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55 Cards in this Set
- Front
- Back
CD 1 Trk 3
Sioux Grass Dance |
Piercing Falsetto
Vocables Portamento |
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CD 1 Trk 4
Zuni Lullaby |
Repetition
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CD 1 Trk 5
Iroquois Quiver Dance |
Call and response
Stomp Dance |
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CD 1 Trk 12
Mother Earth Sharon Burch |
New Navajo Music.....includes western elements with tradition.
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CD 1 Trk 14
Origins Carlos Nakai |
Flute Revival
synthesizer |
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CD 1 Trk 15
Agbekor |
Ewe people of Ghana
All instruments including double bell, a gourd rattle, and four single-headed drums Call and response and Free Rhythmn |
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CD 1 Trk 17
Mande Lambango |
Interpretation of Lambango.
Kora and konkong Singing free rhythmn...jalou |
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Cd 1 Trk 19
Nhemamusasa (Shona) |
Llamellaphone....
steady beat |
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CD 1 Trk 20
Nyarai Thomas Mapfumo |
Popular style...linked to mbira
political |
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CD 1 Trk 25
Rosie (Work Song) |
In a Prison...work song.....keep time.
Call and Response |
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CD 1 Trk 26
Poor Boy Blues |
"thats right"
tough times in lyrics blues scale |
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Persia # 1
Chahar Mezrab in Mahour (excerpt) |
santur played....maybe setar
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Persia # 3
Radif of Nour (excerpt) |
preformed on tar
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CD 2 Trk 21
Bubaran Kembang Pacar |
Javanese Gamelang Loud Style
in pelog started by bonang Joined by two drums kendhang gendhing and ketipung |
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CD Trk 23
Ladrang Wilujeng |
Performed at the beginning of ceremonies or rituals to ensure safety of the community and performers.
Intro on rebab, Soft gamelan Contains singing |
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CD 3 Trk 1
Playon Lasem Slendro Pathet Nem, Rendition 1 |
Performed for Shadow puppetry wayang kulit in slendro.
Starts soft style, switches to loud. |
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CD 3 Trk 9
Deve Niye Tunai (Devil With Fish-Shaped Eyes) |
Kriti form (principle song form of South Indian Classical music. Tambura drone in background.
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CD 3 Trk 10
Sarasiruha (To The Goddess Saraswati) Kriti In Natai Raga |
South Indian
plucked veena giving a constant drone, beating of the mridangam |
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CD 4 TRk 19
Call to Prayer (Azan) Aleppo, Syria |
Call to prayer.
Musical but not music Phrases become longer and more ornamented nasal timbre called ghunna |
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CD 4 Trk 20
The Horses |
Programmatic about omething
favors major and minor diatonic scales emphasis on virtuosity over emotionality uses 'ud |
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CD 4 Trk 25
Ud Taqsim in Maqam Rast |
Arabic
Taqasim on 'Ud |
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CD 4 Trk 26
Lamma Yo Albi (When, O Heart of Mine) |
Arabic
Vocal. Has fillers. |
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Umm Khultum
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Female vocalists from Egypt (Arab World). Powerful voice.
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North India # 1
Tabla 1 02 Khandam - A Sequence of Five.mp3 |
North Indian. Hindhustani
Drone with guy replicating the sound he is going to make on the tabla. |
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North India # 3
Sarod Abhisek Lahiri: Rag Desh |
Large Lute. Really bad ass sounding.
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North India #4
Sarod & Tabla Ken Zuckerman & Vishnu Sahai: Bhairavi in 14 beats |
Sarod (fretless lute) and drum (tabla)
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CD 3 Trk 14
Jiangnan Sizhu |
Silk and bamboo instruments
amateur music at a tea shop duple meter and heterophonic |
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CD 3 Trk 15
Huanle Ge (Song Of Happiness) Jiangnan Sizhu |
one of the primary 8 pieces of sizhu
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Erhu
http://www.youtube.com/watch?v=6kmLxZkT6y8&feature=related |
beautiful with lots of sweet ornamentation. Piano accompaniment.
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Guzheng
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plucked zither
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Sanjo
Sanjo (haegŭm and changgo) http://www.youtube.com/watch?v=SAgxSaMdMg0&feature=related |
Sounds like high pitched singing....
Sanjo(solo) piece Haegum- two stringed fiddle Changgo- drum |
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Court music
http://www.youtube.com/watch?v=pIYLKjD5Pzc&feature=related |
Full ensemble
Aak music/ chonggak |
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Salmunori
http://www.youtube.com/watch?v=YDzct7OWkV8 |
Drum ensemble
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Japan # 1
Tsuru no sugomori |
plucking and flute
shakukachi |
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Japan # 2
Hakusen no |
Vocals
Shamisen |
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Japan #4
Festival Drumming |
Taiko
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CD 2 Trk 10
Pasterska (Poland) |
Recorded in a festival in Podhale
Muzyka Podhala. One Singer then joined in in a staggered style Free rhythmn, unmetered voal |
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CD 2 Trk 12
Ozwodna (Polish) |
Ozwodna: dance music....fast tempo
leader dancer calls for a particular tune ostinato |
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CD 2 Trk 14
Goralski Suite Part 2: Ozwodna (Poland) |
Ozwodna...
Single violin and accompanying violin and basy join in |
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CD 2 Trk 16
Goralski Suite Part 4: Krzesana "Po Dwa" (Poland) |
Basy starts...."po dwa" "in two" change chords every two beats.
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Romania
Fluier |
Fast pipping on a fluier....some level of ostinato
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Romania Caval 1
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uses humming technique. shaky timbre and lower pitch from lowering of the lip
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Romania Caval 2
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8 beat phrases...humming style but not a lower the lip style because it is clearer and deeper
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CD 4 Trk 9
Kuturimunapaq (So That We Can Return) Bolivian Kantu |
Wankaras,ch'inisku...zamponas. Music for the Kallaway poeple.
Bolivian Kantu ensemble |
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CD 4 Trk 10
Muyu Muyari Warmigu (Please Return, Dear Woman) |
Inbabura harp (golpe) Ecuador
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CD Trk 11
Iluman Tiyu (Man of Iluman) Ecuadorian Sanjuan |
Sanjuan of Ecuador, ceremonial chant; violin; kena; vocalist
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CD Trk 13
Amor Imposible (Impossible Love) Peruvian wayno |
Peruvian wayno, harp, vocal and golpe
wayno: 1. andean bimodality, use of minor and its relative major |
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CD 2 Trk18
Krzesany Po Dwa Twinkle Brothers |
Reggae polish mix
Po dwa (in two) basy, violins, bass guitar, piano, guitar change chords |
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CD 2 Trk 19
Kurdzhaliiska Ruchenica |
Bulgarian.
Wedding Dances asymetrical/additive meters Romanian and Turkish mixture "Balkan jazz" |
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CD 3 Trk 5
Begadang II Rhoma Irama |
Dangdut style (Indonesian and Wester styles with Indian influence)
King of dangdut |
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CD 3 Trk6
"Sufflendang-Shufflending" |
Sundanese Ethno-jazz fusion
Tune western instruments to pelog/slendro scales Combines jazz and sundanese gamelan |
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CD 3 Trk7
"Distori/Distortion" |
Indonesian Rock
Alternative rock band...politcal |
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Black board 1
"Tomorrow never dies" |
Beatles!!
tambura.... Homage because learned to play and incoporate |
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Blackboard 2 "Watermelon Man"
Herbie Hancock |
imitation of Ba-Benzele flute from Central African Republic
played on a beer bottle |
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Blackboard 3 "El Condor Pasa" Simon and Garfunkel
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English lyrics over Los Inca's track.
appropriation |