Post 9/11 Film Analysis

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In this post September 11 (9/11) climate of the “War on Terror”, Hollywood political-thriller films carry a new cultural currency. Drawing from literature in postcolonial studies and its engagement with representations in popular culture, this paper analyzes the film The Kingdom (2007)—a fictional political-thriller with a storyline inspired by real terrorist bombings in Saudi Arabia. This paper critiques and notes the film’s narrative practices, with particular attention paid to the racial and gendered discourses produced in it. In examining the representational codes and politics in the film’s construction of Muslim bodies post-9/11, it is argued here that a critical engagement with Hollywood cinema is necessary in order to reveal the complex

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