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20 Cards in this Set

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Title of Work: Sarcophagus of Reclining Couple


Origin: Banditaccia necropolis, Cerveteri, Italy


Date: 520 BCE


Material: Painted terracotta


Etruscan hallmarks focus on upper 1/2 & emphatic gestures


4 separately cast sections


Husband & wife sharing same banqueting couch - only men in greece


Audacity of Etruscan women


Very different from stiff Egyptian funerary sculpture

Title of Work: Still life with peaches


Origin: Herculaneum, Italy


Date: 62-79 CE


Material: Fresco


Roman interest in illusionism - still life paintings


detail of a 4th style wall


attention to shadows & highlights



Title of Work: Portrait of Augustus as a general, from Primaporta


Origin: Primaporta, Italy


Date: 20 BCE


Material: Marble


Role playing in Roman Portraits


Standing like Polykleitos's Doryphoros


idealized head


reliefs on cuirass - return of Roman legionary banners


Cupid - divine descent - Venus

Title of Work: Ara Pacis Augustae


Origin: Rome, Italy


Date: 13 - 9 BCE


Material: Marble


Altar of Augustan Peace


Dedicated to Pax


Commissioned by Roman Senate to honor return of Augustur to Rome


Depictions of procession of members of Imperial household and of peace/roman civic ritual


Abundance of Roman Peace


Civic ritual function and propaganda for Augustus - easing autocracy & dynastic notions

Title of Work: The Pantheon


Origin: Rome, Italy


Date: ca. 118-125 CE


Material: Concrete


Hadrian ruled - dedicated to Marcus Agrippa


Temple of all gods


8 Corinthian columns - tradition


142ft diameter dome, 142ft from floor


orb of earth & vault of heavens


use of light - beam moves over the day

Title of Work: Equestrian statue of Marcus Aurelius


Origin: Rome, Italy


Date: 175 CE


Material: Bronze


omnipotent conqueror


arm stretched in mercy


enemy prev. under horse


thought to portray Constantine - not melted


Confidence - not head or other portraits - sad, weary



Title of Work: Christ as the Good Shepherd, Galla Placida


Origin: Mausoleum of Galla Placida, Ravenna, Italy


Date: 425 CE


Material: mosaic


above entrance


most regal portrayal


haloed, gold & purple


naturalistic classical tradition - cast and shadows

Title of Work: Justinian, Bishop Maximianus and attendants, San Vitale


Origin: San Vitale, Ravenna, Italy


Date: 526-547 CE


Material: mosaic


Byzantine aesthetic


positions - emperor centred, purple robe & halo - connect w/ savior in vault above


bowl overlaps arm - imperial and church powers in balance


nothing in background - it's here

Title of Work: Hagia Sophia


Artists: Anthemius of Tralles & Isidorus of Miletus


Origin: Constantinople (Istanbul)


Date: 532-537 CE


Material:


Justinian


Incredible size


180ft high dome


minarets added after ottoman conquest


Plain exterior, windows in dome's base - rests on it


weight to piers instead of walls



Title of Work: Purse cover from the Sutton Hoo ship burial


Origin: Suffolk, England


Date: 625 CE


Material: Gold, glass, cloisonne garnets


royal burial ship


abstract interlace with animal figures - early medieval art in W Europe


Beowulf - conquer monsters

Title of Work: Chi-rho-iota page, Book of Kells


Origin: Iona, Scotland


Date: Late 8th - early 9th century


Material: Tempera on vellum


biblical - abstract pattern - god's words beautiful


early medieval metalwork


illiterate irish christians


now this is how the birth of christ came about

Title of Work: Saint Matthew, Ebbo Gospels


Origin: abbey of Saint Peter, Hautvillers, France


Date: 816-835 CE


Material: Ink & Tempura on vellum


Gospel book produced for Archibishop Ebbo of Reims


Coronation Gospels author portrait similar model


not calm - frenzy energy


Carolingian style

Title of Work: Interior of Saint-Sernin


Origin: Toulouse, France


Date: 1070-1120 CE


Material: Stone


Fireproof focus after canterbury blaze


suitably majestic setting and enhanced acoustics


very precise


longer, wider naves & aisles


tribunes for overflow crowds - buttressed barrel vault

Title of Work: Gislebertus , Last judgment, Autun


Origin: Saint-Lazare, Autun, France


Artist: Gislebertus


Date: 1120-1135 CE


Material: Marble


tympanum


separation of blessed & damned


terrify sinners back to church


angels and devil's agents - manipulate the balance


dragon mouth of hell


demon crushes into furnace

Title of Work: Ambulatory and radiating chapels, Saint Denis


Artist: Rebuild commissioned by Abbot Suger


Origin: Saint-Denis, France


Date: 1140-1144 CE


Material:


Beginning of Gothic architecture


Pointed arches, rib vaults


slender columns


Stained-glass windows


exists between earth and heaven

Title of Work: West facade and plan of Chartres Cathedral


Origin: Charters, France


Date: 1145-1155 CE


Material:



Symbolize human knowledge


Celebrate revival of classical scholarship


Rebuild 1194


Royal portal - K&Q flank doorways, most complete surviving ensemble of early gothic


Symbolize human knowledge


Celebrate revival of classical scholarship


Rebuild 1194


First high gothic building


Rectangular instead of square nave bays


Single square in each aisle flanks single rectangular unit in nave


Abandoned alternate support


Unified interior




Title of Work: Madonna Enthroned, Giotto di Bondone


Origin: Chiesa di Ognissanti (All Saints' Church), Florence


Artist: Giotto di Bondone


Date: 1310 CE


Material: Tempera & gold leaf on wood


Byzantine style in Italian


revived classical naturalism


create illusion they could throw shadows


First renaissance painter


Cimabue's Madonna


gothic throne - stability of goddess


weighty, queenly - bulk


projecting into light, angels at common level


End of medieval painting in Italy

Title: Doryphoros (Spear bearer)


Artist: Polykleitos


Place: Roman copy from the palaestra, Pompeii, Italy


Date: 450-440 BCE


Material: Marble


perfect sculpture attempt - impose order on human movement


harmonic proportions, cross-balancing throughout

Title: Parthenon


Artists: Iktinos and Kallikrates


Date: 447-432 BCE


Material:


Ideal of Greek Doric architecture


perfect proportions despite odd shape


incorporates ionic elements

Title: Nike of Samothrace


Place: Samothrace, Greece


Date: 190 BCE


Material: Marble


Hellenistic baroque sculpture


Victory on a Greek warship


theatrical effect - wind, storm - fountain setting