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11 Cards in this Set

  • Front
  • Back

Africa

-polyrhythm


-responsorial forms (Call and Response)


-ostinato


-use of percussion


-background shimmer - constant buzzing or rattling


-close connection between music and language


-the participatory nature of the arts


-close connection between the performing arts

Middle East and North Africa


-elaborate melodies and melismas


-improvisation based on basic tones or melodies


-heterophony


-rhythms based on beat patterns


-the use of quarter-notes

Eastern Europe

-nonpulsatile songs


-asymmetrical meters


-repetitive dance rhythms


-bright timbres


-epic songs


-socialist realism

Western Europe


-use of harmony


-use of notation


-use of standard tuning system


-use of diatonic modes


-goal-directed phrases


-regular phrase-lengths


-strophic folk songs

Latin America


-use of harmony


-parallel thirds


-paired phrases


-distinctive dance rhythms


-rhythm guitar

North America


-rhythmic vitality


-"blue" notes


-alternating improvisations in ensemble music

Central Asia


-epic songs


-multiphonic singing


-tone-contour melodies

India


-melodic improvisation by a soloist


-accompaniment by a drummer


-improvisation based on raga


-cyclic conception of meter - Tala


-drone

China

-monophonic, heterophonic textures


-importance of ornamentation


-timbre as a compositional element


-variation form

Japan


-scales with semitones


-slow tempos


-sense of space


-prominent classical solo repertories

Indonesia


-orchestras featuring bronze instruments


-compositions guided by a core melody


-polyphonic texture


-colotomic structure


-paired families of tuning systems


-stress at the end of metrical cycles