Test 1

Front 1

Harpischord

Back 1

Plucked with quills

Front 2

Celesta

Back 2

Bells struck with hammer

Front 3

In Paradisium

(Time period, Composer)

Back 3

Time Period- Middle Ages (Dark Ages)

Composer- Anonymous

Front 4

Columba aspexit

(Time period, Composer)

Back 4

Time Period-Middle Ages (Dark Ages)

Composer- Hildigard of Bingen

Front 5

La douse votz

(Time period, Composer)

Back 5

Time Period-Middle Ages (Dark Ages)

Composer- Bernart De Ventadorn

Front 6

Ave Maris Stella

(Time period, Composer)

Back 6

Time Period-Renaissance

Composer- Gillaume Dufay

Front 7

Pange Lingua Kyrie and Gloria

(Time period, Composer)

Back 7

Time Period-Renaissance

Composer-Josquin Desprez

Front 8

Mille Regrets

(Time period, Composer)

Back 8

Time Period-Renaissance

Composer- Josquin Desprez

Front 9

Pope Marcellus Mass- Gloria

(Time period, Composer)

Back 9

Time Period-Renaissance

Composer- Giovanni Palestina

Front 10

As Vesta Was Descending

(Time period, Composer)

Back 10

Time Period-Renaissance

Composer- Thomas Weelkes

Front 11

Daphne

(Time period, Composer)

Back 11

Time Period-Renaissance

Composer- Anonymous

Front 12

Kemp's Jig

(Time period, Composer)

Back 12

Time Period-Renaissance

Composer- Anonymous

Front 13

Music

Back 13

The art of sound in time

Front 14

Rhythm

Back 14

Flow of music through time, duration of sounds or lack there of

Front 15

Meter

Back 15

Grouping of beats called measures

Types

-Duple

-Triple

-Quadruple

Front 16

Tempo

Back 16

Speed of the beat, associated with emotional effects

Front 17

Pitch

Back 17

Frequency, the number of vibrations per second

Front 18

Tamber (Tone Color)

Back 18

-Quality of sound

-Makes one instrument sound different from another

Front 19

Scales

Back 19

Pattern of half & whole steps covering an octave

-Diatonic

-Chromatic

Front 20

Melody

Back 20

A series of notes that add up to a recognizable whole

Front 21

Harmony

Back 21

Two or more notes at a time, a chord

-Consonance (notes that fit together)

-Dissonance (notes that don't fit together)

Front 22

Triad

Back 22

Simplest form of chord, made up of 3 notes

Front 23

Interval

Back 23

Distance between notes

Front 24

Tonic

Back 24

Triad built on the first note of a scale

-Typically starts and ends a piece

Front 25

Dominant

Back 25

Triad built on the 5th note of a scale

-frequently resolves to a tonic

Front 26

Arpegios

Back 26

Broken chords (a chord played one note at a time instead of all at once)

Front 27

Mode

Back 27

Consists of either major or minor

Front 28

Modulation

Back 28

Switching keys in the middle of a piece

Front 29

Monophony

Back 29

A single line melody

Front 30

Homophony

Back 30

Melody and harmony moving together

Front 31

Polyphony

Back 31

More than 1 independent melody

Front 32

Form

Back 32

Construction of a piece of music

(A, B, A', B')

Front 33

Binary Form (Example)

Back 33

A B

aa bb

Front 34

Ternary Form (Example)

Back 34

A B A'

Front 35

Middle Ages (Dark Ages)(Years)

Back 35

450-1450

Front 36

Gregorian Chant

Back 36

-Official music of the Roman Catholic church in the Middle Ages (Dark Ages)

-Named for Pope Gregory I

-Monophonic melody with Latin text

-Flexible Rhythm with no sense of pulse

-Notated with Neumes

Front 37

Syllabic Singing Style

Back 37

One note for each syllable

Front 38

Melismatic Singing Style

Back 38

Multiple notes per syllable

Front 39

Church Modes (Medieval Modes)

Back 39

-Old scales (Different patterns of whole and half steps)

-Other worldly sound

Front 40

Hildigard of Bingen

Back 40

-Wrote Columba Aspexit

-Abbess (Leader of an abbey)

-First known female composer

-Wrote books on botany and medicine

Front 41

Bernart De Ventadorn

Back 41

Wrote "La Dousa Votz" (The sweet voice)

Front 42

Estampie

Back 42

Very fast triple meter music written to accompany a dancer

Front 43

Renaissance (Years)

Back 43

1450-1600

Music began to have harmonies instead of just melodies.

Front 44

Declamation

Back 44

Vocal rhythms matching spoken rhythms

Front 45

Gillaume Dufay

Back 45

-Wrote "Ave Maris Stella"

-French

-Wrote sacred and secular compositions

Front 46

Catholic Masses 5 parts

Back 46

Kyrie (Prayer)

Gloria (Hymn)

Credo (Beliefs)

Sanctus (Hymn)

Agnus Dei (Prayer)

Front 47

Josquin Desprez

Back 47

-Wrote Pange Lingua Mass

-Wrote "Mille Regrets"

-French

-Composed sacred and secular music

Front 48

Giovanni Palestrina

Back 48

-Wrote Pope Marcellus Mass

-Italian

-Composed mostly sacred music

-Used declamation for clear text presentation

-Mostly homophonic music

Front 49

Madrigal (Genre)

Back 49

-Usually written in English

-Secular

-Declamation

-Word Painting

-Imitative Polyphony

-Between 2 and 8 voices each with a seperate part

Front 50

Thomas Weelkes

Back 50

-Wrote "As Vesta was [from Latmos Hill] Descending

-English

-Started the collection of madrigals "The Triumphs of Oriana"

Front 51

Pavans and Galliards

Back 51

Paired dance

-Pavan (Duple Meter)

-Galliard (Triple Meter)

Front 52

Piano p (Dynamic Marking)

Back 52

Quiet

Front 53

Pianissimo pp (Dynamic Marking)

Back 53

Very Quiet

Front 54

Mezzo Piano mp (Dynamic Marking)

Back 54

Slightly quiet

Front 55

Mezzo Forte mf (Dynamic Marking)

Back 55

Slightly Loud

Front 56

Forte f (Dynamic Marking)

Back 56

Loud

Front 57

Fortissimo ff (Dynamic Marking)

Back 57

Very Loud

Front 58

Adagio (Tempo Indication)

Back 58

Slow

Front 59

Andante (Tempo Indication)

Back 59

On the slow side but not too slow

Front 60

Moderato (Tempo Indication)

Back 60

Moderate

Front 61

Allegretto (Tempo Indication)

Back 61

On the fast side but not too fast

Front 62

Allegro (Tempo Indication)

Back 62

Fast

Front 63

Presto (Tempo Indication)

Back 63

Very Fast