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41 Cards in this Set
- Front
- Back
March of Weavers
|
Kollwitz
1897 |
|
The Weaver's Revolt
|
Kollwitz
1895-97 |
|
Woman with Dead Child
|
Kollwitz
1903 |
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The Mothers
|
Kollwitz
1922-23 |
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Self-Portrait with Amber Necklace
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Modersohn-Becker
1906 |
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Self-Portrait on her Sixth Wedding Day
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Modersohn-Becker
1906 |
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Reclining Mother and Child
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Modersohn-Becker
1906 |
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Kneeling Mother and Child
|
Modersohn-Becker
1907 |
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Blue Room
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Valadon
1923 |
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Reclining Bude
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Valadon
1928 |
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Self-Portrait
|
Valadon
1924 |
|
Self-Portrait
|
John
1900 "New Woman" - New English Art Club - got a lot of exhibition chances through the profs who used to be slaves |
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The Student
|
John
1903-04 |
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Corner of the Artist's Room
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John
1907-1909 |
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Studland Beach
|
Bell
1912 |
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The Bedroom
|
Bell
1912 |
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Frederick and Jessie Etchells in the Studio
|
Bell
1912 |
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Mary Hutchinson
|
Bell
1915 |
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Abstract
|
Bell
1915 |
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Iris Tree
|
Bell
1915 |
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Self-Portrait
|
Hamnett
1915 - considered a rebel, not a lady rep - worked in the Omega artists and came from a lower middle class |
|
Still Life
|
Hamnett
1919 |
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Osip Zadkine
|
Hamnett
1917 |
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Self-Portrait
|
Gluck
1924 |
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Nifty Nats
|
Gluck
1926 |
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The Vernon Picture
|
Gluck
1937 |
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Photo of the Artist
|
Romaine Brooks
1910-11 - embraced lesbianism - American French counterpart to Gluck - came from a wealthy family, but was not well-liked by the mother |
|
Self Portrait
|
Brooks
1923 |
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Una Lady Troubridge
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Brooks
1924 - partner was radclyffe hall, who hated Brooks novel - she was put on trial a couple of times for pornographic images |
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The Muse Inspiring the Poet
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Rousseau
1909 - Laurencin and Appolinaire |
|
Apollinaire among his friends
|
Marie Laurencin
1909 |
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Les Demoiselles
|
Picasso
1907 |
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Diana Hunting
|
Marie Laurencin
1908 |
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The Danse
|
Marie Laurencin
1919 |
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Woman Painter and her Model
|
Marie Laurencin
1921 |
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Photograph of O'Keefe #3
|
Stieglitz
1918 |
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Photograph of O'Keefe #2
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Stieglitz
1918 |
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The American Radiator Building
|
O'Keefe
1927 - capturing modern forms like Art Deco |
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Calla Lily with Red Roses
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O'Keefe
1926 - extreme close ups and explores the female body by eroticizing certain flowers |
|
Portrait of Myself
|
Stettheimer
1923 |
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Cathedrals of Art
|
Stettheimer
1942 |