It displays the bombs being loaded, the men preparing for the mission, and the name of the plane that was holding the bomb, ‘Enola Gay’. While this plays, the narrator, Dominic West, talks over the top providing information on the event including date, time, location and instant death count. It then cuts to the navigator of the Enola Gay, Dutch Van Kirk, who describes how he felt, and what he thought, when they were in the plane. Similarly, Surviving The Holocaust: Freddie Knoller’s War, begins with archival images and videos of concentration camps as well as the Jewish men, women and children. This is the only time where a narrator is heard. Tamsin Greig speaks over the archival footage, just like Dominic West, describing the holocaust. What is different about the exposition of these two documentaries, is that Surviving the Holocaust jumps to actuality footage of the subject of the documentary, Freddie Knoller sitting at a cafe in France, receiving a drink, which foreshadows the importance of the location in the recount of his
It displays the bombs being loaded, the men preparing for the mission, and the name of the plane that was holding the bomb, ‘Enola Gay’. While this plays, the narrator, Dominic West, talks over the top providing information on the event including date, time, location and instant death count. It then cuts to the navigator of the Enola Gay, Dutch Van Kirk, who describes how he felt, and what he thought, when they were in the plane. Similarly, Surviving The Holocaust: Freddie Knoller’s War, begins with archival images and videos of concentration camps as well as the Jewish men, women and children. This is the only time where a narrator is heard. Tamsin Greig speaks over the archival footage, just like Dominic West, describing the holocaust. What is different about the exposition of these two documentaries, is that Surviving the Holocaust jumps to actuality footage of the subject of the documentary, Freddie Knoller sitting at a cafe in France, receiving a drink, which foreshadows the importance of the location in the recount of his