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56 Cards in this Set
- Front
- Back
Burin |
Sharp, pointed tool used for carving fine lines |
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Ocher |
Natural, earthen pigment |
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Cromlech |
A henge; a ceremonial circle devised of large stones |
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Post-and-Lintel |
Horizontal supports and cross beams, usually to span an entry or hall |
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Bitumen |
A black, naturally occurring, tar-like substance |
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Bas-relief |
"Low" relief, when the carved image projects only very slightly from the material surface |
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Composite Profile |
A conceptual view of a figure that combines frontal and side views |
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Frieze |
A.k.a. "register" a horizontal band of narrative imagery or decorative pattern |
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Cire-perdue |
"Lost wax" method; a hollow casting method employing a clay model, layer of wax, and outer mold. |
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Ziggurat |
"Mountain" a temple platform |
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Battered |
Sloped; wider at the bottom and tapered toward the top, usually to provide support |
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Buttressed |
Reinforced; added layers of stone to produce thicker walls. |
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Faience |
Glazed earthenware with a lustrous, glasslike, opaque surface in a variety of colors |
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Hierarchical Scale |
The depiction of a figure relatively larger than others within the same composition to denote status or rank |
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Stela |
A carved stone, usually large and upright, that commemorates someone or something |
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Mastaba |
Early Egyptian tomb made of mud brick or stone with a flat top and four battered sides |
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Pylon Temple |
The monumental gateway into the forecourt of a temple comprised of battered walls and tower-like moldings with a central entrance |
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Fresco Secco |
Mural painting on dry plaster |
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Engaged Column |
A column that is affixed to a wall, usually for aesthetic reasons rather than as a support |
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Canon of Proportions |
A system or set of rules for depicting pleasing relationships among the parts of the body or architectural structures |
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Repoussé |
A metalwork process that produces a raised image by hammering the design from the back side; an artwork produced by the repoussé process |
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Buon Fresco |
Mural painting on wet plaster |
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Course |
Usually "string - -," or "stone - -"; a horizontal band of masonry |
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Corbeled arch |
A curved span comprised of cantilevered courses that rise to a point; a triangular arch |
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Tholos |
A beehive shaped tomb in the Ancient Aegean; a round temple in Ancient Greece and Rome |
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Cyclopean masonry |
Rough hewn stones of enormous size |
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Cella |
The main, inner sanctuary of a temple |
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Megaron |
The large hall of an Aegean palace, usually with a central hearth framed by four columns that support the roof |
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Krater |
A mixing bowl characterized by a wide mouth and wide body |
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Amphora |
A storage jar characterized by a narrow mouth, wide body, and double handles |
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Hydria |
A water jar characterized by a long neck and three handles |
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Meander |
A.k.a. key pattern; geometric pattern of interlocking horizontal and vertical lines |
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Chevron |
A zig zag pattern |
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Black-figure technique |
Vase painting with black silhouetted figures against the light background of natural, reddish clay, and incised linear details |
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Daedalic |
Greek Orientalizing statuary that displays Egyptian and Ancient Near Eastern influences |
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Encaustic |
Paint of pigment and hot wax |
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Doric |
Greek order characterized by columns with a flat-slab capital and no base; and an entablature with triglyphs and metopes |
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Entablature |
The horizontal part of a buildong above the columns and below the roof, divided into the architrave or epistyle, frieze, and the cornice |
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Raking cornice |
The projecting crowning ornament of a slanted roofline |
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Pediment |
The triangular section framed by the cornices on a temple |
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Colonnade |
A.k.a. peristyle: a row of columns that support a flat entablature |
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Peripteral |
Describes a temple with a single colonnade on all sides |
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Triglyph |
The decorative ornament of three bands in a Doric frieze |
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Metope |
The squares framed by triglyphs in a Doric frieze |
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Entasis |
A convex tapering or apparent swelling of a column |
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Ionic |
Greek order characterized by slender columns, volute capital, base, and a continuous frieze |
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Corinthian |
A variation of the Ionic order; capitals have acanthus leaves and rosettes |
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Contrapposto |
A.k.a. "s-curve" or "weight shift" the human stance produced when weight is balanced on one standing leg, the other leg is bent, and a shift in the hips |
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Caryatid |
A female figure that functions as a supporting column |
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Skiagraphia |
"Shadow painting" the use of shading to suggest three-dimensional form |
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Tesserae |
Small piece of glass or stone |
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Terracotta |
Baked clay used for sculpture or building material; may be glazed or painted |
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Fibula |
A clasp or decorative pin used to fasten garments |
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Tumulus |
A burial mound covering subterranean multi-chambered tombs |
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Cinerary urn |
A container used for burial to hold cremated ashes |
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Tuscan |
The Entruscan variation of the Doric order in which columns have a flat slab capital and a base |