Stylistics Finals

Front 1

1. The rhyme that concludes each line.

Back 1

End Rhyme

Front 2

2. All the words in one stanza rhymes with “kite.”

Back 2

Monorhyme

Front 3

3. They only appear, but not sound to rhyme.

Back 3

Eye Rhyme

Front 4

4. It is also known as trochaic rhymes.

Back 4

Feminine Rhyme

Front 5

5. This are rhymes within the line.

Back 5

Internal Rhyme

Front 6

6. The last syllables of each word rhyme.

Back 6

Masculine Rhyme

Front 7

7. It is also known as slant rhyme.

Back 7

Near Rhyme

Front 8

8. Examples of this are bough and cough.

Back 8

Eye Rhyme

Front 9

9. Examples of this are cough and prof.

Back 9

Near Rhyme

Front 10

10. This is used as basis for identifying rhyme scheme.

Back 10

End Rhyme

Front 11

Identify the type of stanza the following has based on the number of lines. (For 11-20)

11. Haiku is _____.

Back 11

Triplet or Tercet

Front 12

12. Tanka with a 57577 syllables per line.

Back 12

Quintet

Front 13

13. A sonnet’s first stanza has the rhyme scheme ABAB.

Back 13

Quatrain

Front 14

14. The last stanza of a sonnet with rhyme scheme GG.

Back 14

Couplet

Front 15

15. Ten lines in one stanza.

Back 15

Dizain

Front 16

16. The first stanza of a Petrarchan sonnet has 8 lines.

Back 16

Octave

Front 17

17. The last stanza of a Petrarchan sonnet.

Back 17

Sestet

Front 18

18. The first stanza has 9 lines.

Back 18

Nonet

Front 19

19. The last stanza has 4 lines.

Back 19

Quatrain

Front 20

20. The second stanza has 7 lines.

Back 20

Septet

Front 21

22. Delight

Back 21

Iamb

Front 22

24. Garden

Back 22

Trochee

Front 23

26. Manifest

Back 23

Dactylic

Front 24

28. Overcome

Back 24

Anapest

Front 25

30. Frappe

Back 25

Iamb

Front 26

31. Attack

Back 26

Iamb

Front 27

32. Beautiful

Back 27

Dactylic

Front 28

33. Birthday

Back 28

Trochee

Front 29

34. Bus stop

Back 29

Spondee

Front 30

35. Contradict

Back 30

Anapest

Front 31

36. Thou art more lovely and more temperate.

Back 31

Iambic pentameter

Front 32

37. Picture yourself in a boat on a river with.

Back 32

Dactylic trimeter

Front 33

38. You may do so sans objection.

Back 33

Trochaic tetrameter

Front 34

39. Like a high bord maiden.

Back 34

Trochaic trimeter

Front 35

40. And it sells and it helps in itself to relieve.

Back 35

Anapestic tetrameter

Front 36

Rhyme Scheme. (For 41-45)

41. There once was a son of duke

Whose upbringing was really a fluke

Back 36

First line - A

Second line - A

Front 37

42. He was raised by some gibbons

With apes for his siblin’s

So all he can say now is “ook”

Back 37

First line - A

Second line - A

Third line - B

Front 38

43. Mary had a little lamb

Its fleece as white as snow

And everywhere that Mary went

The lamb was sure to go

Back 38

First line - A

Second line - B

Third line - C

Fourth line - B

Front 39

44. A delinquent who lived on his own

Attempted to take out a loan

Back 39

First line - A

Second line - A

Front 40

45. When the banker said no

The man asked with great woe

How his library fees had been known

Back 40

First line - A

Second line - A

Third line - B

Front 41

*46. A type of literature that expresses ideas, feelings, or tells a story in a specific form.

Back 41

Poetry

Front 42

*50. A pattern of stressed and unstressed syllables.

Back 42

Meter

Front 43

*51. Unit of meter and can have two or three syllables.

Back 43

Foot

Front 44

*52. It is the breaking up of poem's lines or verses into metrical feet and identifying the stressed and unstressed syllables.

Back 44

Scansion

Front 45

*53. Words sound alike because they share the same ending vowel and consonant sounds.

Back 45

Rhyme

Front 46

*54. A word at the end of one line rhymes with a word at the end of another line.

Back 46

End Rhyme

Front 47

*55. A word inside a line rhymes with another word on the same line.

Back 47

Internal Rhyme

Front 48

Identify the kinds of metrical lines. (For 56-60)

*56. Eight feet on a line.

Back 48

Octometer

Front 49

*57. Seven feet on a line.

Back 49

Heptameter

Front 50

*58. Six feet on a line.

Back 50

Hexameter

Front 51

*59. Five feet on a line.

Back 51

Pentameter

Front 52

*60. Four feet on a line.

Back 52

Tetrameter

Front 53

*62. Use the letters of the alphabet to represent sounds to be able to visually “see” the pattern.

Back 53

Rhyme Scheme

Front 54

*65. It can’t be found in dictionaries, such as vrooom, grrrr, krooow, hmmm.

Back 54

Non-lexical Onomatopoeia

Front 55

*66. The words share either the same vowel or consonant sound but not both.

Back 55

Near rhyme

Front 56

*67. Words that look alike but sound different.

Back 56

Eye rhyme

Front 57

*68. Rhymes a repetition of different words that have similar sounds in the last syllable of each word.

Back 57

Masculine rhyme

Front 58

*69. AKA double rhymes or trochaic rhymes; using words of two syllables in which the heavy stress falls on the first syllable.

Back 58

Feminine rhyme

Front 59

*70. There is only one rhyme in the entire stanza.

Back 59

Monorhyme

Front 60

*71. The repetition of the vowel sound across words within the lines of the poem creating internal rhymes.

Back 60

Assonance

Front 61

*72. The repetition of the consonant sound across words within the lines of the poem.

Back 61

Consonance

Front 62

*73. A subtype of consonance, the repetition the initial consonant sound across words within the lines of the poem.

Back 62

Alliteration

Front 63

*74. The combining of words that sound pleasant together or are easy to pronounce.

Back 63

Euphony

Front 64

*75. A combination of words that sound harsh or unpleasant together.

Back 64

Cacophony

Front 65

*77. The repetition occurs at the end of these structures.

Back 65

Epiphora

Front 66

*79. Repetition of a word or phrase at the beginning and end of a clause or sentence.

Back 66

Epanalepsis

Front 67

*80. The repetition of a word or phrase in quick succession.

Back 67

Epizeuxis

Front 68

*81. The study of how words are used not only to present information but also to carry out actions.

Back 68

Speech Act Theory

Front 69

*91. “Don’t touch that!” What kind of speech act is this?

Back 69

Directive

Front 70

*82. The act of saying something.

Back 70

Locutionary act

Front 71

*83. The act of doing something/intention.

Back 71

Illocutionary act

Front 72

*84. The act of affecting someone.

Back 72

Perlocutionary act

Front 73

*85. A statement that has a clear relationship between the structure and the communicative function of the utterance.

Back 73

Direct Speech Act

Front 74

*86. The speaker does not explicitly state the intended meaning behind the utterance.

Back 74

Indirect Speech Act

Front 75

*87. “I now pronounce you husband and wife.” What kind of speech act is this?

Back 75

Declaration

Front 76

*88. “I’m really sorry.” What kind of speech act is this?

Back 76

Expressive

Front 77

*89. “Chomsky didn’t write about peanuts.” What kind of speech act is this?

Back 77

Assertive

Front 78

*90. “I’ll be back.” What kind of speech act is this?

Back 78

Commisive

Front 79

*92. What conversation maxim seems to have been violated below?

A: How was the LET?

B: Well, the proctor is my former college professor.

Back 79

Maxim of relation

Front 80

*93. Which of the four maxims is violated in the dialogue below?

A: Can you tell me where the lecture is?

B: It is in room 254, the room in which I had my first university class ever.

Back 80

Maxim of quantity

Front 81

*94. Which of the four maxims is violated in the dialogue below?

Boy: Do you love me?

Girl: To be very honest, I think, it’s something that I should have told you ages ago, but now the right time has come, and I believe that what I feel is what you should know and that is, no.

Back 81

Maxim of manner

Front 82

*95. Which of the four maxims is violated in the dialogue below?

Student: I was absent on Monday. Did I miss anything important?

Teacher: Oh no, of course not, we never do anything important in class.

Back 82

Maxim of quality

Front 83

*96. A conditions or circumstances that should be met for a speech act to achieve its purpose.

Back 83

Felicity condition

Front 84

*97. “You want this to happen.” What type of felicity condition is this?

Back 84

Essential condition

Front 85

*98. “Be sincere.” What type of felicity condition is this?

Back 85

Sincerity condition

Front 86

*99. “Context and speaker are considered.” What type of felicity condition is this?

Back 86

Preparatory condition

Front 87

*100. “Understanding of content, don't pretend.” What type of felicity condition is this?

Back 87

Propositional content condition

Front 88

21. Quarrel

Back 88

Trochee

Front 89

23. Downtown

Back 89

Spondee

Front 90

25. Tree trunk

Back 90

Spondee

Front 91

27. In a

Back 91

Pyrrhic

Front 92

29. Fascinate

Back 92

Dactylic

Front 93

*47. A group of words together on one line of the poem.

Back 93

Line

Front 94

*47. A group of words together on one line of the poem.

Back 94

Line

Front 95

*48. A group of lines arranged together.

Back 95

Stanza

Front 96

*47. A group of words together on one line of the poem.

Back 96

Line

Front 97

*48. A group of lines arranged together.

Back 97

Stanza

Front 98

*49. The beat created by the sounds of the words in a poem.

Back 98

Rhythm

Front 99

*61. Special tools the poet can use to create certain effects in the poem to convey and reinforce meaning through sound.

Back 99

Sound Devices

Front 100

*61. Special tools the poet can use to create certain effects in the poem to convey and reinforce meaning through sound.

Back 100

Sound Devices

Front 101

63. The naming of a thing or action by a vocal imitation of the sound associated with it such as buzz and hiss.

Back 101

Onomatopoeia

Front 102

*64. It can be found in dictionaries, such as crack, crashes, and rings.

Back 102

Lexical Onomatopoeia

Front 103

*76. The repetition occurs at the beginning of these structures.

Back 103

Anaphora

Front 104

*76. The repetition occurs at the beginning of these structures.

Back 104

Anaphora

Front 105

*78. Repetition of a word or phrase at the beginning and another at the end of successive clauses.

Back 105

Symploce