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34 Cards in this Set

  • Front
  • Back
  • 3rd side (hint)
CONFLICT OF OBJECTIVES
Characters opposing goals
REVERSAL
Change in fortune
MODERN TECHNIQUE
Background story still apears at the beginning - broken into smaller pieces among several characters (below stairs or cup of tea)
TIME OF ACTION
Time in which the play occurs
RETROSPECTIVE METHOD
Action moves forward while past unfolds backwards
(Ibsen, Shaw, Sophocles)
GIVEN CIRCUMSTANCES
Combination of past and present situation in which the action of the play occurs
MINIMALIST TECHNIQUE
(Absurdist - 1940's)
Limited quantity of background story disclosed in hints rather than frank narration.
(Albee, Beckett, Parks)
STANISLAVSKI'S GUIDELINES FOR DICOVERING OBJECTIVES
* Come from the character's goals
* Be directed at other characters
* Describes the inner life of the character
* Relate to the play's main idea
* Framed in an active verb
INCITING ACTION
Single event that starts (or sparks) the main action of the entire play
OBJECTIVE
Goals; Basic desire or plan of action, part of the soul of the character
OBLIGATORY SCENE
Open confrontation about the play's main conflict (Not found in all plays)
INTERNAL ACTION
* Assertions
* Accusations
* Plans
* Commands
AAPC
ACTIONS
Tactics described with active verbs characters use to achieve their goals
"Are you threatening me with Dramatic Action?"
THROUGH-LINE
Ties all the character's secondary objectives together under the control of the main objective.
String of pearls...
RISING ACTION
All events pre-climax.
Made up of complications and obstacles.
TIME OF COMPOSITION
When the play was written.
POINT OF ATTACK
When the play's main action/on stage action begins.
Late = Short dramatic time
Early = Long dramatic time
BEAT
Introduces, develops, and concludes a single small event or topic. Beginning, middle, and end of an objective.
small!
RECOGNITION
Change from ignorance to knowledge.
CRISES
Points in the action when tension reaches a peak and a change in the course of events becomes necessary.
FALLING ACTION - DENOUEMENT
Resolution, all events following the major climax.
SPECIFIC LOCALE
Setting (like the Younger apartment)
CLIMAX
Peak of emotional intensity in the play. Two psychological activities that unfold simultaneously in performance: Recognition/Reversal
OBSTACLE
Planned behavior encounters difficulties as it tries to reach its goals.
DRAMATIC TIME
Time that passes during the action of the play. (Hours, Days, Years)
GEOGRAPHICAL LOCALE
Country, region, district. Emotional associations evoked by geography - contrivute to the overall effect of the play.
HISTORICAL TECHNIQUE
Pre-19th Century. The background story is revealed early in long, rhetorical speeches. Elizabethan - Shakespeare.
PHYSICAL/EXTRENAL ACTION
Entrances, Exits, Blocking, Props
CONFLICT OF ROLE
Characters opposing views of each other.
COMPLICATION
Common points of disagreement shared by at leadt 2 characters.
Com
Com
COMPLEX PLOT
Contains a recognition & reversal
Contains R &R
ACT
Whent he audience is left with the impression that something important is about to happen.
SCENE
Shaped dramatically like a plan. Begins, develops, and concludes a single large event.
LARGE.
PLAYABLE DRAMATIC VALUES
Anything that energizes actors, directors, and designers in their work.