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30 Cards in this Set
- Front
- Back
The placement and movement of the actors on stage moment by moment, usually planned by the director
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blocking
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A type of improvised performance that emerged in Italy during the 16th century.
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Commedia dell 'Arte
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In the Middle Ages, a series of short plays dramatizing events drawn from the Bible, often extending from the Creation to Doomsday
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Cycle Plays
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Performance that achieves a sense of mutual support and overall unity, as opposed to one that seems merely a collection of individual actors
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ensemble playing
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a type of medieval drama that treated the spiritual trials of ordinary persons, usually an allegory about the temptations besetting all human beings
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morality play
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the set of rules, conventions, and beliefs that dominated much drama and theatre from the Renaissance to the end of the 18th century. (tragedy and comedy, never mixed) plays written in 5 acts, observe the unities, and uphold poetic justice in their endings
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Neoclassicism
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both actors are on a line and at quarter position
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sharing a scene
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when an actor stands upstage of another actor. this is considered very bad manners and should only be done when the director directs you to assume such a position for a dramatic effect
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upstaging
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turn toward the audience
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open up
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turn away from the audience
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close up
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like open up except it is smaller movement, hopefully so the audience won't notice
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cheat
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to deliberately hide an action from the audience
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cover
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this means that after your partner has moved, you try to get in a position that is on a line with him. This is common courtsey so you won't upstage him
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dressing the stage
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turning toward the audience as you turn
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stage turn
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turning as you normally would making no special efforts to stay open
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natural turn
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what we want the audience to center their attention on. it may be an actor, a motion he makes or a particular word
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focus
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what a character wants in a particular scene
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objective
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the best objectives are active ones- things that actively, usually physically, can be done
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active objective
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the methods the character uses to get their objective
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tactics
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what the actor is literally doing- washing their hair, eating an apple, etc
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action
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how much something matters to a character.
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the stakes
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saying one thing and acting another
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playing against the line
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there are 2 uses of this term. one is a "pause" as in "take a beat before saying that". the other use means a mini-scene or "bit". after we break large scenes into mini-scenes, each mini-scene is called a "bit".
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beat
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using a known experience to portray an unknown one- using the memory of a bad splinter in portraying getting stabbed
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substitution
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what happens to the character off-stage the moment before they enter
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the moment before
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the reaction when you see or hear something in a scene
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discovery moment
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often the most important moment for an actor- the moment when they change their mind, perphaps change direction
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transition
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another important term. what makes your fellow actors choose to say or do something. often it is your job to motivate or "set up" another actor's actions or speech
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motivation
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the physical actions of an actor such as setting the table, etc.
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business
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laughing, smiling or in any way breaking out of what the character is doing
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breaking character
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