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45 Cards in this Set

  • Front
  • Back
Kouros
600 BCE, Marble
Kore
530 BCE, Marble, Acroplois, Athens
Temple of Hera I
550 BCE, Paestum, Italy
West Pediment of the Temple of Aphaia
600 BCE, Corfu, Greece
Temple of Aphaia
500-490 BCE, Aegina, Greece
Plan and restored cutaway view of the temple of Aphaia
500-490 BCE, Aegina, Greece
West pediment of the temple of Aphaia
500 BCE, Aegina, Greece, Marble
Dying Warrior, from the west pediment of the temple of Aphaia
500-490 BCE, Aegina, Greece, Marble
Riace Warrior
450 BCE, Bronze, Riace, Italy
Spear Bearer by Polykleitos
450BCE, Roman copy of the Greek Bronze original, Found in Pompeii, Italy
Parthenon by Iktinos and Kallikrates
447-438 BCE, Acroplois, Athens
Athena Parthenos by Phidias
438 BCE, cella of the Parthenon, Acropolis, Athens
Three Goddesses
438 BCE, east pediment of the Parthenon
Details of the Panathenaic Festival Procession
438 BCE, frieze of the Parthenon
Erchtheion
421-405 BCE, Achropolis, Athens
Caryatid from the South Porce of the Erechtheion
421-405 BCE, Acroplois, Athens
Grave Stele of Hegeso
400 BCE, Dipylon Cemetary, Athens
Achilles Painter
440 BCE, Eretria, Greece
Aphrodite of Knidos by Praxiteles
350-340 BCE, Roman copy of the Bronze original
Hermes and infant Dionysus by Praxiteles
340 BCE, Temple of Hera in Olympia, Greece
Grave Stele of a young hunter
340-330 BCE, Athens, Greece
Scraper by Lysippos
330 BCE, Roman Copy of the Bronze original
Weary Herakles by Lysippos
320 BCE, Roman Copy
Theodoros of Phokaia
375 BCE, Tholos, Greece
Reconstructed West Front of the altar of Zeus
175 BCE, Pergamon, Turkey
Detail of the gigantomachy frieze from the Altar of Zues
175 BCE, Pergamon, Turkey
Dying Gaul by Epigonos
230 BCE, Roman Copy, Pergamon, Turkey
Nike of Samothrace
190 BCE, Marble, Samorthrace, Greece
Aphrodite (Venus de Milo)
150-125 BCE, Marble, Milos, Greece
Seated Boxer
100-50 BCE, Bronze, Rome, Italy
Laocoon and his sons
1st century CE, marble, Rome, Italy
Naturalism
Effect of making a sculpture seem life-like and less idealized.
Idealization
Exaggerated protrayal of a subject usually to make them look better or fit a specific cultural stereotype
Contrapossto
An Italian term meaning "counterpoise" used in the visual arts to describe a human figure standing with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips and legs
Ionic Order
one of the three orders or organizational systems of classical architecture.
Ionic columns normally stand on a base, which separates the shaft of the column from the stylobate or platform.
Canon of proportions
grid system establishing proportions for drawing and sculpting human figures.
Doric Order
one of the three orders or organizational systems of Ancient Greek or classical architecture.
the height of Doric columns is six or seven times the diameter at the base.[1] This gives the Doric columns a shorter, thicker look than Ionic columns, which have 8:1 proportions.
Colannade
denotes a long sequence of columns joined at the top.
Peristyle
A columned porch or open colonnade in a building that surrounds a court
Cella
a room at the centre of the building, usually containing a cult image or statue
Entablature
the superstructure of moldings and bands which lies horizontally above the columns, resting on their capitals. Includes frieze and architrave.
Architrave
a moulded or ornamental band framing a rectangular opening
Frieze
the wide central section of an entablature and may be plain or — in the Ionic or Corinthian order — decorated with bas-reliefs
Cornice
any horizontal decorative molding which crowns any building or furniture element
Pediment
the triangular section found above the horizontal structure (entablature), typically supported by columns