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45 Cards in this Set
- Front
- Back
Kouros
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600 BCE, Marble
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Kore
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530 BCE, Marble, Acroplois, Athens
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Temple of Hera I
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550 BCE, Paestum, Italy
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West Pediment of the Temple of Aphaia
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600 BCE, Corfu, Greece
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Temple of Aphaia
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500-490 BCE, Aegina, Greece
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Plan and restored cutaway view of the temple of Aphaia
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500-490 BCE, Aegina, Greece
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West pediment of the temple of Aphaia
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500 BCE, Aegina, Greece, Marble
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Dying Warrior, from the west pediment of the temple of Aphaia
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500-490 BCE, Aegina, Greece, Marble
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Riace Warrior
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450 BCE, Bronze, Riace, Italy
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Spear Bearer by Polykleitos
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450BCE, Roman copy of the Greek Bronze original, Found in Pompeii, Italy
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Parthenon by Iktinos and Kallikrates
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447-438 BCE, Acroplois, Athens
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Athena Parthenos by Phidias
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438 BCE, cella of the Parthenon, Acropolis, Athens
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Three Goddesses
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438 BCE, east pediment of the Parthenon
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Details of the Panathenaic Festival Procession
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438 BCE, frieze of the Parthenon
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Erchtheion
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421-405 BCE, Achropolis, Athens
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Caryatid from the South Porce of the Erechtheion
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421-405 BCE, Acroplois, Athens
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Grave Stele of Hegeso
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400 BCE, Dipylon Cemetary, Athens
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Achilles Painter
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440 BCE, Eretria, Greece
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Aphrodite of Knidos by Praxiteles
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350-340 BCE, Roman copy of the Bronze original
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Hermes and infant Dionysus by Praxiteles
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340 BCE, Temple of Hera in Olympia, Greece
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Grave Stele of a young hunter
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340-330 BCE, Athens, Greece
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Scraper by Lysippos
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330 BCE, Roman Copy of the Bronze original
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Weary Herakles by Lysippos
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320 BCE, Roman Copy
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Theodoros of Phokaia
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375 BCE, Tholos, Greece
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Reconstructed West Front of the altar of Zeus
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175 BCE, Pergamon, Turkey
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Detail of the gigantomachy frieze from the Altar of Zues
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175 BCE, Pergamon, Turkey
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Dying Gaul by Epigonos
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230 BCE, Roman Copy, Pergamon, Turkey
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Nike of Samothrace
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190 BCE, Marble, Samorthrace, Greece
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Aphrodite (Venus de Milo)
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150-125 BCE, Marble, Milos, Greece
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Seated Boxer
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100-50 BCE, Bronze, Rome, Italy
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Laocoon and his sons
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1st century CE, marble, Rome, Italy
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Naturalism
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Effect of making a sculpture seem life-like and less idealized.
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Idealization
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Exaggerated protrayal of a subject usually to make them look better or fit a specific cultural stereotype
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Contrapossto
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An Italian term meaning "counterpoise" used in the visual arts to describe a human figure standing with most of its weight on one foot so that its shoulders and arms twist off-axis from the hips and legs
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Ionic Order
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one of the three orders or organizational systems of classical architecture.
Ionic columns normally stand on a base, which separates the shaft of the column from the stylobate or platform. |
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Canon of proportions
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grid system establishing proportions for drawing and sculpting human figures.
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Doric Order
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one of the three orders or organizational systems of Ancient Greek or classical architecture.
the height of Doric columns is six or seven times the diameter at the base.[1] This gives the Doric columns a shorter, thicker look than Ionic columns, which have 8:1 proportions. |
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Colannade
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denotes a long sequence of columns joined at the top.
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Peristyle
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A columned porch or open colonnade in a building that surrounds a court
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Cella
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a room at the centre of the building, usually containing a cult image or statue
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Entablature
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the superstructure of moldings and bands which lies horizontally above the columns, resting on their capitals. Includes frieze and architrave.
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Architrave
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a moulded or ornamental band framing a rectangular opening
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Frieze
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the wide central section of an entablature and may be plain or — in the Ionic or Corinthian order — decorated with bas-reliefs
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Cornice
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any horizontal decorative molding which crowns any building or furniture element
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Pediment
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the triangular section found above the horizontal structure (entablature), typically supported by columns
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