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23 Cards in this Set
- Front
- Back
- 3rd side (hint)
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Analatos Painter |
Faces and dresses in outline style, large eye rendered in outline with single dot for iris |
700-675 |
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Polyphemus Painter |
mainly outline technique still, incision usedfor details like toes, white used for emphasis, tall thin, muscular figures |
675-630 |
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Nessos Painter |
Prefers large figures on large vases, loves the color red,occasionally uses double incised lines |
635-600 |
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Gorgon Painter |
Athenian but uses Corinthian incision and rows of animals,not as interested in human figures but mythological scenes very precise |
600-580 |
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Sophilos |
first Athenian to sign work, ambitious composition withoutthe skill to execute it well, tons of inscriptions |
580/70-560 |
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Kleitas |
Completely extreme number of inscriptions |
570-560 |
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Nearchos |
In terms of theaccuracy of his incisions, he can be considered the immediate predecessor ofExekias, unique usage of white |
570-555 |
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Lydos |
Staged theatricality that is not exaggerated, linear clotheswithout folds (especially women) |
560-540 |
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Amasis Painter |
likes beast-like satyrs and the wavy inscription line |
560-525 |
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Exekias |
really really good |
560-530 |
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Andokides Painter |
pioneer of new RFT, bilingual vases, details almost as goodas Exekias |
530-510/00 |
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Euphronios |
likes large vases, thick eyebrows, and thinned slip foranatomical details |
520-505/500 |
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Smirkos |
far less accurate or innovative compared toEuphronios |
510-500 |
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Euthymides |
Ample use of thinned slip gives sculpturalquality, uses inscriptions, occasionally figures break through frame, fewereyelashes |
520/15-500 |
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Oltos |
long curving forehead line that ends in pointed nose |
510-500 |
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Kleophrades Painter |
eyes brownish slip, nostrils elegant “S”, very innovativeand makes social commentary through art |
510/05-475 |
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Berlin Painter |
dot rosette nipples, often one figure on black background |
500-480 |
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Douris |
paints many vases, tendency from elaborateness and ornamentality tosimplicity and back to the ornate |
500-460 |
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Niobid Painter |
interested in monumentality, figures verysculptural, figures in multiple levels, three-quarter views |
470-455 |
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Penthesilea Painter |
fallen amazon follows the frame on name-giving kylix (innersurface decorated) |
47-450 |
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Achilles Painter |
follows Berlin painter’s single figure compositionalpattern, bodies quite squarish, likes exploring posture |
460-420 |
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Meidias Painter |
pinnacle of ret/wich style |
420-390 |
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Marsyas Painter |
large monumental figures, nude females in several postures |
360-350 |
