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50 Cards in this Set
- Front
- Back
Famous Othello lone |
O, beware, my lord, of jealousy;It is the green-ey'd monster, which doth mock The meat it feeds on. |
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Historical importance of Othello |
first time an African-American actor was cast in the title role in a major cinematic release of this classic Shakespearean play |
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Desdemona |
Irene Jacob |
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Iago |
Kenneth Branagh |
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Othello |
Laurence fishburne |
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Othello cinematography |
English cinematographer David Johnson |
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Othello director |
Oliver parker, 1995 |
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Othello based on..... |
Italian short story Un Capitano Moro ("A Moorish Captain") by Cinthio, a 16th century Italian novelist best known for his impassioned, tragic stories |
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Othello written |
1603 with backdrop of bubonic plague and death of Queen Elizabeth I |
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Othello plot |
Iago who secretly hates Othello, a Moor and the general of the Venetian army |
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London globe thester |
Production of most Shakespeare plays |
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William shakespeare |
Born 1564 in Stratford (based on baptism) |
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Famous line from streetcar |
I have always depended on the kindness of strangers |
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Different ending in written and video form of streetcar |
in the film, Stella appears to elect to leave Stanley, while in the play she does not indicate that she will leave Stanley |
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Streetcar recognition |
American Film Institute and the Library of Congress as one of the greatest American movies of all time |
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Streetcar academy award |
Best Art Direction and Best Set Decoration, shared by designers Richard Day and George James Hopkins respectively |
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Streetcar music |
composed by Alex North and is historically important as it is one of the first jazz-based film scores ever conceived for a major cinematic film release |
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Streetcar cinematography |
Harry Stradling, Sr., who was nominated for an Academy Award |
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Stella kowalski |
Kim Hunter |
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Stanley Kowolski |
Marlon Brando |
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Blanch Dubois |
Vivien leigh |
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Elisa Kazan |
considered one of Broadway’s AND Hollywood’s greatest directors, directed the 1947 Broadway play A STREETCAR NAMED DESIRE as well as the 1951 Hollywood film version |
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Streetcar awards |
the play won the Pulitzer Prize in 1948, and the 1951 film version won four Academy Awards. |
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Stage play to film version of streetcar |
Tennessee Williams collaborated with screenwriter Oscar Saul to adapt |
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Streetcar origin |
modern American drama that originally premiered on Broadway in 1947 |
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Tennessee williams |
Wrote streetcar Born in Columbus, Mississippi in 1911 |
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Piano lesson famous line |
I been with strangers all day and they treated me like family. I come in here to family and you treat me like a stranger |
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Inspirations for the piano lesson |
collage entitled "The Piano Lesson" by African- American artist Romare Bearden |
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Boy Willie |
Charles S Dutton |
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Piano lesson director of film and broadway |
Lloyd Richards |
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Piano lesson setting |
Pittsburg, Pennsylvania, during the Great Depression, in 1936 |
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Piano lesson award |
Pulitzer Prize in 1990 |
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August wilson |
born in Pittsburgh, Pennsylvania, in 1945 Wrote the piano lesson |
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Sound mixer |
audio engineer who works with a boom operator to record the production sound onthe set at the time of shooting |
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Boom operator |
member of the sound crew who operates the boom microphone |
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Boom microphone |
long pole with a microphone on the end. The boom is extended out near the actors to capture sound |
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Audio engineer |
person whose job it is to alter and balance the levels of different sounds as they are recorded |
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Composer |
writes, and often conducts, music that appears in a movie's score. Most movies have at least some original music written for the score, usually after the relevant parts of the movie have been filmed |
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Soundtrack |
defined in two ways (both ways are correct ways of defining the term soundtrack). Technically, the term soundtrack refers to the audio component of a movie. Popularly, the term soundtrack refers to a collection of songs which are heard during the movie, often made available for sale to the public |
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Score |
Movies soundtrack |
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Set decorator |
person who has total charge of decorating the set with all furnishings, drapery, interior plants, and anything seen on indoor or outdoor sets |
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Set designer |
person responsible for translating the Production Designer’s vision of the movie's environment into a set which can be used for filming |
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Ser |
environment used for filming. When used in contrast to location, it refers to an artificially constructed environment. A set typically is not a complete or accurate replica of the environment as defined by the script, but is carefully constructed to make filming easier but still appear natural when viewed from the camera angle |
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Art director |
hierarchical structure of a film art department, works directly below the Production Designer, in collaboration with the Set Decorator. An Art Director is often defined as a designer/artist with leadership responsibilities that includes the supervision of the artists and craftspeople who build the sets |
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Production designer |
Artist responsible for designing the overall visual appearance of a movie |
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Shot |
continuous block of unedited footage from a single point of view |
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Scene |
continuous block of storytelling either set in a single location or following a particular character. The end of a scene is typically marked by a change in location, style, or time |
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Principal photography |
filming of major or significant components of a movie that involve the lead actors |
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Cinematographer |
person with expertise in the art of capturing images either electronically or on film stock through the application of visual recording devices and the selection and arrangement of lighting |
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Film director |
principal creative artist on a film set. The director is usually (but not always) the driving artistic source behind the filming process, and communicates to actors the way that he/she would like a particular scene played. A director's duties might also include casting, script editing, shot selection, shot composition, and editing. Typically, a director has complete artistic control over all aspects of the film |