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120 Cards in this Set
- Front
- Back
Life is a casting off. It's always that way |
Linda. Shows her willingness to move on compared to Willy's stubborn fixed state Act 1 |
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A man is not a bird, to come and go with the springtime |
Linda to biff |
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He's not the finest character that ever lived, but he's a human being, and a terrible thing is happening to him |
Linda about Willy |
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I know he's not easy to get along with - nobody knows that better than me |
Linda about willy |
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A lot of people think he's lost his balance |
Linda about Willy |
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[Going right through her speech] |
Linda is always talked over by willy. Link to patriarchal society, normal at the time |
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He's only a little boat looking for a harbour |
Linda about Willy |
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Why must everybody conquer the world? |
Linda about the American dream |
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We're free... we're free |
Linda in the requiem About Willy or the mortgage? |
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[Bears a worn air and seems less self-assured] [He has succeeded less and his dreams are stranger and less acceptable than Happy's] |
About Biff |
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I don't know what I'm supposed to want |
Biff |
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It's a measly manner of existence |
Biff about working in the city |
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Whenever spring comes to where I am, I suddenly get the feeling, my God, I'm not getting anywhere |
Biff. Existential crisis, feels pressured to achieve the American dream |
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You're a poet... you're an idealist |
Happy about Biff |
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I'm like a boy |
Biff. Feels he has never grown up |
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He's a fake |
Biff about willy |
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I realized what a ridiculous lie my whole life has been |
Biff act 2 |
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When a deposit bottle is broken you don't get your nickel back |
Charley, act 1 |
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Willy, when are you going to grow up? |
Charley to Willy, act 2 |
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The only thing you got in this world is what you can sell. And the funny thing is that you're a salesman and you don't know that |
Charley to Willy, act 2 |
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No man needs only a little salary |
Charley, in the requiem |
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What an anaemic |
Willy about Bernard. Shows the importance he places upon appearance |
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Sometimes [...] it's better for a man to just walk away |
Bernard to Willy |
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Business is business |
Howard to Willy |
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You didn't crack up again did you? |
Howard to Willy |
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[His mercurial nature, his temper, his massive dreams and little cruelties] |
About Willy |
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I'm tired to the death |
Willy. Foreshadowing the ending |
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I'm the New England man |
Willy. Shows his self importance and delusion Act 2 |
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Never leave a job until you're finished |
Willy. Dramatic irony, he never left the job until he was finished Act 2 |
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The man who makes an appearance in the business world, the man who creates personal interest, is the man who gets ahead |
Willy act 2 |
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Be liked and you will never want |
Willy act 1 |
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People don't seem to take to me I joke too much I talk too much I'm very - foolish to look at |
Willy act 1 |
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The world is an oyster, but you don't crack it open on a mattress! |
Willy act 1 |
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I won't have you mending stockings in this house |
Willy to Linda, act 1 Shows his guilt |
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A man who can't handle tools is not a man. You're disgusting |
Willy to Charley, act 1 Feels inferior to Charley as he is less successful, so Willy attempts to emasculate him to make himself feel better |
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Biff is a lazy bum!
Greatest thing in the world was for him to bum around |
Willy about Biff. Change shows his mercurial nature. Act 1 |
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Like a young god A star like that, magnificent, can never really fade away |
Willy about biff, act 1 |
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I'm always in a race with the junkyard |
Willy, act 2 |
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I was with the firm when your father used to carry you in here in his arms |
Willy to Howard, act 2 Shows he is still stuck in the past |
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In those days there was personality in it [...] there was respect, and comradeship and gratitude in it |
Willy to Howard, act 2 |
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You can't eat the orange and throw the peel away - a man is not a piece of fruit! |
Willy to Howard, act 2 |
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I can't throw myself on my sons. I'm not a cripple! |
Willy to Howard, act 2 |
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It's not what you do, Ben. It's who you know and the smile on your face |
Willy to Ben, act 2 |
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A man can end with diamonds on the basis of being liked |
Willy to Ben, act 2 |
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You end up worth more dead than alive |
Willy to Charley, act 2 |
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The woods are burning, boys, you understand? There's a big blaze going on all around |
Willy to Biff and Happy |
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Nothing's planted. I don't have a thing in the ground |
Willy to himself, act 2 Seeds will never grow. Could link to dreams that will never reach fruition |
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A man has got to add up to something |
Willy, act 2 |
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I am not a dime a dozen! |
Willy, act 2 |
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When I walked into the jungle I was 17. When I walked out I was 21. And by God I was rich |
Ben |
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What are you building? Lay your hand on it. Where is it? |
Ben to Willy |
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The jungle is dark but full of diamonds |
Ben |
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The whoreson must be acknowledged |
Gloucester to Kent Act 1 scene 1 |
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Tis our fast intent to shake all cares and business from our age, conferring them on younger strengths while we unburdened crawl toward death |
Lear act 1 scene 1 Use of the royal we |
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Which of you shall we say doth love us most |
Lear act 1 scene 1 |
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I love you more than word can wield the matter, dearer than eyesight, space and liberty |
Goneril to Lear act 1 scene 1 Reference to the theme of eyesight She is later the one to suggest removing Gloucester's eyes |
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I profess myself an enemy to all other joys.... I am alone felicitate in your dear highness' love |
Regan to Lear act 1 scene 1 |
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My love's more ponderous (weighty) than my tongue |
Cordelia Act 1 scene 1 |
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Nothing will come of nothing: speak again |
Lear to cordelia act 1 scene 1 Last part is an order. His pride blinds him from her honourable reply, he thinks she is shaming him in front of the court |
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I cannot have my heart into my mouth |
Cordelia act 1 scene 1 |
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Here I disclaim all my paternal care, propinquity and property of blood I loved her most and thought to set my rest on her kind nursery |
Lear act 1 scene 1 Cordelia was his favourite daughter but his mercurial temper caused him to discard her without a second thought |
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Be Kent unmannerly when Lear is mad To plainness honour's bound when majesty falls to folly |
Kent to Lear act 1 scene 1 Only character willing to stand up to Lear. Foreshadows L's descent into madness |
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See better, Lear, and let me still remain the true blank of thine eye |
Kent to Lear act 1 scene 1 |
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Better thou hadst not been born than not t'have pleased me better |
Lear to Cordelia act 1 scene 1 |
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Tis the infirmity of his age : yet he hath ever but slenderly known himself |
Regan about Lear Act 1 scene 1 |
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[Bastards] Who in the lusty stealth of nature take more composition and fierce quality [than legitimate sons] |
Edmund act 1 scene 2 Believes that his being a bastard makes him stronger than legitimate sons and closer to nature. |
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Edmund the base shall to th'legitimate |
Edmund act 1 scene 2 |
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These late eclipses in the sun and moon portend no good to us We make guilty of our disasters the sun, the moon and stars, as if we were villains on necessity |
Gloucester and then Edmund Opposing views of the celestial and superstition |
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Let me, if not by birth, have lands by wit |
Edmund act 1 scene 2 |
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You whoreson dog, you slave, you cur! |
Lear to Oswald after being called "my lady's father" instead of being given more respect despite the fact that he no longer has power |
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Thou hadst little wit in thy bald crown when thou gav'st thy golden one away I am better than thou now: I am a fool, thou art nothing |
Fool to Lear act 1 scene 4 |
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I would you would make use of your good wisdom - whereof I know you are fraught - and put away these dispositions which of late transport you from what you rightly are |
Goneril to Lear act 1 scene 4 |
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Who is it that can tell me who I am? Lear's shadow |
Lear and then the fool act 1 scene 4 |
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I do beseech you to understand my purposes... be then desired by her that else will take the thing she begs. A little to disquantity your train
This our court... shows like a riotous inn You strike my people and your disordered rabble make servants of their betters |
Goneril to Lear act 1 scene 4 |
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Degenerate bastard! I'll not trouble the. Yet I have left a daughter |
Lear to Goneril act 1 scene 4 Denies her reasonable request and disowns yet another daughter |
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Into her womb convey sterility If she must teem, create her child of spleen... that she may feel how sharper than a serpent's tooth it is to have a thankless child |
Lear to goneril act 1 scene 4 |
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Old fond eyes, beweep this cause again, and I'll pluck ye out and cast you |
Lear act 1 scene 4 foreshadows Gloucester's blinding |
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I did her wrong |
Lear act 1 scene 5 Ao5 talking about Cordelia or Goneril? A brief moment of anagnorisis? Continues making the same mistakes afterwards so unlikely |
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Thou shouldst not have been old till thou hadst been wise |
Fool to Lear act 1 scene 5 |
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O, let me not be mad, not mad, sweet heaven! Keep me in temper: I would not be mad! |
Lear act 1 scene 5 Conscious of his own fragile mentality |
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That which finds him shall deserve our thanks, bringing that murderous coward to the stake |
Gloucester about Edgar act 2 scene 1 |
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Loyal and natural boy, I'll work the means to make thee capable |
Gloucester to Edmund act 2 scene 1 Willing to legitimise him |
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Such smiling rogues as these, like rats, oft bite the holy cords a-twain |
Kent about Oswald act 2 scene 2 Sycophants break the bonds of family |
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You.. show too bold malice against the grace and person of my master, stocking his messenger |
Kent to regan and cornwall act 2 scene 2 Putting the king's messenger in the stocks was the same as putting the king himself in the stocks A grave insult Shows that they have no respect for Lear |
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I... am bethought to take the basest and most poorest shape that ever penury in contempt of man brought near to beast |
Edgar act 2 scene 3 |
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Tis worse than murder, to do upon respect such violent outrage |
Lear about Kent being put in the stocks act 2 scene 4 |
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Fetch me a better answer Side note: in this section Gloucester refers to Lear as "my good Lord", but to Cornwall as "my grace", showing that Lear has lost authority |
Lear to Gloucester act 2 scene 4 |
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[She] struck me with her tongue most serpent-like upon the very heart. All the stored vengeances of heaven fall on her ungrateful top! |
Lear to Regan about Goneril act 2 scene 4 |
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Thou shalt never have my curse Thou art [...] a disease that's in my flesh |
Lear to Regan act 2 scene 4 |
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Being weak seem so |
Regan to Lear act 2 scene 4 |
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Allow not nature more than nature needs, man's life is cheap as beasts |
Lear to G and R act 2 scene 4 |
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Let not women's weapons, water drops, stain my man's cheeks! I will have such revenges on you both, that all the world shall- I will do such things - what they are yet I know not, but they shall be the terrors of the earth! |
Lear blustering out threats at goneril and regan act 2 scene 4 |
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Oh fool, I shall go mad! |
Lear act 2 scene 4 |
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Shut up your doors |
Regan to Gloucester act 2 scene 4 Locking Lear out in the storm |
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All-shaking thunder, strike flat the thick rotundity o'th'world! Spit fire! Spout rain! |
Lear in the storm act 3 scene 2 |
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A poor, infirm, weak and despised old man A head so old and white as this I am a man more sinned against than sinning |
Lear in the storm. Accepts no fault, pities himself and sees himself as the victim act 3 scene 2 |
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The younger rises when the old doth fall |
Edmund - plots to reveal Gloucester's plan to help Lear and the letter from Cordelia about France's plans to Cornwall for a reward Act 3 scene 3 |
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The tyranny of the open night's too rough for nature to endure |
Kent act 3 scene 4 |
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How shall your houseless heads and unfed sides, your lopped and windowed raggedness, defend you from seasons such as these? |
Lear realising the struggles of the poor act 3 scene 4 |
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Nothing could have subdued nature to such a lowness but his unkind daughters |
Lear believes Tom must be experiencing the same troubles as him. In his mind he is suffering the worst fate of anyone Act 3 scene 4 |
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Thou art the thing itself: unaccommodated man is no more but such a poor bare forked animal as thou art |
Lear to Tom (edgar). Sees him as the most natural form of humanity, pure. Act 3 scene 4 |
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As mad as the vexed sea |
Cordelia about Lear Act 4 scene 3 |
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Is wretchedness deprived that benefit to end itself by death? |
Gloucester act 4 scene 5 Willing to commit the sin of suicide |
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[They] Told me I had the white hairs in my beard ere the black ones were there |
Lear act 4 scene 5 He has been told since he was young that he was wise and always right |
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They told me I was everything: tis a lie, I am not ague-proof |
Lear act 4 scene 5 |
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Place sins with gold and the strong lance of justice hurtless breaks Arm it in rags,a pigmy's straw does pierce it |
Lear act 4 scene 5 |
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To be acknowledged, madam, is o'erpaid |
Kent to cordelia act 4 scene 6 |
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If you have poison for me, I will drink it. Your sisters have [...] done me wrong: you have some cause, they have not |
Lear to Cordelia act 4 scene 6 |
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Forget and forgive: I am old and foolish |
Lear to Cordelia act 4 scene 6 Anagnorisis |
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Which of them shall I take? Both? One? Or neither? Neither can be enjoyed if both remain alive |
Edmund musing on Goneril and Regan act 5 scene 1 |
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Men must endure their coming hence, even as their going hither |
Edgar to Gloucester. Act 5 scene 2 |
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Let's away to prison. We two alone will sing like birds i'th'cage [and] laugh at gilded butterflies |
Lear to cordelia at 5 scene 3 |
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Thou art a traitor: false to thy gods, hey brother and thy father, conspirant against this high illustrious prince, and [...] a most toad-spotted traitor |
Edgar to Edmund act 5 scene 3 |
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The wheel is come full circle |
Edmund to edgar after their duel Act 5 scene 3 |
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His flawed heart [...] burst smilingly |
Edgar about Gloucester act 5 scene 3 |
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This judgement of the heavens, that makes us tremble, touches us not with pity |
Albany about the deaths of regan and goneril |
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Some good I mean to do despite of my own nature |
Edmund before he tells Kent and Albany of his order for Lear and Cordelia's deaths act 5 scene 3 |
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Howl howl howl. O you are men of stones: had I your tongues and eyes I'd use them so that heaven's vault should crack |
Lear act 5 scene 3 |
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I am the very man that from your first of difference and decay have followed your sad steps |
Kent to Lear act 5 scene 3 |
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All friends shall taste the wages of their virtue and all foes the cup of their deservings |
Albany act 5 scene 3 |