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58 Cards in this Set
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Rococo |
organic unity of art, growing and gardens, reflections of mirrors and windows, spring pallet, redundant small elegance, pagan gods |
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Artist, Name, Place |
F. De Cuvillies, Hall of Mirrors, Amalrenburgh Palace, Munich. Rococo |
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Watteau, Pilgrimage to Cythera, Louvre. Rococo Flemish-colorist tration of color vs. drawing.Poussinistes (form over color) Rubinestes(supremacy of color) |
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Jean-Honore Fragonard, The Swing, Wallace Collection London. Rococo |
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Neoclassicism |
Same time as start of archeology. Reject Rococo and frivolity. Convey moral, social, political values of dominance of drawing, antiquity, morality. Compact, enamel-like colors, geometric harmony, greek and roman culture. |
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Johan Winklemann |
"Novel simplicity and sedate grandiose in gesture and expression" German theorist on Neoclassicism and Enlightenment. |
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Enlightenment Philosophers |
Newton, Looke, Voltaire, Rosseau. Scientific question and perception. No original sin. Rosseau thought arts corrupted man. |
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Jaques-Louis David, The Death of Marat (July 13, 1793) Neoclassicism Murder of important politician Marat David radical faction of partiessick, (1st art used in politics->martardome of the revolution) |
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Jaques- Louis David (1748-1825) Oath of the Horati, 1784, Louvre Paris. French but studied in Rome-> Neoclassicism Story: Rome VS. Analogna-> 3 chamions (Rome) to face 3 champions(Alba)- Brothersdepicts the three brothers swearing to win and recieve swords from father, woman grieve in corner from french revolution |
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Thomas Jeffereson, Virginia State Capitol 1785 Rotunda University of Virginia |
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"Psyche Revived by Cupids Kiss" Antonio Canova Epitome of neoclassical sculpture in venice -> 1779 Rome (Disc. Bernini)embodied winkelmann’s beliefs Ideal beauty 1802-> Napolean |
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“The Sleep of Reason Produces Monsters”, Francesco Goya NYC, Met 1798. (Spain 1746-1828) x Neoclassical: rationality and order vs. romantic creative process |
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Romanticism |
(1790-1850) sublime: aw and terror/ revival of emotion E. Burk: theorist of romaniticismKnowledge: freedom, imagination, individuality Philosophy: Rousseau-freedom E. Burke First time artwork displayed dreams and nightmares depicted as a internal interest with midevil art, mysterious and fantastic reaction towards industrial revolution, enlightenment of neoclassicism and reason“Long ago” and “Far away" |
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“ The Raft of the Medusa” Theodore Garicoult. 1818 Louvre, >150 sailors of a raft for 15 days with no food or water, in the end there were only two survivors realistic treatment historical event |
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Third of May of 1808, F. Goya, Madrid, Prado Museum 1809 Ferdinad 7th wanted to overthrow his parents so he went to Napoleon. Napolean then double crossed Ferdinad, however the French Found outThis picture depicts the soldiers shooting the spainard peasants |
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Realism (1840-1890) |
individualclasses and societyhuman rightsart must be real lifepolitical and social satirepositivism: analysis of observationsdata and numerical basedscience is the minds highest achievement |
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“Liberty leading the People” DelacroixLouvre, 18301st painting of modern history |
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Portrait of Kleptomaniac T. GericaultGhent, Museum of Fine Arts, 1822expression of emotion and madnessone set of 10 portraint of monomaniacs -kidnapperstyle of romantic portraiture |
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“The Stone Breakers”By Gustave Courbet (1819-18977)1848, destroyed in 1945 at Dresden |
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Le dejuner sur l'herbe Musee d’ Orsay, 1863, Paris Eduard Manet (1832-1883)wealthy traditional familymoved awar from illusionism to acknowledge element of painting techniques |
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“The Gleaners” By Jean Francois Millet (1814-1875)Musee d’Orsay 1857 Parisrepresented humble job (monumentality) |
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Lois leroy |
Lois Leroy (art crtic) gave the art movement the titlecaptures a movement in life, the “now” of realityinfluenced by the first industrial revolution and urbanizationmarism->workers overthrowing capitalismDarwinismSpencer with the socioeconomic realmModernism:new attitude towards art, honesty of materialism, moved away from the illusion |
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Manet, Olympia, 1863, Orsay, ParisTitian “Venus of Urbino”no glow, more aware (defiant gaze) |
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Impression: Sunrise”Paris, Musee Marmottan, 1872by Clause Monet (1840-1926) studied in classes of themes (haystacks) |
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A. Cabanel, Phedre, 1880, Paris (Academic Paintings) |
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“The Boating Paty”by Renoir (1841-1919)Washington, Philips Memorial 1881 |
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“Saint-lazare Trin Station”Musee d’Orsay (1877)by Clause Monet (1840-1926)focussed on modern life, trains, speed, movement, industrialization |
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“In a Cafe, Absinthe”1873Musee d’OrsayDegas |
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“Bellelli Family” Musee d’ Orsay (1858-67)Edgar Degas (1834-1917) son of a baker-> see the world: simple/ beautiful captured the flow of modern life (dancers, laundresses, milliners) wider range of mediums |
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Charles Baudelaire |
“Flaneur”- to stroll by Charles Baudelaire “Urban gentleman who strolls through the modern city" |
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“The Rehearsal”DegasScottland1874 |
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“At the Moulin Rouge” by Toulouse- Lautrec1892-1895Chicago Art Institute |
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“Potato Eaters”By Vincent Van Gogh1885Van Gogh Museumhummbled and poor |
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“A Sunday at La Grande Jatte”By George Seurat1886Chicago Art InstitutePrimary colored dots |
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“Starry Night”By Vincent Van Gogh1889MOMAView on death |
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Night Cafe"University Art Gallery, Yale1888University Art Gallery, YaleBy Vincent Van Gogh |
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“Vision After the Sermon”1888National Gallery of ScottlandPaul Cezanne (1889-1906)firm outlines enclosing areas of unmodulated colors"impressionism lack form and structure" |
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“Portrait de l’artiste au chapeau”Paul Gaugin1893Paris, Musee d'Orsay |
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Basket of ApplesChicago Art institute1895Paul Cezannesoley based on colors |
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“Mont Sainte-Victore”Paul CezannePhilidelphia Museum of Art |
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(Fauves-Beast)created by Vauxellesexpression of emotions with strong colors and simplification of formsrefference-impressionism/emotional drive of color |
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FrenchEurope and America (1900-1945)Dada (1916)FuturismCubism (1907)ExpressionismSurrealism (1924)Fauvism (1905) |
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“The Woman in the Hat”Matisse (Also Musician)FauvismSan Francisco, Museum of Modern Artexpression from arragement of different elements available to painterharmony of colors similar to that of muscial compositionpatches/splotches of arbitrary colors0>reaction in viewer |
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“Boats at Coillure”A. DerainFauvism1905 |
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Derougatory by VauxcellesAnalytical (<1912) small faucets of analyzed objects wich are reassembled to create the same object Synthetic(1912>) collage cut into forms or reproduced objects |
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“Harmony in Red”H. Matisse1908Heritage Museum, St PetersburgFauvismBorgoughese ref. Gauguin |
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“The Blind Man’s Meal”Picasso1903MetBlue Period (1901-1904)sad and poverty stricken |
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Portrait of A. Vollard PicassoCubism1910Moscowreplaced reality with concieved realitymore physical space>mental space |
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“At the Lapin Agile”Rose Period1905MetPicasso |
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“Actor”Picasso1905MetRose Perios (1904-1907)Happier themes dealing with Carnival , sensuality and sexuality |
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“Les Demoisellse d’Avignon”1907 MOMAAfrican Art influenceProstitutes |
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Gertrude Stein1905-1906MetPicassoAfrican Art influenceRose Period |
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Landscape with TowerBy Kandinsky1908Paris, Centre Pomp.based on Bowe House teachingsconsists of “impression, improvisation, and compositionGerman Expressionism |
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German Expressionism |
(1907)color distorted ans agitade brush strokesKirchner: exasperation of naturalism grotesque expresions detrimental effects of industrialization alienation of the individualsKandinsky: spirituality Abstraction |
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Italian Avant GardOnly art during this time that displayed themes infavor of war during the timeManifest: public depiction of intended courses of action |
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“Black and Violet”KandinskyBowe HouseGerman Expressionism |
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Skyscrapers and Tunnels”FantunatofuturismNYC Guggenheim |
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“Dynamism of a Dog on a Leash”BallaFuturism1912 |
