Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
62 Cards in this Set
- Front
- Back
What are the first five theatres of the timeline
|
Greek Theatre
Roman Theatre Elizabethan Theatre Medieval Theatre Italian Renaissance |
|
What are the sixth through tenth theatres
|
Neoclassical French Theatre
Commedia del Arte Restoration Drama Realism Stanislovski Theory |
|
What are the eleventh through sixteenth theatres
|
Symbolism
Futurism WWI Provincetown Players Surrealism Theatre of the Absurd |
|
What are the seventeenth through twenty-first theatres
|
Epic Theatre
Strasberg Theory and School Group Theatre Theatre of Cruelty Meisner and Neighborhood Playhouse |
|
What are the twenty-second through twenty-fourth theatres
|
WWII
Adler theory and school Theatre of the oppressed |
|
Aspects of Greek theatre
|
violence is off stage
had to write three tragic plays and comedy satire in order to get into the competition got inspiration from mythology received a laurel crown as a prize the hubris is ego or tragic flaw |
|
why was theatre not allowed in london
|
puritans did not like it
|
|
significance of the black, white, and red flags
|
secret to mean there was a theatre at the location
black- tragic white- comedy red-history |
|
why was verbal scene painting necessary
|
sets up for the audience
don't need huge set pieces limited space limited money the audience would become bored |
|
Christopher Marlowe's two jobs
|
Playwright
spy for the queen |
|
who portrayed female characters
|
men
|
|
Thomas Kidd's play "The Spanish Tragedy" inspired which of Shakespeare's plays? What do they have in common
|
Hamlet- alot of death by the end
-high number of actors |
|
humours come from which latin word
|
fluids
|
|
what did humours mean for the Elizabethans
|
it stood for a persons mood
|
|
True or False: Rome was always a powerful city, governing a huge empire
|
false
|
|
what cultures did rome take over
|
Europe
North Africa Middle East |
|
True or false: Roman theatre was about spectacle and was only partly connected to any kind of religious philosophy
|
true
|
|
how did the romans develop their play writing
|
translated greek plays into latin and adapted them
|
|
true or false: many theatre ruins today in Greece were built by the romans
|
True
|
|
what were roman mime troupes made of
|
slaves
men and women was the longest lasting roman theatre style |
|
which playwright does not belong: Seneca, Sophocles, Terence, Plautus
|
Sophocles
|
|
true or false: the puritans believed that as long as a play had a good moral message about the work and purity that it was alright to go to the theatre
|
false
|
|
before it became the center of a vast emprie, rome was ruled by
|
the etruscans
|
|
possible themes for mother courage
|
was as a business
virtue in wartime |
|
the first tragic drams were performed in honor of which god
|
dionysus
|
|
which playwright does not belong: Seneca, Sophocles, Terence, Plautus
|
Sophocles
|
|
true or false: the puritans believed that as long as a play had a good moral message about the work and purity that it was alright to go to the theatre
|
false
|
|
before it became the center of a vast emprie, rome was ruled by
|
the etruscans
|
|
possible themes for mother courage
|
was as a business
virtue in wartime |
|
the first tragic drams were performed in honor of which god
|
dionysus
|
|
which playwright does not belong: Seneca, Sophocles, Terence, Plautus
|
Sophocles
|
|
true or false: the puritans believed that as long as a play had a good moral message about the work and purity that it was alright to go to the theatre
|
false
|
|
before it became the center of a vast emprie, rome was ruled by
|
the etruscans
|
|
possible themes for mother courage
|
was as a business
virtue in wartime |
|
the first tragic drams were performed in honor of which god
|
dionysus
|
|
which playwright does not belong: Seneca, Sophocles, Terence, Plautus
|
Sophocles
|
|
true or false: the puritans believed that as long as a play had a good moral message about the work and purity that it was alright to go to the theatre
|
false
|
|
before it became the center of a vast emprie, rome was ruled by
|
the etruscans
|
|
possible themes for mother courage
|
was as a business
virtue in wartime |
|
the first tragic drams were performed in honor of which god
|
dionysus
|
|
who was the first actor and playwright
|
thespis
|
|
what type of dramas did aeschylus, sophocles, and euripides write
|
(greek) and tragedies
|
|
what was aeschylus' contribution to playwriting
|
he added the second character
|
|
who wrote oedipus rex
|
sophocles
|
|
what was sophocles' contribution to playwriting
|
he added the third actor
|
|
what is a trilogy
|
a series of three short plays
|
|
who wrote american buffalo
|
david mamet
|
|
who wrote no exit
|
jean paul sartre
|
|
who wrote our town
|
thorton wilder
|
|
who wrote the hairy ape
|
eugene o neill
|
|
who wrote the childrens hour
|
lilian hellman
|
|
who wrote a view from the bridge
|
arthur miller
|
|
who wrote the marriage of bette and boo
|
christopher durang
|
|
who wrote dancing at lughnasa
|
brian friel
|
|
who wrote the dutchmen
|
leroi jones...amiri baraka
|
|
who wrote fences
|
august wilson
|
|
what did stella adler believe in
|
acting from the soul
she wanted things to be real used alot of imagination pretending to walk into a room we are what we do- not what we say |
|
What did lee strasberg believe in
|
memory recall
method acting as if- sense memory |
|
what did sanford meisner believe in
|
immersion in the moment
given circumstances living truthfully under imaginary circumstances repetition |
|
who wrote the raisin in the sun
|
lorraine harisberry
|
|
who wrote night mother
|
masha norman
|
|
who wrote buried child
|
sam sheppard
|