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11 Cards in this Set
- Front
- Back
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IF EVER THOU SHALT LOVE, IN THE SWEET PANGS OF IT REMEMBER MEL FOR SUCH AS I AM ALL TRUE LOVERS ARE, UNSTAID AND SKITTISH IN ALL MOTIONS ELSE, SAVE IN THE CONSTANT IMAGE OF THE CREATURE THAT IS BELOVED |
DUKE to Viola
He tells Viola about rue love and whats its like as a lover
Irony: She loves him |
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FOR Boy, however do we praise ourselves, our fancies are more giddy and uniform, more longing, wavering sooner lost and worn, than woman are |
Duke to Viola
He tells her that woman are more worn out/ aged than men
Archetype: Rose = beauty & perfection |
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For woman are as roses whose fair flower being once displayed doth fall that very hour |
Viola to Duke
Viola agrees with Dukes comparison
Character Development: Agreeing with / pleasing everyone |
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NowNow, the melancholy God protect thee; and the tailor make thy doublet of changeable taffeta, for thy mind is a very opal. I would have men of such constancy put to sea, that their buisness might be everything and their intent everywhere; for thats it that always makes a good voyage of nothing |
Feste to Duke
Character Development: Feste calling Duke a melancoly God (can be changed) - The opal (Changeable nature)
Symbolism: sea, opal, taffida (different depending on the light seen in)
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There is no womans sides can bide the beating of so strong a passion as love doth give my heart; no woman heart so big to hold so much |
Duke to Viola
Duke is saying how women don't realize passionate love
Dramatic Irony: He is being sexist towards womans love |
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She never told her love, but let concealment like a worm i the bud, feed on her damask cheek. She pined in thought, and with a green and yellow melancholy, she sat like patience on a monument, smiling at grief |
Viola to Duke
Violas shares about a woman who did not share her feeling on love, but kept them in
Irony: Viola is telling her own story, not her sisters
Imagery: Worm destroying from inside out, like love |
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Tis but fortune; all is fortune. Maria once told me she did affect me and i have heard herself come thus near, that, should she fancy, it should be one of my complexion. Besides, she uses me with a more exalted reprint than any one else that follows her. |
Malvolio
Decieving himself - Personal deception / gullibility
Maria tells Malvolio jokingly that she thinks Olivia secretly loves him, Malvolio believes that she actually has feelings for him
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There is an example for't the lady of stratchy married the yeoman of the wardrobe |
Malvolio
Allusion
Character development: Malvolio's naivety to think she should marry below her class
Lady of scratchy: Ex) of lady who married below her |
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I will be strange, stout, in yellow stockings , and cross-gathered; even with the swiftness of putting on |
Malvolio
Promising he will do anything to please Olivia
Character Development: Malvolio's gullibility
Irony: We know Olivia hates all those things |
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If you will then see the fruits of the sport mark his first approach before by lady. He will come to her in yellow stockings, and tis a colour she abhors; and cross gathered, a fashion she detests; and he will smile upon her, which will now be so unsuitable to bed dispositionm being addicted to a melancholy as she is, that it cannot but turn him into a notable contempt |
Maria To Toby & Andrew
Maria tells them about her letter - Plot Advancement: Conflict - Malvolio vs Sir Toby & Maria
Character Development: Marias change in personality |
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To the gates of tartar thou most excellent devil of wit |
Sir Toby Belch to Maria
To the underworld! You (plan) is so good i would follow you to the gates of hell
Classical Allusion: Tartar & Hell |
