Norma Bates

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    but derrannged character - Norman Bates. The uncomfortable combination of both sympathy and disgust is slowly revealed through Bates ' history and the events that change him during the movie. Using sound, camera angles, and reorganisation of the generic conventions of horror films, Hitchcock constructed Bates ' character in a way that kept the audience in suspense as to whether he was truly a monster or just a young man suffering mental-instability. Norman Bates was originally written as a…

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    cleanse herself by taking a shower she in the process gets stabled to death. Hitchcock planned this scene out well because the film is in black and white and you cannot identify the person who committed the stabbing. Later it turns about to be Norman bates who attacks…

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    Wording, clothing, and sex were some of the most reoccurring problems the Production Code Administration had with Alfred Hitchcock’s 1954 film Rear Window. Throughout their communications, the PCA and the filmmakers discuss scenes that have subtle sexual undertones, risqué costumes, and wordings that the PCA found to be unacceptable. The correspondence between the filmmakers and the PCA begin around November 1953 and go on until around April 1954. Most of the letters are between Paramount…

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    several of techniques to reveal the film, is the parlor scene. The shot-by-shot analysis of the parlor scene is characterized by dialogue, lighting, symbols, and the four-quadrant rule. These techniques give us insights into the personality of Norman Bates,…

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    Dayo. 9-2 Casablanca From caterpillar to butterfly, you can undergo drastic changes, even within a short period of time. Film Noirs are Hollywood crime dramas that use lighting and deep dark shadows to portray the complicated moral nature of the subject.Casablanca in a great example of this, with many lighting techniques, this movie aids in making the audience cognizant of each character's transformation. First of all, as usual, when the lead female actress comes on scene for the…

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    Norman Bates

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    In the film, Psycho, Norman Bates is observed manifesting behaviors and dependencies on his mother that existed when she was alive, thus showing the audience how he is regressing to an earlier period in life where he didn’t have to deal with the current circumstances. Actions that Norman Bates takes to preserve the image of an earlier period in his life, such as his childhood, and how he detaches his consciousness from the existent world beyond the Bates motel, all help elucidate upon his key…

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    Alfred Hitchcock’s utilizes elements of expressionism to suggest a brutal murder in his movie, Psycho. Revealing the perspectives of both the murderer and victim, Hitchcock’s use of exploitation, stylized acting, plot distortion, and symbolism evokes visceral emotions from audiences. As the scene opens, the audiences see the main actress writing on a newspaper, clearly trying to discern something. Turning away from the desk, the main actress decides to shower, firmly shuts the door behind her,…

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    Psycho Film Analysis

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    Hitchcock’s Psycho, from ‘Inside Norman Bates’ and ‘The World Inside Its Image’ The benchmark of horror films could easily be Hitchcock’s most revered work ‘Psycho’ (1960). The black and white filmscape does not downplay the crimson colour of blood spiralling down the plughole after Marion’s fatal stabbing, nor the shock of Norman’s mothers sunken eye sockets. It’s 2015 and this is the first time I have properly been introduced to the film however as a testament to its making I had nightmares…

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    The sequence begins from Marion’s point of view. As she is pulling into the Bates Motel, she is looking around and we are aligned with her search/journey by identifying with her “looking around”. Marion finally walks inside to check in and she meets Norman Bates. He comes off as polite and hospitable and Marion think’s nothing of it. Marion then gets settled into her room and overhears Norman and his mother yelling from…

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    Anthony Perkins as Norman Bates in Psycho, and Glenn Close as Alex Forrest in Fatal Attraction, each played the character portrayed as mentally unstable. The two actors seamlessly fell into their parts and led the audience to believe they were truly insane. In the beginning, each of the two lived what appeared to be normal lives. Anthony Perkins managed his mother’s motel that had become a ghost-town after the new highway had been build, which completely cut off access to the motel. Glenn Close…

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