Bodice

on canvas portrait of Elisabeth of Austria (figure 3). Being Queen of France at this time, meant that you had to always look your best, both in person and in portrait. When posing for the photo, Francois Clouet recommended that she wear her finest garments. Later of that time, women began to show off their curves and wearing full torso bodices. Only coats and robes still had that draping effect. The main parts of the outfit consisted of an outer coat, an over coat, a bodice, and an underskirt. The bodice was always laced up as tight as it would allow creating a streamline effect for the torso. During the Baroque and the Rococo period, taffeta and lace now became the primary use for clothing fabrics. The fashion icon of the time was Henrietta Maria. In figure 4, based on the portraits of herself, she was portrayed as a very elegant and poised woman of her time. The hair of this period started to come up into topknots with soft curls falling effortlessly around the sides of the ears. The sleeves stayed puffy and large. Some females would also adorn a sash across the shoulder and waist. This style of dress came in three separate pieces, the bodice, the overcoat, and the skirt. This was a time of simplicity in fashion. The ornate details didn’t show as much nor did the high collars carry forward through this time period. Again, in Figure 4, you can see the captured detail of the sheen, the texture of the fabric she was wearing and the softness of her curls. Jan Mytens does an…

Those of the working class would be made at home or bought from a shop then altered themselves. Though a strange things was, that the quality of the the textile wasn 't as important as the quality of the make of the dress. These frilly, overdone dresses that kept up with the rest of the Victorian era, were made to be very tight and very, very uncomfortable. It even affected the way one sat, walked, and the very body language she used. the corset and bodice were the main culprits in this, as well…

corset and its detrimental effects on the body, but this was often met with resistance by not just fashion houses, but women themselves who wanted to appear fashionable and modern (Cunningham). Several people created breakthroughs regarding women’s undergarments that appealed to the “aesthetics” of the dress while maintaining women’s health. Dr. J. H. Kellogg developed a dress system that removed stress on the hips and shoulders while discarding extreme corsetry and bodices; the system…

Clothing in 1911 was a huge deal, and the more ruffles one had on one dress made one wealthy, but if one had none or very little one were considered poor. This goes to show how clothing symbolize who one were. Lots of ruffles equaled lots of money but little ruffles equal little money.In the book Uprising by Margaret Haddix, the clothing that everyone wore had a statement. Jane the rich girl had too many roughest account which meant she was quite rich but Yetta and Bella had no ruffles…

silks and soft velvet. I wanted Elizabeth’s dress to emulate this grandeur and expand my sewing skills a little, so I sketched a few dresses and decided on the one with a ruffled collar, puffed sleeves and a wide skirt. I started on the simplest part, the bodice. To mock the elongated, corseted torso of Elizabethan fashion, I sewed a triangular piece floral-patterned fabric against the plain, dark green fabric to draw the eye downwards and shrink the waist. Afterwards, I sewed snap buttons…

Beautifully crafted sweetheart bodice, side assembled and hitched midsection, side hung skirt with side slit, back ruching, and sweep train. This dress is available in sizes ranging from size 4 to size 20 in colors eggplant and royal blue; along with a long sleeve of illusion lace and a matching shawl. Style � 117621 Containing a tulle A-line outfit with hand-beaded hallucinating top sleeves and bateau neckline, beaded motif bodice, finely pleated waistband and skirt, beaded illusion back, and…

latest fashions. Queen Elizabeth was even known for having over 3,000 dresses in her wardrobe. The most common material used for low-middle class people, was cotton, wool and linen. Only the richer people could afford luxuries, such as silk, satin, and velvet. Leather was used to make many a things,…

People often wonder how women in the Elizabethan era wear prodigious dresses. Women in the Elizabethan era have derived their vogue from men's clothing. Women in the Elizabethan Era often wore dresses, but what many people do not know is that the methodology of getting those dresses on are complicated. Some of these pieces of attire are smock, stockings, and corset. The first thing women formulate on in the process of putting on their dress is to put on a smock, smock is an inner piece of…

The comparison between a typical poem about a woman missing her lover and a poem about a lady ghoul or demon of some sort getting herself ready for a feast with her lover illuminates the powerful way the same signifiers of a woman in love can be wielded by skilled poets to create two equally strong but totally conflicting moods. Poem 212 describes young women playing in water and decorating themselves with nature to the delight of the poet. It starts with the image of a girl’s bodice that is…

By the end of the period, the hats grew taller and became quite round at the top. These hats still featured the ostrich’s feather. Women’s Baroque Costume Bodices In the early days of the Baroque Period, fashionable bodices had high necklines or low and rounded necklines. They also consisted of short wings on the…