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22 Cards in this Set
- Front
- Back
-Goya, The Third of May, 1808 -1814, Romanticism |
-made to feel sympathy for the spanish by emotion of faces. -french appears like killing machines. -contemporary history painting. -disturbing imagery. DB: main figure looks christ like. |
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-Gericault, Raft of the Madusa -1818, Romanticism |
-the raft is a symbol for frame in trouble. -anti-slavery statement. -he dramatizes the event for emotional cause. -disturbing imagery. |
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-Courbet, The Stone Breakers -1849, Realism |
-unacceptable subject matter. -wants us to feel sympathy for the poor. -*shows youth and age to show mortality. -faces not shown, so they can be anyone. |
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-Manet, Olympia -1863, Realism |
-nudity only acceptable under the cloak of myss. -unacceptable subject matter. -technique is unacceptable. -recall Titian, Venus of Urbino, to compare. |
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-Monet, Impression; Sunrise -1872, Impressionism |
-loose brush stroke to capture loosely effects. -en plein air: in the open air. DB: capturing the effects of lignt in atmosphere. |
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-Renoir, Le Moulin de la Galetfe -1876, Impressionism |
-capturing the fleeting effect of movement. -capturing the new idea of lesure time. DB: captures the sun coming through the leaves. |
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-Degas, The Rehersal on Stage -1874, Impressionism |
-interesting capturing movement. -influence of photography. -influence of Japanese print. |
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-Van Gogh, Starry Night -1889, Post-Impressionism |
-interested in emotional impact. -using complementary colors. -the two vertical in the painting represents death and ever lasting life.
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Cézanna, Still Life with Basket of Apples. -1880, Post-Impressionism. |
-using color temperature to create a sense of 3D. -tension between 2D and 3D. -playing with idea of sight. |
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-Gauguin, Day of the God. -1894, Symbolism |
-anti-modern world statement. -uses non-natural color to heighten impact. -questioning his religion upringing. -interest in non-western cloakers. |
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-Munch, The Scream -1910, Symbolism |
-overcame by the vasness of nature. -anti-modern world statement. -the scream reverberates through nature. -he's abstracting form. |
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-Matisse, Women with the Hat -1905, Fauvism |
-known for their wild non-natural colors. -color carries meaning and conveys emotion. -bold loose blush work. -using the all over brush technique.
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-Picasso, Les Demoirrelles d'avignon -1907, Analytical Cubism |
-breaking forms down into fracture plains. -creating a new sense of space. -influence of african art. |
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-Picasso, Ma Jolie -1911, Analytical Cubism |
-figure to ground relationship is eliminated. -creating a tension between 2D and 3D space. -dull color so you focus on form. |
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-Kirchner, Street, Berlin -1913, German Expressionism |
-anti-modern world statement. -acid color and aggressive brush strokes creates drama. -artist and prostitute are victums of society. -interested in emotional reaction. |
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-Kandinsky, Improvisation 28 -1912, German Expressionism |
-first to go completely abstract. -known for apocalyptic imagery. -uses color to convey emotion. |
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-Duchamp, Fountain -1917, Dada |
-he removed volger's association. -this is called a readymade. -art can now be anything. -it's a parady of what makes amerca great. |
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-Höch, Cut with the kitchen knife -1919, Dada |
-berlin Dada's medium is photomontage. -removing contact of pictures and creating a new one. |
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-Ernst, The Horde -1927, Surrealism |
-influence of Freudian psycho-analysis. -uses chance to reveal the inner psychi. -disturbing imagery. |
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-Dali, Birth of Liquid Desire -1931, Surrealism |
-known for dream like landscape. -theme of sexual violence. -influence of Freudian psycho-analysis. |
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-Pollock, Autum Rhythm (Number 30) -1950, Abstract Expressionism |
- influence of Jungian psycho-analysis. - he's using automatism. - puts the cambis on the floor. -he invented the drip technique. -adhere to the idea of truth to the ideals. -the process is an important as product. |
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-De kooning, Women 1. -1950, Abstract Expressionism |
-critize for using the classical nude. -agressive brush strokes. -misanthropic imagery. |
