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32 Cards in this Set
- Front
- Back
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Julia Morgan Casa Grande, Hearst Castle. San Simeon California, begun mid-1920s patron William Randolph Hearst (newspaper magnate) |
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Frank Lloyd Wright Hollyhock house LA California 1919-21 patron Aline Barnsdall (theater producer and oil heiress) |
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Harry Sternberg Fascism 1942 Columbus museum of art, Columbus, Ohio |
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Dorothea Lange: Migrant Mother, Nipomo, California, 1936 |
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Walker Evans: Washroom and Dining area of Floyd Burrough's Home, Hale County Alabama, 1936 |
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Richard J. Neutra, Lovell Health House, 1927, Los Angeles, CA, 1928 |
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Greene and Greene_David B. Gamble House, Pasadena, CA, 1909 |
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Norman Rockwell (1894-1978), “Freedom From Want,” 1943 |
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Diego Rivera_allegory_of_california 1931 |
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Henry Howard Coit Tower, San Francisco, CA 1933 |
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Victor Arnautoff, City Life (left section) 1934 San Francisco, California's Coit Tower. |
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Charles Sheeler, American landscape 1930 |
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William van Alen, Chrysler Building, NYC, 1928-30 |
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Margaret Bourke-White, Fort Peck Dam, photograph on the cover of Life, November 23, 1936 |
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Thomas Hart Benton, City Activities with Dance hall from the series America Today for the New School for Social Reserch, NY, 1930 |
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Edward Hopper Office at Night 1940 |
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Lucienne Bloch, Land of Plenty, c.1935. Woodcut, |
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John Steuart Curry (1897–1946). Baptism in Kansas, 1928. Oil |
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Grant Wood, American Gothic (1930) |
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Jacob Lawrence, She felt the first sting of slavery, from the Harriet Tubman series. 1939-40. |
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Paul Cadmus, The Fleet's In!, 1934 |
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Boris Gorelick, Strange Fruit, 1939. Lithograph |
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Rockwell Kent, Bombs Away 1942 |
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Henry Sugimoto, When Can We Go Home? 1943 |
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Peter Blume, The Eternal city, 1934-37 MOMA |
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Stuart Davis, Sweet Caporal 1922 |
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Gertrude Greene, Space Construction 1942, 1942 |
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Mark Rothko, Sacrifice of Iphigenia, 1942 |
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Jackson Pollock, Autumn Rhythm No.30, 1950 MOMA |
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Philip Evergood. Renunciation. 1946. Oil on canvas. 125 x 90 cm. |
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Isamu Noguchi, Humpty Dumpty 1946 Whitney Museum NYC |
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Andrwe Wyeth: Winter 1946, 1946 |
