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29 Cards in this Set

  • Front
  • Back
Late Baroque Characteristics
1) Major/minor tonal system
2) Polyphony is the primary texture
3) "motor" rythym
4) Little concern for "orchestration"
5) Figured Bass as a performance practice
6) Harpsichord and organ are the primary keyboard instruments
7) Sacred and secular music balanced in importance
Classical Music Characteristics
1) Major/minor tonal system
2) Melody and accompianiment is primary texture
3) More rythmic variation
4) Increase in orchestral experimentation and sound
5) Figured bass as a teaching method
6) Piano is the primary keyboard instrument
7) Secular music becomes more important than sacred music
The 6 Baroque genres retained in the Classical period
1) Solo sonata
2) Solo concerto
3) Suite
4) Opera
5) Oratorio
6) Mass
The two new Classical genres
1) Symphony (3 movement plan, 4 movement plan)
2) String quartet (increase in other chamber music ensembles ((trios, quintets sextets, etc. employing a piano)))
Musical Terminology
1) Oboe
2) Bassoon
3) Horn
4) Trumpet
5) Trombone
6) Timpani
1) Hoboe (GR), Hautbois (FR)
2) Fagott (GR), Fagotto (IT)
3) Corno (IT), Cor (FR)
4) tromba/clarion (IT)
5) Posaune (GR)
6) Pauken (GR)
Musical Terminology
1) violin
2) viola
3) cello
1) Geige (GR)
2) Bratsche (GR), Alto (FR)
3) Violoncello (ALL)
Music Terminology
1) minor
2) major
1) Moll (GR)
2) Dur (GR)
Musical Terminology
1) B-flat
2) B-natural
3) flat
4) sharp
1) B (GR)
2) H (GR)
3) es (GR) *exception Es eflat As aflat
4) is (GR)
1) Symphony in Fis Moll
2) Concerto in B Dur
3) Quartet in H moll
1) Symphony in F sharp minor
2) Concerto in B-flat major
3) Quartet in B minor
Transposition
whataver key is indicated for the instrument will be the pitch the instrument plays when reading c.
A horn in F plays a C but will sound an c... down a perfect fifth
Sonata Form
1) Introduction (optional)
2) Expostition
3) Development
4) Recapitulation
5) Coda (Optional)
Characteristic keys of the Exposition in a sonata
1) Theme 1 (I)
2) Bridge (modulation to V)
3) Theme 2 (V)
4) Closing theme (V)
Development of a Sonata
Use developmental techniques on any material from the exposition, including frequent modulations to increase the instability of the piece. TONIC KEY IS AVOIDED
Recapitulation of a Sonata
1) Theme 1 (I)
2) Bridge (unstable but returns to one)
3) Theme 2 (I)
4) Closing theme (I)
Forms:
1) Binary
2) Rounded Binary
3) Ternary
4) Small Rondo
5) Large Rondo
1) A B
2) A B (A)
3) A B A
4) A B A C A
5) A B A C A B A
Domenico Scarlatti (1685-1757)
1) Bridge composer from Baroque to Classical
2) Born in Naples employed in Portugal and then Spain
3) Composed over 500 short piano Sonatas
4) Favored rounded binary form that evolved into sonata form
C. P. E. Bach (1714-1788)
1) Bridge composer baroque-classical
2) older son of Bach
3) worked for Fredrick the Great of Prussia
4) Music director for 5 churches in Hamburg
5) Wrote an important treatise on harpsichord playing
6) clearest representation of Empfindsamer Stil
Empfindsamer Stil
1) Utilized by CPE Bach
2) Translates to "sensitive style"
3) subtle varieties of expression are achieved through rapid changes in the music by any means (modulations, dynamics, orchestration, phrasing, articulations etc.)
Christoph Willibald Gluck (1714-1787)
1) Most significant reforms in Opera since its advent
2) Wanted a return to Opera emulating Greek Drama
3) made texts more natural w/ less seperation between recitative and Aria
4) At times overture continues directly into the first number of the opera
5) blended IT FR GR styles into cosmopolitan Classical operatic style
Cristoph Willibald Gluck's Operas
1) "Iphingie en Aulide"
2) "Iphengie en Tauros"
3) "Orfeo"
4) "Alceste"
Johann Stamitz (1717-1757)
1) Bridge Composer
2) Aided in the developement of symphonic genre
3) Court composer of Mannheim
4) led from concertmaster position rather than harpsichord position (link to modern conductor)
5) largest orchestra for his time (30-60 per.)
J. C. Bach (1735-1782)
1) younger son of Bach
2) style defined from newer Classical music from IT
3) Referred to as "London Bach"
4) influenced Motzart
Franz Joseph Haydn (1732-1809)

*Early Life*
1732- March 31, born in Rohrau Austria
1740-49 choirboy at St. Stephen's Cathedral, Vienna
1750-59 freelance musicician study in Vienna.
1760- Marries Maria Anna Kellar
Haydn (1732-1809)

*Mid Life*
1761- serves Prince Paul Esterhazy at Einstadt
1766- Kappellmeister to Prince Esterhazy in Hungary
1775-85- concentration on composition of operas
1781- commissions from music publishers
1785- PARIS symphonies start of friendship w/ Motzart
Haydn (1732-1809)
1791- Returns to Vienna after Prince's death... hears Handel's Messiah
1791-92- Beethoven becomes his student
1794-95- Second visit to London Symphonies 99-104 performed

1791- "the Creation"
1792- "the Seasons"

1809- May 31, Dies in Vienna
The Joke Quartet instrumentation
2 violins, 1 viola, & 1 Cello
Franz Joseph Haydn Characteristics
1) Most important pieces are his instrumental works.
2) First Great composer to write symphonies (100+) / String quartets (80+)
3) "Creation"/"Seasons" are most significant massaes/oratorios
4) Revered in England.. performance society dubbed Handel and Haydn society
5) Suffered from deppression stopped composing in 70's
Other Important Haydn works
1) Cello concerto in C
2) Cello Concerto in D
3) Trumpet Concerto in E-flat
4) Missa in tempore belli (Mass in time of War)
5) Lord Nelson Mass
6) over 50 piano sonatas
7) 20+ piano trios
Wolfgang Amadeus Mozart Timeline
1756- Jan. 27, born in Salzburg, Austria