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61 Cards in this Set
- Front
- Back
Bauhaus |
School that taught form follows function. Based on new unity b/n art and technology. Shared values with Russian Avante-Garde Today is School of Design in Chicago. |
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Dry Plate Process |
Use of silver bromide and layer of gelatin. With much of the complex chemistry work centralized into a factory, the new process simplified the work of photographers, allowing them to expand their business. |
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Photogram |
"Kinetic light performances" - produced in a dark room without a camera, objects were put on photo sensitive paper and light expressions were created. |
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Fotoescultura |
Enlarged and hand colored photograph applied to a wooden bust or frame. B/n 2 sheets of beveled glass. |
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Jijora |
"Neither totally abstract nor totally realistic." Should represent the individual but also ideal Yoruba characteristics. Extreme stylization of pose and expression. |
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Dziga Vertov |
Russian Avant-Garde photographer. Idea of disrupting normal vision and enhance understanding of the familiar. Filmed "Man with a Movie Camera" |
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George Eastmand |
Invented Kodak. |
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W.E.B. Du Bois |
Took "new negro" portraits in France. Resisted scientific portrait conventions to impose a new way of seeing african americans. |
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Odo |
"In the prime of life." Strength in pose, expression, wisdom & maturity. |
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Ibeji |
Twins, the sacred children. |
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Group F-64 |
Group of 7 San-Fran based photogs. Opposed Pictorialists, shared a style of sharp focus and carefully framed images. Used large format cameras and zone system. |
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Photostory |
Series of images and text that create one central narrative. Easily identifiable place, time, action, and character. |
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Halftone process |
Text tones are represented by numerous small dots. Presents the illusion of the original tones in the photo. |
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Soldaderas |
Mexican Revolution female supporters and soldiers. |
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Socialist Realism |
Clear narrative of a cleaned up reality. Stalin came to power in the 1930s and standard of living deteriorated; movement sought to hide it from the world. |
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Roy Stryker |
Head of FSA photography to document the Great Depression. Had photogs get to know the story//people before taking pix. |
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Lewis Hine |
Great Depression photog |
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Artist as a "seer" |
Possessing insight beyond the average person. |
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Zone system |
A method of predetermining tonal ranges through a system of measured exposure times and film development. Properly exposed negative yields same acceptable print every time. |
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Theory of Equivalence |
Belief that colors, lines, & shapes reflect the inner and emotive "vibrations of the soul" |
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Dr. Thomas Bernado |
Bernado's documentary images were like art photos. Created fictions to evoke a higher truth. Raised $$$ for his school for poor boys. |
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Tina Modotti |
Post Mexican Revolution photog and film actress. Photographed body parts: standing in for the person, body, life and revolutionary history. |
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Rayograph |
Cameraless direction production of images on photosensitive paper. Reminiscent of Dada collages w/no direct interpretation. Talbot called it "light writing". |
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Beat Generation |
Group of American postWWII writers popular in the 50s. "Beat" culture: rejection of received standards, innovations in style, use of illegal drugs, alternative sexualities, examination of religion, rejection of materialism, explicit portrayals of human condition. |
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Formalism |
Emphasizes composition elements such as color, line, shape, and texture rather than iconography or historical//social context. |
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Post-Modernism |
By manipulating new technology artists were able to short cut traditional processes involved in 'making art' but still create something new. Widespread disillusionment with life & power of existing value systems of government//technology. Authority, expertise, knowledge, and eminence of achievement were discredited. |
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Indian Relocation 1952 |
Designed to entice reservation dwellers to 7 major urban cities where jobs were supposedly plentiful. Indians moved to cities and created pan-Indian political groups. |
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Wounded Knee Incident 1973 |
Approximately 200 Oglala Lakota and followers of the American Indian Movement (AIM) seized and occupied the town of Wounded Knee, SD on Pine Ridge Indian Reservation. |
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Albert Renger-Patzsch German Irons for Shoe Fabrication 1926 *Shoe irons are presented in multiples, pointing upward as clean and beautiful. Industrial and natural objects presented in new ways. New Objectivity: clean exactness, products of modern industrial world in everyday life, inspired by Russian Avant-Garde. |
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Laszlo Moholy-Nagy Hungarian From the Radio Tower, Berlin 1938 *Unity of art and technology. Technology as a solution for political and economic problems. |
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August Sander German Peasant Girls 1928 *Realist portraiture. "Pure" photography, unsentimental. Psychology of age. |
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Horace Poolaw Kiowa Harry A-hote 1928 *Poolaw's photographs were of Indian heroes. Attemped to preserve cultural identity as well as challenge invisibility of Native Americans throughout U.S. history. |
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Richard Ray Whitman Yuchi/Creek Walter Straight 1985 *Whitman's street chief series showed urban poverty perspective of Native American culture as opposed to Poolaw's reverence toward important figures. Revealed problems of representation (Post-Modernism). |
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Jolene Rickard Tuscarora Three Sisters 1988 *Self portrait is Rickard's representation of aspects of Indian culture. Serves to address problems of Indian representation (Post-Modernism). Use of important cultural symbols to cry out. |
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Unknown Photog Postmortem daguerreotype w/hand tinted flowers 1850 *Evokes sense of touch |
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Unknown Photog Framed photos with hair work 1880 *Evokes sense of touch. Women as keepers of memory-hairwork prominent art among women. |
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Paul Martin France Yarmouth Beach 1982 *Emulate casual look of snapshots. Equated informality of candid photography with photographic truth. |
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El Lissitsky Russian The Constructor self-portrait 1924 *Example of Russian Avant-Garde. Reflects through union of compass and hand // human and technology. |
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Alexander Rodchenko Russian At the Telephone 1928 *Angle is from above instead of head on because at this time the interest was showing different camera angles to usher a new way of seeing. Proletariat workers as hero subjects. |
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Victor Casasola Mexican Zapatista 1914 *Peasant Revolution occurring in Mexico during this time. Position of photo = holding a gun as his tool instead of his farmers tools // looking out the window to show peasants are looking out and fighting for a better future. |
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Alfred Stieglitz Euro-American Equivalent 1925 *Display of Theory of Equivalence. Represent emotion and spirituality through symbolic expression. |
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Ansel Adams Euro-Americans Moonrise over Hernandez, NM 1941 *Part of F-64 Group. Zone system |
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Andy Warhol Euro American Marilyn 1964 *Popular postmodernism type of art. Appealed to mass produced images in the 50s/60s. Celebrated mass consumerism and critiqued it, cult of celebrities, imagery that wasn't a result of direct optical or chemical processes. |
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Ann Noggle Euro American Face Life #3 1975 *Realist feminist photographic production, based on the premise that that camera can express authentic social and psychological truths. Woman got a facelift & it shows physical and emotional influences the society put on her. |
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Lorna Simpson African American Five Day Forecast 1991 *Expression of female and racial identity and how they are culturally produced. Not being able to stereo type, descriptive wording. |
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Man Ray Euro American Return to Reason 1923 *Female body and the irrational/emotional. Leading male mind into dreams and madness. |
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Hans Bellmer German The Doll 1936 *Use of female body fragments. Drew from childhood experiences that destroy what we're familiar with. |
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Man Ray Euro American Noire et Blanche 1926 *Women as objects. Positive and negative side by side. Racial. |
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Hoboken New Jersey Parade 1955 *Asymmetric lines and form. Contrast of flag lines and brick lines. Flag as icon. Beat Generation. |
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Lee Friedlander Newark New Jersey 1962 *Patriotism in time of consumerism. Beat Generation:misnomers, consumerism, icons. |
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Diane Arbus Boy with Straw Hate and Flag, NYC 1967 *Promoting war, pro-was tendencies, Beat Generation, focus on misfits, boy trying to fit in using war-irony. |
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Anthoney Aziz US Chris 1994 *Senses stripped away. Pessimistic view on future photography//loss of individuality. |
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Pedro Meyer Mexican The Temptation of the Angel 1991 *New manipulation of photos, digital blurring, fabricate new realities, etc. what is really real? |
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Rosalie Favel Metis I Awoke to Find My Spirit Had Returned 1999 *Lesbo, digitial age being liminal (in-b/n space, empowering, identities and cultural productions mingle). Investigation of identity. |
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Erich Salomon German French Statesmen Visit Berlin for the First Time Since World WarI 1931 |
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Rober Capa Hungarian Moment of Death, Spain 1936 *Shock factor brought into both art and photography that had been slowly developing over the decades. |
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Weegee Euro American Drink Coca Cola 1940 *Ugly truth of crime and city life. Commentary comparing the reality of society to the obsessive commercialization and propaganda evolving in that time period. |
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Ila-Orangun Studio Yoruba Portraits of Men 1975 |
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Unknown photog Portraits of Types of American Negroes 1900 |
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James Van Der Zee African American Man & Woman in Raccoon Coats 1932 |
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