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49 Cards in this Set
- Front
- Back
Matisse Fauvism
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Woman with the Hat
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Matisse favuist
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Joy of life
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Matisse fauvist
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Red studio
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Picasso- cubism
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ladies of avignon
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picasso cubism collage
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guitar sheet music and wine glass
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kirchner german expressionism
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street dresden
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Kandinsky abstract
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Sketch I for composition
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Boccioni modernism
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states of mind
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Boccioni modernism
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Unique forms of continuity in space
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DeChirico futurism
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mystery and melancholy of a street
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Duchamp cubism
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nude descending a staircase
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Duchamp dada
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bicycle wheel
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Brancusi modernism
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bird in space
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Duchamp dada
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fountain
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Miro surrealism
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composition
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Oppenheim surrealist
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object
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Magritte surrealism
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the false mirror
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Dali surrealism
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the persistence of memory
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Mondrian de stijl
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Composition
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Gorky abstract expressionism
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The liver is the cock's comb
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Pollock abstract expressionism
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Autumn Rhythm
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DeKooning abstract expressionism
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Woman I
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Rothko Abstract Expressionism
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No 61
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Rauschenberg Pop Art
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Odalisk
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Johns pop art
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three flags
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Lichtenstein pop art
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drowning girl
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Warhol Pop art
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campbell's soup cans
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Kelly minimalism
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Red Blue green
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Judd minimalism
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Untitled
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Smithson land art
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spiral jetty
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Christo Enviornmentalism and installation
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Running Fence
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Beuys Performance art
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How to explain pictures to a dead hare
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Fauvism
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Brilliant arbitrary color, spontaneous, heightened response to nature, flat space, optimistic
ARTISTS: Matisse, Derain |
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German Expressionism
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Influenced by Fauvism in use of color; primitive approach to figures, often violent messages (social protest)
ARTISTS: Kandinsky, Nolde, Kirchner |
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CUBISM 1907-20’s
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Influenced by Cezanne & African sculpture; several viewpoints shown simultaneously, fragmented view; interlocking planes; subdued colors at first with emphasis on form;
Flat, ambiguous space; Subjects- still life, single figures, collages ARTISTS: Picasso, Braque |
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FUTURISM 1909-20’s
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Cubism in motion, Italian movement, dynamic compositions
ARTISTS: Boccioni |
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DE STIJL 1915-30’s
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Dutch school, abstract & non-objective/shapes; primary colors
ARTISTS: Mondrain, architect: Reitveldt |
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Dada
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Revolutionary, anarchic movement by artists and writers aimed at destroying art as an aesthetic cult & replace it with anti- art. Meaningless and shocking, arbitrariness not order creates the final form. Rejection of society in favor of anarchy in art & politics; ready mades
ARTISTS: Duchamp |
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SURREALISM 1929’s-40’s
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Acknowledged supremacy of irrational association & imaginative insight. Influenced by theories of Freud, Two directions: 1. Automatism (non- objective) 2. Realistic, elaborate, bizarre dream images
ARTISTS: Miro, Dali, Ernst, Magritte |
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SUPREMATISM 1915’S-20’S
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Russian school, Square shapes of one color. Malevich.
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ABSTRACT EXPRESSIONISM 1940’s-60’s
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New York school emphasized spontaneous personal expression; Influenced by Surrealism, Cubism & German Expressionism; “ Action Painting” Large variety of styles; very large canvases; mainly non-objective; highly emotional
ARTISTS: Pollock, DeKooning, |
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POP ART late 1950’s-60’s
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Celebrates imagery & techniques of mass media, advertising & popular culture; reaction against obscurity of image in Abstract Exp. Presents everyday objects as art.
ARTISTS: Warhol, Oldenburg, Lichtenstein, Johns, Rauschenburg |
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COLOR FIELD 1950’S – 70’S
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Outgrowth of Abstract Expressionism. Large canvases with areas of simple colors. Large, non-objective shapes.
ARTISTS: Rothko, Frankenthaler |
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Minimal Art
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Sculpture & painting; Sculpture- reassertion of the physical reality of the art object, non-objective
ARTISTS: Painters – Kelly, Stella: Sculptors - Judd, Smith, Andre |
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Photo Realism
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Virtual realism in painting; 20 century subjects (store-fronts; diners; man-made objects; portraits)
Richard Estes- store fronts |
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OP ART 1970’s
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Non-objective, strong, geometric color contrasts, visual illusions
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PERFORMANCE ART 1960’S
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Combines art & theatre. Redefines art in terms of human activities, not objects.
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INSTALLATION ART 1990’s
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The creation of an entire environment in a room or gallery space.
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LATE MODERNISM (POST-MODERNISM) 1970’s – present
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Neo-Expressionism—return of the figure, artist’s moods & fantasies as subject.
Abandonment of visual refinement in favor of expression. Varied multi-cultural references |