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131 Cards in this Set
- Front
- Back
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Raphael, Portrait of Julius II, 1511-1512. Oil on wood. |
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Raphael, Stanza della Segnatura, 1508-1511. Fresco (Dispute over the Holy Sacrament) |
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Janvan Eijck, Portrait of A Man (self-portrait?), 1433. Oil on oak.
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Donatello, Reliquary bust of San Rossore, 1425. Caste bronze, chased, engraved and gilded. |
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Mino da Fiesole, Bust of Piero di Cosimo de' Medici, 1453-1454. Marble. |
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Leonardo da Vinci, Portrait of Lucrezia Crivelli (La Belle Feronnière), 1500. Oil on panel. |
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Masaccio, Trinity, 1425-1427. Fresco. !He used one-point perspective. |
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Filippo Brunelleschi, Ospedale degli Innocenti, 1425-1427. |
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Filippo Brunellechi, Pazzi Chapel, 1442-1443. |
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Piero della Francesca, The Flagellation of Christ, 1455. Oil and tempera on panel. |
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Sassetta, Geseling, 1435. Tempera on panel. |
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Leonardo da Vinci, Adoration of the Magi, 1481. Tempera mixed with oil (?) on panel. |
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Masaccio, Madonna and Child, 1426. Tempera and gold on panel. |
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Masaccio, Tribute Money, 1425. Fresco. |
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Leonardo da Vinci, View of the Arno River, August 5, 1473. Pen and brown ink on paper. |
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Leonardo da Vinci, Studies of a bear walking, 1480. Metalpoint on pale ink prepared paper. |
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Leonardo da Vinci, Study for the battle of Anghiari, 1503. Pen and brown ink, brush and brown wash on paper. |
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Leonardo da Vinci, Study for Madonna and Childwith St. Anne, weels, a bridge, ca. 1506. Pen and brown ink and wash over black chalk (recto). Black chalk (verso). |
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Leonardo da Vinci, Cartoon with the Virgin and Child, Saint Anne and St. John the baptist, ca. 1507. Black chalk with touches of white chalk on brownish paper. Mounted on canvas on black paper. |
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Leonardo da Vinci, Study for the Virgin and child and St Anne, ca. 1507. Black chalk, reworked with pen and brown ink. |
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Leonardo da Vinci, Study of Leda and the Swan and a rearing horse. Ca. 1504-1506. Charcoal or soft black chalk. Partly reworked pen and brown ink. |
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Gian Pietro Rizzi (after Leonardo), Leda and her offspring, 16th cent, oil on panel. |
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Aristotile da Sangallo, Copy of Michelangelo with the battle of Cascina, 1540. Oil on panel. |
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Marcantonio Raimondi, Climber (after Michelangelo), 1508. Engraving. |
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Biblia Pauperum, 1471. Nuremberg. |
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Albrecht Dürer, Ecce Homo, 1498. Woodcut. |
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Albrecht Dürer, Four Witches, 1497. Engraving. |
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Israel van Meckenem, Four nude women, 1498. Engraving. |
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Israel van Meckenem, Four nude women, 1498. Copper plate. |
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Andrea Mantegna, Entombment, 1456-1470. Burin and dry point. |
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Donatello, Lamentation, 1445-1460 |
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Antonio (del) Pollaiolo, Battle of the Nudes, 1470s-1490s. Engraving. |
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Donatello, Saint Marc, 1412-1415. Carrara marble. |
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Leonardo da Vinci, Studies of the Human Skull, 1489. Pen and brown ink over traces of leadpoint. Pen and brown ink over black chalk or leadpoint. |
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Leonardo da Vinci, Study for the adoration of the magi, 1481. Pen and brown ink with metalpoint on paper. |
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Michelangelo, Studies for the Libyan Sybil and the slaves for the Julian Tomb and the San Lorenzo facade (Studies for the Sistine ceiling and the tomb of Pope Julius II), 1511-1516. Red chalk with pen and ink on paper. |
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Michelangelo, Libyan Sybil, 1477-1482. Fresco |
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Leonardo da Vinci, 1495-1498. Tempera on gesso, pitch and mastic. |
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Andrea del Castagno, Last Supper, 1447. Fresco. |
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Giovanni di Paolo, Virgin and child with saints Bartholomew and Jerome, 1445-1450. Tempera on panel. |
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Nanni di Banco, St. Philip. 1408-1414. Marble. |
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Raphael, Study for the left half of the Disputa, c. 1509. Brush, brown wash, heightened with lead white over traces of charcoal and stylus on paper. |
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Rafael, Study for drapery, c. 1509. Brush and brown wash, heightened with lead white over black chalk. |
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Raphael, Study for a man leaning forward, c. 1509. Pen and ink over traces of leadpoint. |
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Marcantonio Raimondi, Parnassus (after Raphael), c. 1510. Engraving. Looks like the poetry scene in the Vatican Stanza. |
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Raphael, Two nude figures, 1515. Red chalk on paper. Present to Albrecht Du"rer. |
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Marcantonio Raimondi, Massacre of the Innocents, 1511-1512. Engraving. |
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Raphael, Study for the Massacre of the Innocents, c. 1511. Pen and brown ink over red chalk for two figures on the right on paper. |
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Raphael, Study for the Judgement of Solomon, c. 1509. Pen and brown ink over black chalk and stylus on paper, r-v. |
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Lucas Cranach the Elder, Portrait of Martin Luther, 1533. Oil on panel. |
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Dirck van Delen, Iconoclasts in a Church, 1630. Oil on panel. |
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Pieter Bruegel the Elder, Battle between Carnival and Lent, 1559. Oil on panel. |
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Pieter Bruegel, Procession to Calvary, 1564. Oil on panel. |
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Rogier van der Weyden, Descent from the cross, c. 1435. Oil on panel. |
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Pieter Bruegel, Conversion of Saul, 1567. Oil on panel. |
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Michelangelo, the Crucifixion of St Peter, 1542-1549. Fresco. |
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Michelangelo, The Conversion of Saul, 1542-1549. Fresco. |
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Pieter Aertsen, Meat Stall, 1551. Oil on panel. |
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Bartolomeo Passarotti, The Butcher's Shop, 1577-1581. Oil on canvas. |
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Annibale Carracci, Butcher's shop, 1582-1583. Oil on panel. |
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Michelangelo, Sacrifice of Noah, 1508-1512. Fresco. |
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Titian, St. Sebastian, 1520-1522. Oil on panel. |
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Jan van Eyck, the Arnolfini Portrait, 1434. Oil on oak. |
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Matthias Gru"newald, The Isenheim Altarpiece, 1506-1515. Oil on panel??? |
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Matthias Gru"newald, The Isenheim Altarpiece, 1506-1515. Oil on panel??? |
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Matthias Gru"newald, The Isenheim Altarpiece, 1506-1515. Wood carving. |
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Pieter Bruegel, Peasant Wedding, c. 1568. Oil on wood. |
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Pieter Bruegel, The Fall of the Rebel Angels, 1562-1563. Oil on panel. |
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Hieronymus Bosch, The Garden of Earthly Delights, 1495-1595. Oil on panel. |
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Giovanni Bellini, Virgin and Child, 1510. Oil on panel? |
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Michelangelo, Sacrifice of Noah, 1508-1512. Fresco. |
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Michelangelo Merisi --> Caravaggio, Death of the Virgin, 1605-1606. Oil on canvas. Made for the Santa Maria della Scala, but removed bc Virgin looked too dead and like a prostitute. Council of Trent 1563: depicted in an exalted way. |
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Carlo Saraceni, Death of the Virgin, after 1607. Oil on canvas. |
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Andrea Mantegna, Death of the Virgin, 1461. Tempera on panel. |
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Caravaggio, Calling of Saint Matthew, 1599-1600. Oil on canvas. |
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Gian Lorenzo Bernini, Self portrait as a young man, c. 1623. Oil on canvas. |
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Bernini, Portrait Bust of Cardinal Scipione Borghese, 1632. Marble. |
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Bernini, Study for the portrait bust of Cardinal Scipione Borghese, black and red chalk on paper. |
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Artemisia Gentileschi, Judith decapitating Holofernes, c. 1620. Oil on canvas. |
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Caravaggio, Beheading of Holofernes, c. 1598-1599. Oil on canvas. |
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Artemisia Gentileschi, Self portrait as an Allegory of Painting, c. 1638-1639. Oil on canvas. |
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Guerrilla Girls, "Do women have to be naked to get into the Met.?, 1989. |
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Titian, Venus of Urbino, 1538. Oil on canvas. |
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John Coplans, Self-portrait sideways, 2001. Gelatin silver print. |
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Robbert Mapplethorpe, Self-portrait, gelatin silver print. |
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Caravaggio, Bacchus, 1593. Oil on panel. |
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Caravaggio, Boy with a basket of fruit, 1593. Oil on panel. |
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Caravaggio, St John the Baptist, 1605-1606. Oil on panel. |
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Caravaggio, David with the head of Goliath, 1609-1610. Oil on panel. |
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Raphael, Entombment, 1507. Oil on panel. |
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Bernini, David, 1623-1624. Marble. |
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Michelangelo, David, 1501-1504. Carrara marble. |
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Donatello, David, 1430s, bronze. |
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Diego Vela'zquez, Self-portrait, c. 1643. Oil on canvas. He presents himself as a courtier, not a painter. |
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Diego Vela'zquez, Christ Crucified, 1632. Oil on canvas. Note: feet have two nails. |
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Benvenuto Cellini, Christ crucified, 1562. Marble. |
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Diego Vela'zquez, Water seller of Seville, c. 1622-1623. Oil on canvas. |
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Hieronymus Bosch, St John the Evangelist on Patmos, ca. 1500. Oil on panel. |
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Diego Vela'zquez, Supper at Emmaus, ca. 1617-1618. Oil on canvas. |
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Diego Velazquez, Kitchen Maid, 1617-1623. Oil on canvas. |
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Johannes Vermeer, The Milkmaid, 1658-1661. Oil on canvas. Triangle with light-dark. |
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Pieter Saenredam, Interior of the Buurkerk, Utrecht, 1645. Oil on panel. |
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Pieter Saenredam, Interior of the Mariakerk, 29 January 1641. Oil on panel. |
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Esaias van de Velde, Winter landscape, 1624. Oil on panel. |
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Jan van Huysum, Still-life, 1749. Oil on panel. |
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Jan Steen, the Brewery of Jan Steen, c. 1665. Oil on canvas. |
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Isaac van Ostade, The Slaughtered pig, 1645. Oil on panel. |
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Jan Steen, The Doctor's visit, c. 1665. Oil on panel. |
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Johannes Vermeer, Love letter, 1667-1668. Oil on canvas. |
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Johannes Vermeer, Woman holding a balance, 1665. Oil on canvas. |
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Rembrandt van Rijn, Self-portait as a young man, 1629. Oil on canvas. |
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Rembrandt, Self-portrait, 1669. Oil on canvas. |
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Rembrandt, Self-portrait, 1629. Oil on canvas. |
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Albrecht Du"rer, Self-portrait as a Ventian Gentleman, 1498. Oil on canvas. |
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Parmigianino, Self-Portrait in a Convex mirror, c. 1523-1524. Oil on poplar wood. |
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Nicholas Poussin, Self-Portrait, 1650. Oil on canvas. Expensive fashion. |
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Rembrandt van Rijn, Self-Portrait with wide-brimmed hat, 1632. Oil on canvas. - Gentleman, with hat and lance collar. |
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Actually another one I can't find |
Frans Hals, Portrait of a Man, 1632. Oil on canvas. |
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Rembrandt van Rijn, Self-Portrait, 1652. Oil on canvas. As a painter, rare. |
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Rembrandt, Self-Portrait, 1655. Pen on paper. “Drawn by Rembrandt van Rijn after his own image / as he was attired in his studio” |
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Rembrandt, Self-portait in his studio, 1627-1628. Oil on canvas. |
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Rembrandt, Self-portrait with palette and brushes, 1665-1669. Oil on canvas. Tondo. |
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Johannes Vermeer, Allegory of Painting, 1665-1666. Oil on canvas. |
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Rembrandt, Self-portrait, 1632. Etching. |
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Rembrandt, The raising of Lazarus, 1642. Etching. + Copper etching place. |
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Rembrandt, Saskia in bed, 1635. Pen and brush with brown ink on paper. |
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Jean-Honore' Fragonard, The Swing, 1767. Oil on canvas. |
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William Hogarth, Marriage a la Mode, The Marriage Settlement, 1743-1745. Oil on canvas. |
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William Hogarth, : Marriage 'a la mode, The Lady's Death, 1743-1745. Oil on canvas. |
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Jacques-Louis David, Oath of the Horatii, 1784. Oil on canvas. |
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Angelica Kauffman, Cornelia pointing to her children as her treasures, 1785. Oil on canvas. |
