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45 Cards in this Set

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WALL WITH TORAH NICHE


C. 245 CE


Jewish and Early Christian Art


Dura-Europos, Syria


From house synagogue


Unusual because there are people in the paintings


Bench goes around wall

Jewish ch 7

THE CROSSING OF THE RED SEA


C. 245 CE


Jewish and Early Christian Art


Dura-Europos


Narrative Scene (continuous)


Multiple moments represented


Both guys are Moses at different points in his life


Two hands of God (unusual)


Forearm of God (unusual)

GOOD SHEPHERD, ORANTS, AND THE STORY OF JONAH


Jewish and Early Christian Art


Painting on the ceiling of Catacomb SS


Peter and Marcellinus, Rome


5 stories deep, made possible because of soft, porous, calcium-rich rock


Greek cross, each end is same length and short


Religious stories told in code (Story of Jonah represents story of Jesus, Jonah was in bell of whale for 3 days and Jesus died for 3 days, typology)


Orants- standard representation of prayer


4 seasons represented

RECONSTRUCTION DRAWING OF OLD ST. PETER'S


Jewish and Early Christian Art


Rome


Costantine- father of church, legalized church in 313 CE, built large scale churches


Atrium- place for unbaptized worshipers, baptism was an adult decision


Many columns were taken from pagan places


Many mosaics and frescos

CHURCH OF SANTA COSTANZA


C. 350


Jewish and Early Christian Art


Rome


Built as Mosaleum for one of Constantine's daughters


Many ppl get married there


Central plan is typical for an Imperial Mosaleum, adapted


GRAPE HARVEST


C. 350 CE


Jewish and Early Christian Art


Ambulatory vault, Santa Costanza, Rome


Old-fashioned way of making wine


Wine- blood of Jesus


Could also represent Dionysus or Bacchus, husband never converted

SARCOPHAGUS OF JUNIUS BASSUS


Jewish and Early Christian Art


Rome


Palm Sunday Story Represented, relates to equestrian statue, imperial


Christ also depicted in Heaven, feet upon head

? OF GALLA PLACIDIA


Jewish and Early Christian Art


Debate about whether or not this was an oratory (chapel) or mausoleum (even though she was burried in Rome), most likely mausoleum


Ravens, used to be port city, ppl keep trying to take over, often changed hands


Belonged to Woman named Galla Placidia , imperial (emporer' s daughter), kidnapped and held for random, married emporer and ruled there


Capitol of Byzantine Empire


Not very large, modest on outside


Every sq. inch in vault covered by mosaic, Windows made from alabaster making the light that shines thru gold and shimmering

THE GOOD SHEPHERD


Jewish and Early Christian Art


Mausoleum of Galla Placidia, Ravena


Imperial Christ (purple), represents the religion's stance in a society from illegal to official religion of the Empire, makes sense bc Galla Placidia was imperial


Tesserae- mosaic tiles (individual), gold- real gold in tesserae to create shimmer

CHURCH OF SAN VITALE, RAVENA


C. 547


Byzantine Art


Martyrium (church built over grave of martyr) and imperial church


Becomes western imperial center


Many mosaics


2 levels, gallery and floor


Renaissance and Baroque style frescos

CHRIST ENTHRONED, SURROUNDED BY ANGELS, ST. VITALIS, AND BISHOP ECCLESIUS


C 547


Byzantine Art


San Vitale, Ravenna


In apse of San Vitale


Seated on orb of the universe representing his dominion and power over it


St. Vitalis is the martyr


The bishop is offering the model of the church to Christ while Christ is offering the martyr crown to St. Vitalis, themes of offering


Gold background gives the impression of being in the Heavenly realm

EMPEROR JUSTINIAN AND HIS ATTENDENTS


C. 547


Byzantine Art


No documents of him ever being in Ravenna, but this mosaic acted as his presence, just like CONSTANTINE


Has halo, but not a saint


Themes of offering


Gold background, floating feet


Can't match soldiers' feet to their bodies


Justinian made himself a diety with 12 disciples on the right side of Christ's mosaic

EMPRESS THEODORA AND HER ATTENDANTS


C 547


Byzantine Art


Justinian's wife


Has halo


More themes of offering


Grew up in royal circus, preferring Lida and the Swan


1 of the most beautiful women in Constantinople


3 magi on her gown


Represents high figure with 12 disciples

MONASTERY OF ST. CATHERINE AT MT. SINAI


Byzantine Art


Individuals seeking salvation and epiphanies won't leave cities and come here


Justinian sponsored building campaigns here

VIRGIN AND CHILD WITH SAINTS AND ANGELS


C. 6th Century


Byzantine Art


Icon, sacred image in the eastern church


Pray to the image of them because they are closer to you and human so they're less intimidating


Some icons were more powerful than others


Theotohis, bearer of God, has her official designation


Angels looking toward Heaven


Many looking towards future


Saints looking at us


Very few Byzantine pieces survived because of the iconoclastic crisis

ARCHANGEL MICHAEL


Byzantine Art


Diptych panel


Ivory and large


Great craftsmanship


Considered to be a palace item

REBECCA AT THE WELL


Byzantine Art


Page from a codec featuring Genesis


There is only one


Known as Vienna Genesis


Made on parchment or vellum


The work of a monk


Blue dressed woman is a personification of the well


Continuous narrative

CHRIST PANTOKRATOR WITH SCENES FROM THE LIFE OF CHRIST


Byzantine Art


Same image that is in center of most domes


Christ as judge


Apocolyptic image

CRUCIFIXION


Byzantine Art


Daphni


Iconic, crucifixion for praying


Contrapposto


Detail in Christ's torso


Not Christis panteon, Christis triumphis


Skull provides a place, Gulca Gulgatha


Skull represents need for salvation, blood trickles down onto skull of Adam

DAVID COMPOSING THE PSALMS


C. 950


Byzantine Art


In the book, the Paris Psalter


David portrayed in Roman aristocratic robes


Muse with David helping him write music


Woman hiding behind pillar is a nymph


Tan man represents the mountain where the scene takes place

HINGED CLASP FROM SUTTPN HOO BURIAL SHIP


Early Medieval Art in Europe


Cloke clasp


Gold plaques with granulation and inlays of garnet and checked millefiori glass


Interlaced style, often used with animals, abstract, serpents and boars

CHI-RHO-IOTA PAGE, THE BOOK OF KELLS


C. LATE 700's - EARLY 800's


Early Medieval Art in Europe


Size of notebook paper


Very intricate


At the time, prayer, meditation, self-reflection


The book was found with a note written in first person


Interlaced style


Animal style, cats attack mice, mice attack posts


Symbol for Jesus Christ

PALACE CHAPEL OF CHARLEMAGNE (PALATINE CHAPEL)C 792-805


Carolingian


Modeled after imperial church to associate himself with imperialism


Aachan, royal court, made to be cultural center


German architecture


Be able to differentiate btwn this church and San Vitale

PLAN OF AN IDEAL MONASTERY (AKA ST. GALL PLAN)


Carolingian


St. Gall, Switzerland


Center was the church, focus of everything


Uses equations to geometrically represent the universe


Cloister, (n) enclosed courtyard, (v) kept cut off from outside world


Bathrooms exceed 20th century sanitation standards


Orchard, doubled as cemetery

GOSPEL PAGE OF ST. MATTHEW, CORONATION GOSPELS


C. EARLY 800's


Carolingian


Charlemagne's personal book, used for emporer coronations


Red was originally purple to represent royalty

GOSPEL PAGE OF ST. MATTHEW, EBBO GOSPELS


C. MID 800's


Carolingian


Synthesis of linear and classical styles


More detail, linear

PSALM 23, THE UTRECHT PSALTER


Carolingian


Psalms are very metaphorical


Artists presents Psalms in a very literal way

GERO CRUCIFIX


Ottonian


Cologne cathedral


1st of its kind


German and Byzantine blend (much like the courts), loin cloth- Byzantine, gold background- Byzantine, wood carving- German, death rendering- German


Spot in back of head for communion bread

BRPNZE DOORS OF BISHOP BERWARD, ST. MICHAEL


Ottonian


Made of Bronze, which was uncommon


Individual scenes done in panels, downfall of man (Adam and Eve), salvation of man, overall theme of judgement, Adam and Eve scolded by God (image), Body language, god- leaning in and pointing, Adam and Eve crossing their arms and bowing in shame

SANTIAGO DE COMPOSTELA


Romanesque


Revival of barrel vaults


Made to accommodate pilgrims


Ambulatory- walkway for pilgrims


Wealthy patrons rode horses in ambulatory because the horse would be stolen if left outside

RELIQUARY OF SAINTE FOY (ST. FAITH)


Romanesque


Conques


She died at young age, martyr


Used to hold skull


Still actively used

ABBEY OF NOTRE-DAME OF FONTENAY


Romanesque


Fontenay


Pointed arch Islamic architecture

TRUMEAU, SOUTH PORTAL, ST. LAZARE, ATUN


C. 1120-1145


Romanesque


Some people dismantled it and sold it block by block


Jesus seated in throne with Apocolyptic last judgement events going on around him


Tondi at top of arch depict zodiac signs, constellations, time on earth in cosmos

THE MAGI SLEEP AND THE FLIGHT INTO EGYPT


Romanesque


Storied told in picture, public was mostly illiterate

THE BAYEAUX EMBROIDERY


Romanesque


Very large


Historical document, tells story of William the conqueror taking over, gives detail of how the fight was executed


Multiple people worked on it

CHOIR, AMBULATORY AND APSE OF SAINT - DENIS


C. 1140-1144


Gothic Art of the 12th and 13th Centuries


Abbot Suget stopped the builders because he wanted there to be more light (stain glass windows), new territory- arch buildings were always dark, large stain glass windows, pointed arches, bay- square area in middle of 4 columns (used as measurement for church), ribbing- structural, rib vaulting, rib groin vault

SAINTE CHAPELLE


C. 1239-1248


Gothic Art of the 12th and 13th Centuries


Virtually all windows


Gold ribbing


Before Revolution, it contained candelabras larger than people and statues made of gold and silver

EKKEHARD AND UTA


Gothic Art of the 12th and 13th Centuries


Military man past his prime


Uta- queen- cloaking herself in reaction to being around gross commoners


Snow White's evil step-mother was modeled after Uta

WEST FAÇADE, CHARTRES CATHEDRAL (CATHEDRAL OF NOTRE-DAME)


C. 1134-1234


Gothic Art of the 12th and 13th Centuries


Not good example of gothic architecture because Chartres rebuilt it all stupid after the fire


Site devoted to virgin Mary


Belief that God and Mary did not think it was glorious enough led them to rebuild it in 100 yrs


Copper roof


Massive, no blueprints

ROYAL PORTAL,CHARTRES CATHEDRAL


Gothic Art of the 12th and 13th Centuries


Jam sculptures


-prophets Christ's ancestors


-old testament royalty


-elongated


-more organic and round


-same sculptors as sainte-denis?, drawings are similar


Flying buttress, key part of ability to add windows, diagonal beams come off building and extend down to support

ROSE WINDOW AND LANCETS, CHARTRES CATHEDRAL


Gothic Art of the 12th and 13th Centuries


Brilliant colors


Light shines thru


Rose represents Mary, thin rosary


Pictures start at center with highest diety and goes outward descension


Fleur de Lis, royal emblem


Heavenly royalty justifies Earthly royalty

CENTRAL PORTAL, RIGHT SIDE, WEST FAÇADE, REIMS CATHEDRAL


Gothic Art of the 12th and 13th Centuries


Jam sculpture


-Gabriel tells Mary about her pregnancy with Jesus


-Mary


-Elizabeth (Mary's sister)


-John the Baptist (Elizabeth's kid)


-classical revival: all are in contrapposto, Mary's hair


-3 different artists


-high gothic courtly beautiful, rosebud lips, elongated bodies


-polychrome

THE HOURS OF JEANNE D'EVEREUX


14th Century Art in Europe (Gothic)


Gothic S curve


Cotropposto, but more smooth and elegant

VIRGIN AND CHILD


14th Century Art in Europe (Gothic)


Silver guild


-silver statue with gold plating


Gray-scale

VESPERBILD (PIETÁ)


14th Century Art in Europe (Gothic)


Wood carving


Mary holding crucified Jesus


Polychrome


Gross congealed blood on wounds