Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
60 Cards in this Set
- Front
- Back
|
Movements |
1. Post impressionism >symbolism 3. Cubism 4. Futurism 5. Purism 6. Neoplasticism (de stijl) |
|
|
symbolist artists |
Gauguin Van Gogh Munch Klimt |
|
|
expressionist artists |
Heckel Kirchner Marc Nolde Kandinsky Klimt (Gauguin, Van Gogh, Munch) |
|
|
fauvist artists |
Matisse Derain |
|
|
cubist artists |
Braque Picasso Delauney Leger Duchamp |
|
|
futurist artists |
Carra Boccioni Balla Marinetti Severini |
|
|
Purism artists |
Le Corbusier Leger Doesburg |
|
|
De Stijl/neoplasticism artists |
Mondrian Rietveld Doesburg (Leger) |
|
|
main aspects of modernism |
1. flatness of the canvas 2. move towards abstraction 3. rational v. emotional 4. ordering the world - purism |
|
|
Mont Sainte-Victoire, Chateau Noir, Sea at L'Estaque |
-Cezanne -end of impressionism, post impressionism -reducing the landscape to basic forms -geometric shapes of the natural world: constructive period -the energy/mvmt of the earth -role of light -giving concrete shapes to sensation |
|
|
Bowl of Apples, still lifes |
-Cezanne -multiple perspectives: looking at and down -solid shapes -introvert - control over objects -use of color -flatness |
|
|
Madame Cezanne |
-geometric construction -play of light: ill in color -uncon use of colors -flatness -no expression, focused on the paint itself: architectural approach of building shapes |
|
|
Bathers |
-Cezanne -comparing the human body to the natural world: their place in it, a part of it -still life, portrait, and landscape -modern subjects - not allegorical or rel -not idealized, normal people -blurred facials -dabs of colors, flatness |
|
|
Felix Feneon |
-Signac -use of color -geometric shapes/patterns -frozen in time |
|
|
Bathers at Asnieres, La Grande Jatte |
-Seurat -pointillism: dots of pure color -organizes the space: more orderly than imp -monumentalized - no mvmt -straight horizon - org in levels -middle class, normal people -shows industry: steam |
|
|
Jacob Wrestles w the Angel, Self Portrait, Yellow Christ (1880/90s) |
-Gauguin -symbolist works: the imaginary world of the artist -Jap inf: blocks of color with outlines: cloisonne effect - no DEPTH -involves himself w religion -nonwestern inf |
|
|
Fruit Pickers, Manao Tupapau: spirit of the dead watching, Where Do We Come From? What Are We? Where Are We Going? Contes Barbares |
-Gauguin -inf of Manet - Olympia, realistic woman -South Pacific Island of Tahiti works -timelessness/monumental: nonwestern inf -spirit of the dead: their culture, showing fear instead of Olympia (confident) -ancient stories; cycle of life - deeper meaning of life, showing Tahitian life but has w inf. -trying to show himself as a part of that fantasy world |
|
|
Self-Portrait dedicated to Vincent van Gogh, Café at Arles, with Mme. Ginoux |
-Gauguin -return to France -friends w Van Gogh: his inf, his own take |
|
|
neoimpressionist artists (divisionist/pointillism) |
Seurat Signac |
|
|
Mme. Ginoux, Postman, M. Roulin, Mme. Roulin |
-Van Gogh -portraits -creating textures: emotions -no mixed colors -emotion in color, line, texture -flatness |
|
|
self portraits: Van Gogh |
-inner emotions -brushwork -use of light |
|
|
Night Café, The Potato Eaters, Japonaiserie, Bridge in the Rain, Starry Night, Crows over Wheatfield |
-Jap inf -using color to create mood/emotion -light sources -texture: sculptural -thick lines -flatness, the material itself |
|
|
Rue du Rivoli, The Scream, Anxiety, Dance of life |
-Munch -impression of the city: inf of modernism -clear emotions -huge blocks of color, flatness |
|
|
symbolist ideas (1890s) |
-flatness, blocks of color, moving towards abstraction -modern subjects, modern life/technology -putting inner emotions on the canvas -deeper meanings than what's on the canvas: not just painterly -but also using paint to make these meanings |
|
|
fauvist ideas (1900-1910) |
-unconventional use of color to convey emotion -paint and canvas qualities |
|
|
Charing Cross Bridge |
-Derain, first fauve painter -ext divisionism -huge pieces of color, not blended -dots and lines |
|
|
Luxe, Calme, et Volupté Le Luxe II |
-Matisse -neo imp/divisionist painting: Seurat inf -second version: bigger patches of paint, outlines, simpler comp -insp by Gauguin: outlines, pure color -inf of African sculpture |
|
|
The Joy of Life |
-Matisse -the emotional quality of paint -sexual poses and references |
|
|
Mme Matisse, Red Trousers |
-unconv use of color -open legs: much more wild/primitive than Olympia -blocks of color, flatness |
|
|
Music, The Dance |
-Matisse -only 4 colors, really simplified colors and forms -harsh contrast and a starkness -flatness -unconv forms |
|
|
cubist ideas |
-conceptual breakdown of forms: flattening volume and space into flat planes shown all at once -the imp of SURFACE - flatness of the canvas -interest in African art -multiple POVs, playing w our perception -Impr. inf -manipulation of the world and the viewer |
|
|
Self portrait, La vie, Gertrude Stein |
-early Picasso -Cezanne inspiration -flatness, breakdown of forms -Iberian eyes: inf of African art -real life depictions: fringes of society |
|
|
Les Demoiselles D'Avignon |
-Picasso -first cubist work -Iberian eyes, African masks -in a brothel: bringing the primitive body to a low place - sensual references: fruit, female body -manipulating the body -manipulating the viewer: what is what? -very geometric forms/lines |
|
|
Houses at Estaque |
-Braque -very insp by Cezanne -simple colors -geometric forms |
|
|
Portrait of Kahnweiler |
-Picasso -analytic cubism: multiple POVs, overlapping planes -monochromatic -little clues: mustache, eye, nose, hand, bottle -references Seurat/Cezanne |
|
|
Portugaise/Aficionado - Le Journal |
-Braque/Picasso -broken pieces to create a whole -pieces of the face, guitar -using typography |
|
|
Chair caning Still Life, collages |
-synthetic cubism: using actual objects, not breaking them down -collage -cafe setting -typography -conceptual clues |
|
|
Salon d'Or differences |
-used color -connection to futurism: mvmt/violence |
|
|
Nude descending a staircase |
-moving notstatic -Like film stills flickering -Motion on a still canvas |
|
|
Eiffel Tower, Paris, circular forms |
-Delauney -multiple POVs layered -modern life -movement and energy -blocks of colors -abstraction but still recog -forms/shapes of color - representational but not realistic/direct |
|
|
The Smokers, Contrasts of Form, The Cardplayers, The City, The Mechanic |
-Leger -inf of technology/modern life: robotic forms -simple colors -circles and stripes ***IMPACT of the war: medals - clearly shows the impact before/after -human figures as machines |
|
|
Man w a Hat |
-Picasso -20 lines, many meanings -guitar shapes -face front and profile -newspaper lines: frets |
|
|
German expressionist ideas (Die Brucke) |
-Anguish, pain, angst -Emotional imagery -Internal emotions -Social concerns -overwhelmed with society/modern world |
|
|
The Kiss, Judith, Death and Life |
-Klimt/expressionist -decorative -gold leaf -geometric and color patterns: symbols, repetition -realism in face but flat forms -inf of neoimp/pointillism |
|
|
Poster for Die Brucke, Franzi in carved chair, the street, train |
-Kirchner: Ger exp -woodcut -simple forms -black outline -use of lines and unconv colors: modern life |
|
|
Life of Christ |
-Nolde: Ger exp -very red and bloody -angst -wants you to feel pain
|
|
|
Heckel |
-woodcuts -made wood cuts and translated them into paint |
|
|
Kandinsky |
-Ger exp -huge blocks of color; jewel like placement -lines, dots, sectioned off -almost looks like its blurred or wet -abstract shapes, lines, patterns |
|
|
Franz Marc |
-Ger exp -soul of the animal -unconv colors -geometric shapes -energy - inf of cubism and imp |
|
|
Italian futurism ideas |
-violence and revolution -naive view of the future before the war -mvmt and speed -breaking down society -patriotism/nationalism |
|
|
Speeding Car, the City Rises, The Riot, Forces of the Street, The street enters the house |
-Boccioni -futurism -fascination w the city, revolution -Seurat inf: lines -mvmt and action: animals/people - natural instincts -JOYOUSLY violent: before the war reality sets in -lines, sharp intersections: lines of FORCE -cubist inf -break down of form and bright colors -Blendingbackground and subject |
|
|
Street Lamp, Woman Walking a Dog, Flight of Swifts |
-futurism -Balla -light and mvmt - lines/color -showing mvmt: like cinema -repetition/patterns |
|
|
Funeral of the Anarchist Galli, Jolts of the Tram, Interventionist Manifesto |
-collage: inf of cubism -mixing forms and environment -Typography – sound-filled, mvmt filled, Nationalistic -spiral composition |
|
|
purism ideas |
-Van Doesberg: Manifesto -Realitykicks in, sobering view of the world -Purists:classical subject, return to order -architecture: functionality, usefulness -Different responses to the devastation -but some had an optimistic view to change the world through painting |
|
|
Le Petit Dejeuner, Woman, The Baluster, Pavillon de l’espritnouveau, animated landscape |
-Leger -changed his style in response to the war -response to technology, humanity: before/after -before: very chaotic and loud -cleaned up the shapes -still has an interest in mechanical/machines -L’elan magazine – reconstruct what Francecan be after the war -Modern, clean forms -Roboticfigures and forms – geometric shapes -petit dejeuner (1919) – three nude women/muses, robotic/strong,generalized/not individual, one line for facial features, round circles -use of columns: trying to revive classical -modernizing and cleaning up past events |
|
|
Still Life, Ozenfant Studio, Villa Savoye, Ville Radieuse: City of Three Million |
-functional architecture -natural light -permanence -no reference back to past arch. -plan: from above, section: elevation -Upoff the ground like an airplane -Timelessnessof the Parthenon – pillars |
|
|
Schroeder House, Rietveld Chair |
-Rietveld -de Stijl: stripping away everything to find pure style |
|
|
de Stijl ideas: Dutch |
-neoplasticism: expressing the soul -complete abstraction -stripping everything away to reveal pure style -pulsating with emotion through simple forms -cleaning up cubism -looking at the natural and modern world |
|
|
Windmill, Trees on the Gein,with Rising Moon, Red Tree, Flowering Apple Tree, Still Life with Ginger Pot, Pier and Ocean, Composition, Lozenge, Broadway Boogie-Woogie, Victory Boogie-Woogie |
-Mondrian -de stijl -completely abstract -fought w Doesburg about diagonals-only h/v lines -spiritual expression: neoplasticism -each color is associated w an emotion: yellow - mvmt, Red- passion, Blue – devotion |
|
|
Composition (Cow), Counter-Composition, Rhythm of a Russian Dancer |
-Doesburg -moves onto De Stijl: purism evolving - stripping away -abstracted his own paintings further -believed that thewar destroyed individuals so that the universal culture can come forth –international movement -optimistic view: changing the world through painting |
