Tow 2

Front 1

a space may be contained within the volume of a larger space

Back 1

SPACE WITHIN A SPACE

Front 2

The field of a space may overlap the volume of another space.

Back 2

INTERLOCKING SPACE

Front 3

Two spaces may abut each other or share a common border.

Back 3

ADJACENT SPACE

Front 4

Two spaces may rely on an intermediary space for their relationship

Back 4

SPACES LINKED BY A COMMON SPACE

Front 5

A central, dominant space about which a number of secondary spaces are grouped

Back 5

CENTRALIZED ORGANIZATION

Front 6

A linear sequence of repetitive spaces

Back 6

LINEAR ORGANIZATION

Front 7

A central space from which linear organizations of space extend in a radial manner

Back 7

RADIAL ORGANIZATION

Front 8

Spaces grouped by proximity or the sharing of a common visual trait or relationship

Back 8

CLUSTERED ORGANIZATION

Front 9

Spaces organized within the field of a structural grid or other three-dimensional framework

Back 9

GRID ORGANIZATION

Front 10

can be conceived as the perceptual thread that links the spaces of a building, or any series of interior or exterior spaces, together.

Back 10

PATH

Front 11

we move in ______ through a ______ of _______

Back 11

TIME, SEQUENCE, SPACE

Front 12

circulation element, distant view

Back 12

APPROACH

Front 13

from outside to inside

Back 13

entrance

Front 14

the sequence of space

Back 14

CIRCULATION OF PATH

Front 15

edges nodes and termination of path

Back 15

PATH SPACE RELATIONSHIP

Front 16

CORRIDORS HALLS GALLERIES STAIRWAYS AND ROOMS

Back 16

FORM OF THE CIRCULATION SPACE

Front 17

leads directly to the entrance of a building along a straight, axial path. The visual goal that terminates the approach is clear; it may be the entire front facade of a building or an elaborated entrance within the plane.

Back 17

FRONTAL APPROACH

Front 18

enhances the effect of perspective on the front facade and form of a building. The path can be redirected one or more times to delay and prolong the sequenceof the approach. if a building 8s approached at an extreme angle, itsentrance can project beyond its facade to be more clearly visible.

Back 18

OBLIQUE

Front 19

QSPMPOHTUIFTFRVFODFPGUIFBQQSPBDIBOE emphasizes the three-dimensional form of a building as we move around its perimeter. The building entrance might be viewed intermittently during the approach to clarify its position or it may be hidden until the point of arrival.

Back 19

SPIRAL

Front 20

All paths are linear. A straight path, however, can be curvilinear or segmented, intersect other paths, have branches, or form a loop

Back 20

LINEAR CONFIG

Front 21

has linear paths extending from or terminating at a central, common point.

Back 21

RADIAL CONFIG

Front 22

configuration is a single, continuous path that originates from a central point, revolves around it, and becomes increasingly distant from it.

Back 22

SPIRAL CONFIG

Front 23

configuration consists of two sets of parallel paths that intersect at regular intervals and create square or rectangular fields of space.

Back 23

GRID CONFIG

Front 24

configuration consists of paths that connect established points in space.

Back 24

NETWORK CONFIG

Front 25

THEORIES OF PROPORTION

Back 25

GOLDEN RATIO

CLASSICALORDER

RENAISSANCE THEORIES

MODULAR

KEN

ANTHROPOMETRY

SCALE

Front 26

If the diagonals of two rectangles are either parallel or perpendicular to each other, they indicate that the two rectangles have similar proportions. These diagonals, as well as lines that indicate the common alignment of elements, are called

Back 26

REGULATING LINES

Front 27

traditional japanese unit of neasure

Back 27

SHAKY

Front 28

A special field that has developed from a concern with human factors is

Back 28

ergonomics

Front 29

the size or proportion an element appears to have relative to other elements of known or assumed size.

Back 29

visual scale

Front 30

the size or proportion of something relative to an accepted standard of measurement.

Back 30

mech scale

Front 31

scale in architecture is based on the dimensions and proportions of the human body.

Back 31

HUMAN SCALE

Front 32

OP A line established by two points in space, about which forms and spaces can be arranged in a symmetrical or balanced manner.

Back 32

AXIS

Front 33

OP The balanced distribution and arrangement of equivalent forms and spaces on opposite sides of a dividing line or plane, or about a center or axis.

Back 33

SYMMETRY

Front 34

OP The articulation of the importance or significance of a form or space by its size, shape, or placement relative to the other forms and spaces of the organization.

Back 34

HEIRARCHY

Front 35

unifying movement characterized by a patterned repetition or alternation of formal elements or motifs in the same or a modified form.

Back 35

RYTHYM

Front 36

A line, plane, or volume that, by its continuity and regularity, serves to gather, measure, and organize a pattern of forms and spaces.

Back 36

DATUM

Front 37

The principle that an architectural concept, structure, or organization can be altered through a series of discrete manipulations and permutations in response to a specific context or set of conditions without a loss of identity or concept.

Back 37

TRANSFORMATION

Front 38

ORDERING PINCIPLES

Back 38

ASHRDT

AXIS

SYMMETRY

HEIRARCHY

RHYTHM

DATUM

TRANSACTION