
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Neo-Platonism |
A renewal in Platonic philosophy. |
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Apsidials |
Small apses. |
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Loggia |
An open corridor with a roof. |
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Trompe l'oeil |
Optical illusion that makes the image look 3d. |
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Last Judgement |
The second coming. |
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Di sotto in su |
Seen from below; ceiling perspective. |
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atmospheric perspective |
Further away objects are more hazy. |
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sfumato |
Soft, hazy transitions. |
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chiaroscuro |
contrasted light and shadow. |
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pyramidal composition |
Figures shown in a triangular composition. |
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refectory |
Dining hall of a Christian monastery. |
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sacra conversazione |
Image depicting the Virgin and Child amidst various saints in a relatively informal grouping. |
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studiolo |
A study. |
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scuola |
Clubhouses for confraternities in Venice. |