Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
186 Cards in this Set
- Front
- Back
|
Hans Arp, Enak's Tears (Terrestrial Forms), painted wood, 1917 |
|
|
Sophie Taeuber-Arp, Dada Head, painted wood/glass beads/wire, 1920 |
|
|
First International Dada Fair, 1920 |
|
|
John Heartfield and Rudolf Schlichter, Prussian Archangel, papier mache/wire/stuffing/uniform/paper, 1920 |
|
|
Hannah Hoch, Cut with the Kitchen Knife through the Last Weimar Beer-Belly Cultural Epoch in Germany, 1919-20 |
|
|
George Grosz, Life Model, c.1919 |
|
|
George Grosz, Sex Murder on Ackerstrasse, 1916-17 |
|
|
Hannah Hoch, Da-Dandy, 1919 |
|
|
Hannah Hoch, Half-Caste, 1924 |
|
|
Hannah Hoch, Dada Panorama, 1919 |
|
|
Hannah Hoch, Tamer, 1930 |
|
|
Hannah Hoch, From an Ethnographic Museum, 1929 |
|
|
Francis Picabia, Fille nee sans mere, 1916-17 |
|
|
Marcel Duchamp, Belle Haleine, photograph/glass perfume bottle, 1921 |
|
|
Marcel Duchamp, Chocolate Grinder, 1914 |
|
|
Rene Clair, Entr'acte, film still, 1924 |
|
|
Marcel Duchamp, Etante Donnes, 1946-66 |
|
|
Marcel Duchamp, Fountain, 1917 |
|
|
Marcel Duchamp, The Bride Stripped Bare By Her Bachelors, Even (Large Glass), 1915-23 |
|
|
Marcel Duchamp, L.H.O.O.Q, 1919 |
|
|
Marcel Duchamp, Nude Descending A Staircase, 1919 |
|
|
Marcel Duchamp/Man Ray, Rrose Selavy, 1924 |
|
|
Marcel Duchamp, Trebuchet, coat hangers, 1917 |
|
|
Gavin Turk, Rotor Rings, 2014 |
|
|
Guimard, design for Paris Metro stations, 1900 |
|
|
Salvador Dali, The Phenomenon of Ecstacy, 1933 |
|
|
Pablo Picasso, Les Demoiselles d'Avignon, 1906 |
|
|
Giorgio de Chirico, Enigma of the Day, 1914 |
|
|
Giorgio de Chirico, Mystery and Melancholy of a Street, 1914 |
|
|
Giorgio de Chirico, The Brain of the Child, 1914 |
|
|
Rene Magritte, The Empire of Light, 1950 |
|
|
Rene Magritte, Golconda, 1953 |
|
|
Paul Delvaux, Street of Trams, 1938-9 |
|
|
Paul Delvaux, Dawn Over the City, 1940 |
|
|
Photograph from Nadja, "I shall take my departure from the Hotel des Grands Hommes", 1928 |
|
|
Photograph from Nadja, "As I arrived at the Saint-Ouen flea market...", 1928 |
|
|
Photograph of a brass glove, from Nadja, 1928 |
|
|
Nadja, The Lover's Flower, 1926 |
|
|
Photograph in Nadja, Mazda light bulb billboard, 1928 |
|
|
Photograph in Nadja, Socialist recruitment, 1928 |
|
|
Photograph in Nadja, the Sphinx Hotel, 1928 |
|
|
Jean Martin Charcot, Attitudes Passionelles, photograph of Louise Augustine Gleizes, 1878
reprinted as Postures of Passion in Louis Aragon & Andre Breton, Le Cinquantenaire de l'Hysterie 1878-1928, 1928 |
|
|
Andre Breton & Philippe Soupault, Les Champs Magnetiques (Magnetic Fields), 1919 |
|
|
Andre Masson, Automatic Drawing, 1924 |
|
|
Andre Masson, The Birth of Birds, 1925 |
|
|
Andre Masson, Figure, oil paint/sand on canvas, 1926-27 |
|
|
Joan Miro, Catalan Landscape/The Hunter, 1923-24 |
|
|
Joan Miro, Maternity, 1925 |
|
|
Salvador Dali, Sketch of Freud, 1938 |
|
|
Salvador Dali, Scatalogical Object Functioning Symbolically, (shoe, milk, sugar, plastic, lead, pubic hair, spoon, photograph), 1936 |
|
|
Meret Oppenheim, My Governess, (shoes, paper frills, string, plate), 1936 |
|
|
Meret Oppenheim, Object/Breakfast In Fur, (tea set, fur), 1936 |
|
|
Max Ernst, Oedipus Rex, 1923 |
|
|
Odilon Redon, The Eye-Balloon, 1878 |
|
|
Max Ernst, Pieta, Or Revolution By Night, 1923 |
|
|
Max Ernst, Men Shall Know Nothing of This, 1923 |
|
|
Max Ernst, Totem and Taboo, decalcomania, 1941 |
|
|
Man Ray, still from Emak Bakia, 1926 |
|
|
Man Ray, still from Emak Bakia, 1926 |
|
|
Man Ray, still from Emak Bakia, 1926 |
|
|
Man Ray, stills from Emak Bakia, 1926 |
|
|
Man Ray, Emak Bakia (replica), horse hair/cello neck, 1926 |
|
|
Man Ray, Indestructible Object, metronome/photograph, 1923/1933 |
|
|
Man Ray, stills from L'Etoile de Mer, 1928 |
|
|
Man Ray, stills from Le Retour de la Raison, 1923 |
|
|
Man Ray, Lee Miller, 1930 |
|
|
Man Ray, Danger-Dancer, 1917-20 |
|
|
Salvador Dali, Atavism of Twilight, 1933-34 |
|
|
Salvador Dali, Luis Bunuel, 1924 |
|
|
Salvador Dali, Figure at a Window, 1925 |
|
|
Salvador Dali, Enigma of Hitler, 1938 |
|
|
Salvador Dali, The Lugubrious Game, 1929 |
|
|
Salvador Dali, Meditation on the Harp, 1932-34 |
|
|
Salvador Dali, Paranoiac Woman-Horse (Invisible Sleeping Woman, Lion, Horse), 1930 |
|
|
Salvador Dali, The Persistence of Memory, 1931 |
|
|
Salvador Dali, Self -Portrait with the Neck of Raphael, 1920-21 |
|
|
Salvador Dali, The Rotting Donkey, 1928 |
|
|
Salvador Dali, Sleep, 1937 |
|
|
Salvador Dali, Invisible Sleeping Woman, Lion, Horse, page from a film scenario, 1931 |
|
|
Salvador Dali, The Accommodation of Desire, 1929 |
|
|
Salvador Dali, The Great Masturbator, 1929 |
|
|
Salvador Dali, The Weaning of Furniture Nutrition, 1934 |
|
|
Salvador Dali, The Enigma of William Tell, 1937 |
|
|
Salvador Dali, The Wounded Bird, 1928 |
|
|
George Bataille, Analysis of Lugubrious Game, in Documents 7, 1929 |
|
|
Jean-Francois Millet, The Angelus, 1857 |
|
|
Hans Bellmer, Die Puppe, wood/metal/plaster, 1934 |
|
|
Hans Bellmer, drawing for Die Puppe, 1934 |
|
|
Hans Bellmer, La Poupee, wood/metal/plaster/papier mache, 1935 |
|
|
Hans Bellmer & Paul Eluard, Les Jeux de La Poupee, 1936-38 (published 1949) |
|
|
Minotaure vol 6, The Doll, Variations on the Assemblage of an Articulated Minor, 1934 |
|
|
Hans Bellmer, Die Puppe, 1934 |
|
|
Hans Bellmer, La Poupee, 1935 |
|
|
Hans Bellmer, pictures of both dolls, 1934-36 |
|
|
Arno Breker, Readiness, 1939 |
|
|
Hannah Hoch, Broken, 1925 |
|
|
Hannah Hoch, Indian Dancer, 1930 |
|
|
Hannah Hoch, Love, 1925 |
|
|
Hannah Hoch, Dada Dolls, 1916 |
|
|
Man Ray, Anatomies, 1929 |
|
|
Man Ray, Barbette, 1926 |
|
|
Man Ray, Marquise Luisa Casati, 1922 |
|
|
Man Ray, Torso, from Electricite, 1931 |
|
|
Man Ray, The Gift, 1921 |
|
|
Man Ray, Kiki de Montparnasse, 1922 |
|
|
Man Ray, Lee Miller, 1929 |
|
|
Man Ray, Rayograph from Les Champs Delicieux, 1922 |
|
|
Man Ray, Neck, 1930 |
|
|
Man Ray, Noire et Blanche, 1926 |
|
|
Man Ray, Violon d'Ingres, 1924 |
|
|
Lee Miller, Nude Bent Forward, 1931 |
|
|
Lee Miller, Portrait of Space, 1937 |
|
|
Lee Miller, Self-Portrait, 1931 |
|
|
Surrealist Map of the World, printed in Varieties, 1929 |
|
|
Frida Kahlo, Accident, drawing, 1926 |
|
|
Frida Kahlo, Self-Portrait with Cropped Hair, oil on canvas, 1940 |
|
|
Frida Kahlo, Frida and Diego Rivera, oil on canvas, 1931 |
|
|
Frida Kahlo, A Few Small Nips, oil on metal, 1935 |
|
|
Frida Kahlo, Henry Ford Hospital, oil on metal, 1932 |
|
|
Frida Kahlo, The Love Embrace of the Universe, The Earth (Mexico), Diego, Me, Senor Xolotl, oil on canvas, 1949 |
|
|
Frida Kahlo, Self Portrait with Monkey, 1940 |
|
|
Frida Kahlo, My Birth, 1932 |
|
|
Frida Kahlo, My Grandparents, My Parents, and Me (Family Tree), oil and tempera on zinc, 1936 |
|
|
Frida Kahlo, My Nurse and I, oil on metal, 1937 |
|
|
Frida Kahlo, Self Portrait On The Border Line Between Mexico and the United States, oil on metal, 1932 |
|
|
Frida Kahlo, Self Portrait with Thorn Necklace and Hummingbird, oil on canvas, 1940 |
|
|
Frida Kahlo, Self Portrait in Tehuana Dress (Diego on My Mind), oil on masonite, 1943 |
|
|
Frida Kahlo, The Two Fridas, oil on canvas, 1939 |
|
|
Frida Kahlo, What the Water Gave Me, oil on canvas, 1938 |
|
|
Diego Rivera, Men At the Crossroads, 1933 |
|
|
Diego Rivera, Mural from the Ministry of Education, 1923-28 |
|
|
Breton, Rivera, and Trotsky in Mexico, 1938 |
|
|
Magritte, Je ne vois pas la femme cachée dans la forêt, 1929 |
|
|
Max Ernst, Alice, decalcomania, 1941 |
|
|
Leonora Carrington, Crookhey Hall, 1941 |
|
|
Leonora Carrington, Inn of the Dawn Horse, 1937 |
|
|
Leonora Carrington, Green Tea or La Dame Ovale, 1942 |
|
|
Leonora Carrington, The Horse of Lord Candlestick, 1938 |
|
|
Leonora Carrington, The Meal of Lord Candlestick, 1938 |
|
|
Leonora Carrington, Portrait of Max Ernst, 1938 |
|
|
Leonora Carrington, Down Below, 1941 |
|
|
Leonora Carrington, The Giantess (The Guardian of the Egg), tempera on wood panel, 1947 |
|
|
Leonora Carrington, Night Nursery Everything, 1947 |
|
|
Leonora Carrington, And Then We Saw The Daughter of the Minotaur, 1953 |
|
|
Leonora Carrington, The Magical World of the Mayas, 1963 |
|
|
Frida Kahlo, Tree of Hope, 1946 |
|
|
Jean Benoit, Necrophiliac, 1965 |
|
|
Jean Benoit, Costume for the Excecution of the Testament of the Marquis de Sade, 1959 |
|
|
Victor Brauner, Fascination, 1939 |
|
|
1938 Exposition Internationale du Surrealisme, central grotto with Duchamp's 1200 Sacks of Coal and Oscar Dominguez's Jamais |
|
|
Marcel Duchamp and Mimi Parent, Boite Alerte, exhibition catalogue for 1959 EROS exhibition |
|
|
Glenn Brown, Dali-Christ, 1992 |
|
|
Does-Not-Computer, installation from the 1965 Absolute Deviation exhibition |
|
|
Tracey Emin, My Bed, 1999 |
|
|
Marcel Duchamp, Mile of String, 1942 First Papers of Surrealism exhibition |
|
|
Jacques Herold, The Great Transparent One, 1947 |
|
|
Damien Hirst, A Thousand Years, 1990 |
|
|
Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living, 1991 |
|
|
Damien Hirst, This Little Piggy Went to Market, This Little Piggy Stayed At Home, 1996 |
|
|
Jean-Claude Silbermann, The Consumer, 1965 |
|
|
John Cage (with Marcel Duchamp), Reunion, 1968 |
|
|
Alfred Kiesler, Art of This Century Gallery, 1942 |
|
|
Various Artists, Jeu de Marseilles, 1941 |
|
|
Wilfredo Lam, The Jungle, 1943 |
|
|
Sarah Lucas, Two Fried Eggs and a Kebab, 1992 |
|
|
Sarah Lucas, Self Portrait with Fried Eggs, 1996 |
|
|
Sarah Lucas, Pauline Bunny, 1997 |
|
|
Sarah Lucas, Bitch, 1995 |
|
|
Man Ray, Mannequin, 1938 |
|
|
Man Ray, The Imaginary Portrait of the Marquis de Sade, 1938 |
|
|
Etienne Martin, Totem of Suspicions, 1947 |
|
|
Andre Masson, Mannequin, 1938 |
|
|
Mimi Parent, Masculin ou Feminin, 1959 |
|
|
Richard Morris (with Carolee Schneeman), Site, 1964 |
|
|
Ron Mueck, Dead Dad, 1996 |
|
|
Andre Breton, Object Chest, 1938 |
|
|
Wolfgang Paalen, Articulated Cloud, 1936 |
|
|
Enrico Donati and Marcel Duchamp, Priere de Toucher, 1947 |
|
|
Marc Quinn, Self, 1991 |
|
|
Salvador Dali, Rainy Taxi, 1938 |
|
|
Victor Brauner, The Wolf-Table, 1939 |
|
|
Robert Rauschenberg, Bed, 1955 |
|
|
Carolee Schneemann, Meat Joy, 1964 |
|
|
Carolee Schneeman, Eye Body, 1963 |
|
|
Kurt Steligmann, Ultra Furniture, 1938 |
|
|
Helene Vanel, Unconsummated Act, 1938 |
