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91 Cards in this Set

  • Front
  • Back
Professional Theatre: commercial
-produced to make a profit for investors
-musicals and comedies make the most money
Professional Theatre: non-profit
-$ goes to the production of future plays
-workers only receive fair compensation
-professional or amateur
What two types of professional theatre are there?
1) commercial
2) non-profit
Broadway
-seats 500-1800
-professional
-theatre houses in NY that are in the theatre district (41st-54th street)
Off-Broadway
-not located in the theatre district
-seat 100-500
-professional
Off-Off- Broadway
-professional OR semi-professional
-very low budgets
-seat less than 100
Empathy
-emotional identification
-refers to sense of participation
-an identification with a character
Aesthetic Distance
-"the distance apart"
Catharsis
-emotional release
Name the theatre spaces
1) proscenium theatre
2) thrust stage
3) arena stage
4) black box theatre
Proscenium Theatre
frames the stage (ex: Jones Theatre)
Thrust Stage
-one of the oldest formalized theatre architecture designs
-it has 3 parts of the audience that surround the stage
Arena Stage
-audience on all sides of the stage (ex: sporting events)
-referred to as "theatre in the round"
Black Box Theatre
-small and intimate
-most FLEXIBLE stage and audience configurations
Areas of Stage
-farthest away from the audience is UPSTAGE
-closest to the audience if DOWNSTAGE
-the left of the audience is really the RIGHT, and vise versa
-(everything is opposite)
Components of a production
-all of the THINGS that go into it
-idea/script, set, lights, costumes, props, performers
Production of Collaborators
-all of the PEOPLE
-playwright, producer, director, scenic designer, costume designer, lighting designer, sound designer, stage manager
Front of House
-house manager and box office manager
-job is to make sure people come back
Theatre Components
-orchestra, skene (house behind/backstage), theatron, parados
Liturgical Drama
-tropes
-performed by clergy
-in latia
Medieval Theatre
-RELIGIOUS plays that were performed OUTDOORS were known as CYCLES
Mystery Plays
-with Jesus
Miracle Plays
-without Jesus
-Saints performed the miracles
Morality Plays
plays about people's morals
Conflict
-two fones working against each other
Protagonist
-the good guy
Antagonist
-the bad guy
Genre
-classification of a drama related to the emotional response
-EX: tragedy, comedy, tragicomedy, and melodrama
Dialogue
-what the actors say
Subplot
-secondary lines of actions that are enter-twined with the main story/plot
Prose
-based on a similar language in every day speech
Verse
Rhyming
Royalty
-a fee paid for each performance
Copyright
-performance or publication requires the PERMISSION of the playwright
Public Domain
-no longer protected by copyright law
Commedia Dell' Arte
-mostly improv
-based off of familiar stories
Slapstick
-actors and their use of a long flat paddle with a flap that literally made a loud slapping sound
Neoclassicism
-movement of art and literature in 16 CENTURY
-based on the study of ancient Greek and Roman art and literature
Verisimilitude
-appearance of truth
Raked Stage
-floor at an angle
Improv
-when dialogue and action are not planned ahead of time
Romanticism
-rejected aspect of Neoclassicism
-celebrated natural world
-valued intense emotion and individuality
Melodrama
-conflict between good and bad characters
-fast paced action
Realism
-depiction of everyday life on stage
Antiquarianism
-recreating authentic styles of dress, architecture, and interior design when producing plays
Book Musical
- musical play that tells a story and has spoken text as well as songs
-avant garde pushes boundaries
Expressionism
-nonrealistic approach to production -the subjective experience of the character is depicted on stage
Theatre of the Absurd
-post World War 2 plays that are centered on characters who are strangers to each other and trapped in a violent meaningless world
Director
-person in charge of the artistic aspects of theatrical production
Interpretation
-intuitive response or subjective experience
Dramaturg
-a specialist in dramatic literature
Stage Manager
-makes sure things run smoothly backstage
Blocking
-planned actor movement usually recorded in a prompt book
Audition
-standard tool for casting a production
Call Backs
-a second or later round of auditions to which specific actors are invited
Concept
-artistic decisions meant to communicate a specific interpretation of a play to the audience
Sense Memory
-actors recall of sights, sounds, touch and smells from specific past events
-the actors tools include mind, body, voice
Subtext
-actual meaning of dialogue behind the words spoken
Representational VS Presentational
representational- reality
presentational- "not real life"
Designer
-control the environment of the theatre
Ground Plan
-drafting of the set as it would be seen from overhead
Rendering
-a picture created by a designer to communicate with other production personnel
Costume Plot
-a chart that records items of clothing worn by each actor
Orestia
- a trilogy of Greek tragedies written by Aeschylees
Kabuki
-classical Japanese form of theatre
-colorful, performance of female roles by men
Chorus
-1 guy from chorus stepped forward, 3 actors on stage still with chorus
Theatron
"seeing place"
Parados
-chorus entrance and exit
Orchestra
-"dancing place"
-acting space
Hypokrites
-Greek word for actor
Bertolt Brecht
-German playwright
-father of epic theatre
Aeschylus
-wrote the Orestia which is the only surviving trilogy
Thepis
-attributed to writing the first tragedies
-he also acted in them
Aristophanes
-old comedy
University Wits
- a group of educated men from Oxford and Cambridge who wrote and performed for the professional public theatres
The Globe
-built in London
-saw many of Shakespeare's Plays
Plato
-found theatre disturbing and potentially dangerous
-Greek philosopher
Aristotle
-Greek philosopher
-famous student Alexander the Great
Dionysus
-Greek God
Henriklbsen
-the father of "modern theatre"
-Dared society to discuss social issues
Emile Zola
-called for naturalism
-a "slice of life"
Eugene Scribe
-"well made play"
-French playwright
Constantin Stanislavski
-psychoanalysis, rep. style,
-focus on other actors
Platos attitude toward theatre
thought a convincing actor could alter people's perceptions
Purpose of theatre according to Horace
-to teach and please
Aristotle's 6 elements of a play
1) plot
2) character
3) thought
4) language
5) music
6) spectacle
Casual Play Structure
linear plot: events progress forward in time
casual plot: one event causes the next
Actors Job
-to communicate
Designer's Job
-control the environment of the theatre
-communicate info
-influence audience's emotional involvement
4 Variables of costume design
-silhouette
-color
-texture
-accent
Rhetorical Tradition
-presentational style prior to realism
-focus on audience rather than other actors
-emphasis on vocal delivery
-large gestures