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17 Cards in this Set
- Front
- Back
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Christina Rossetti |
belief in exerting a double vision - perspective and personal account |
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Blank verse |
suited the changing society - no natural centre or comfortable resting place |
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Robert Browning's 'Essay on Shelley' |
shift from the "objective poet ... whose endeavour has been to reproduce things external" |
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Loy D. Martin |
all monologues tend to project and fantasise a speaker |
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Origins of the form |
post-Romanticism - fear among Victorians that poetry no longer had a place in the literary world due to the rise of the novel form |
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Robert Langbaum |
tension between sympathy and judgement (N.B. affected by 3rd person narrator in 'Mariana')
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Robert Langbaum (3) |
"a longing for rest through oblivion" "the literary equivalent of the scientific attitude" "empiricism in literature" |
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Tennyson - 'Mariana' - refrain |
She only said, 'My life is dreary, He cometh not,' she said; She said, 'I am aweary, aweary, I would that I were dead!' |
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Tennyson - 'Mariana' - final refrain |
He will not come |
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Tennyson - 'Mariana' - conflict of movement and inertia |
rusted nails ... broken sheds vs. grange |
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Tennyson - 'Mariana' - potentiality |
unlifted was the clinking latch |
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Christopher Ricks (2) |
"movement is to and fro" "the art of the penultimate" |
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Tennyson - 'Ulysses' |
to sail beyond the sunset
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Tennyson - 'Crossing the Bar' (2) |
tide => flood And one clear call for me! |
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Robert Browning |
poetry "will find its consolidation ... and stay"
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Matthew Arnold
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"the dialogue of the mind with itself" |
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Browning - 'Two in the Campagna' |
I wonder do you feel today |
