Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
96 Cards in this Set
- Front
- Back
3 differences between public speaking and conversations
|
1. Pulbic speaking is more highly structured
2. Public speaking requires more formal language 3. Public speaking requires a different method of delivery |
|
Stage Fright
|
anxiety over the prospect of giving a speech in front of an audience
|
|
Adrenaline
|
A hormone release into the bloodstream in response to physical or mental stress
|
|
Positive nervousness
|
Controlled nervousness that helps energize a speaker for her or his presentation
|
|
How to deal with nervousness
|
1. Acquire Speaking Exp
2. Prepare 3. Think positively 4. Visualize success 5. MOST nervousness is not visible 6. Don't expect perferction |
|
Visualization
|
mental imaging in which a speaker vividly pictures himself or herself giving a successful prsentation
|
|
Each minute of a speech requires how much prep time
|
One or two hours of prep
|
|
True or False:
There is such a thing as a perfect speech |
False
|
|
What else makes a speech good?
|
1. Good sleep
2. Tensing your muscles and untensing them 3. Slow, deep breathing 4. Work hard on the intro 5. Eye contact 6. Communicate rather than worry about stage fright 7. Visual Aids |
|
Critical thinking
|
Focused, orgainzed thinking about such thigns as the logical relationships among ideas, the soundess of evidence, and the differences between fact and opinion
|
|
What is the SPCM Process?
|
Speaker, message, channel, listener, feedback, interference, and situation
|
|
Speaker
|
Person who is presenting an oral message to a listener
|
|
Speaker success depends on...
|
credibility, knowledge of the subject, preparation of the speech, manner of speech, sensitivity to the audience, and the occasion
|
|
Message
|
whatever a speaker communicates to someone else
|
|
How else is a message sent, other than words?
|
tone of voice, appearance, gestures, facial experssion, and eye contact
|
|
Channel
|
the means by which a message is communicated
|
|
Listener
|
the person who receives the speaker's message
|
|
Frame of reference
|
the sum of a person's knowledge, exp, goals, values, and attitudes. No two people can have exactly the same frame of reference
|
|
True or False:
No two people can have exactly the same frame of reference. |
True
|
|
Feedback
|
the messages, usually noverbal, sent from a listener to a speaker
|
|
Interference
|
Anything that impedes the communication of a message.
|
|
Interference can be...
|
external or internal to listeners
|
|
Situation
|
time and place in which speech communication occurs
|
|
Complexity in Multi-cultural speaking comes from...
|
differences in languages
|
|
Ethnocentrism
|
the belief that on's own group or culture is superior to all other groups or cultures
|
|
Ethics
|
branch of philosophy that deals with issues of right and wrong in human affairs
|
|
Ethical decisions
|
Sound ethical decisions involve weighing a potential course of action against a set of thical standards or guidelines
|
|
Guidelines for Ehtical Speaking
|
1. Ethically sound goals
2. Be fully prepared 3. Be honest 4. Avoid name-calling and other forms of abusive language 5. Practice Ethical Principles |
|
name calling
|
the use of language to defame, demean, or degrade individuals or groups
|
|
Bill of rights
|
the first 10 amendments to the united states constitution
|
|
Plagiarism
|
presenting another person's anguage or ideas as one's own
|
|
Types of Plagiarism
|
global - stealing entirely from a single source
patchwork - stealing ideas or language from two or three sources incremental - failing to give credit for particular parts that are borrowed |
|
Types of errors in Incremental Plagiarism
|
Quotations - forgetting to clearly identify the source of the quote
Paraphrase - forget to credit the original source of the paraphrase |
|
Appreciative listening
|
listening for pleasure or enjoyment
|
|
Empathic listening
|
listening to provide emotional support for a speaker
|
|
Comprehensive listening
|
listening to understand the message of a speaker
|
|
Critical listening
|
listening to evaluate a message for purposes of accepting or rejecting it
|
|
4 Causes for Poor Listening
|
1. Not concentrating
2. Listening too hard 3. Jumping to Conclusions 4. Focusing on delivery and personal appearance |
|
spare "brain time"
|
extra time that your pbrain can use to process things
|
|
General Purpose
|
the broad goal of a speech
|
|
Specific Purpose
|
single infinitive phrase that states precisely what a speaker hopes to accomplish in his or her speech
|
|
Central idea
|
one sentence statement that sums up or ecapsulates the major ideas of a speech
|
|
Residual message
|
What a speaker wants the audience to remember after s has forgotteen everything else in a speech
|
|
How should a central purpose be worded?
|
1. Full sentence
2. not a question 3. avoid figurative language 4. Should not be vague or overly general |
|
Audience Centeredness
|
keeping the audience foremost in mind at every step of speech preparation and presentation
|
|
Identification
|
a process in which speakers seek to create a bond with the audience by emphasizing common values, goals, and exp
|
|
Demographic audience analysis
|
audience analysis that focuses on demographic factors such as age, gender religion, sexual orientation, group membership, racial, ethnic, or cultural background
|
|
Stereotyping
|
creating an oversimplified image of a particual group of people, usually by assumig that all members of the group are alike
|
|
Main points
|
major points developed in the speech
|
|
True or False:
Most speeches contain from two to five main points |
True
|
|
True or False:
Generally you have time to develop more than four or five points |
False
|
|
What is the consequence of having to many points?
|
The audience will not be able to sort out all the points
|
|
Ways to organize a speech
|
1. Chronological order
2. Spatial order 3. Causal order 4. Problem - Solution order 5. Topical order |
|
Chronological order
|
method of speech organization in which the main points follow a time pattern
|
|
Spatial Order
|
method of speech organization in which the main points follow a directional patter
|
|
Causal order
|
points show a cause- effects relationship in their order
|
|
Problem-Solution order
|
first main point deals with the existence of a problem and te second main point presents a solution to the problem
|
|
Topical order
|
the points divide the topic into logical and consistent subtopics
|
|
Tips for prep of main points
|
1. Keep points seperate
2. Use same pattern or wording 3. Balance the time between each point |
|
Connective
|
word or phrase that connects the ideas of a spech and indicates the relationship between them
|
|
Transition
|
word or phrase that indicates when a speaker has finished one thought and is moving on to another
|
|
Internal Preview
|
statement in the body of the speech that lets the audience know what the speaker is going to discuss next
|
|
Internal summary
|
statemet in the body of the speech that summarizes the speaker's preceding point or points
|
|
Signpost
|
brief statement that indicates where a speaker is in the speech or that focuses attention on key ideas
|
|
Tips for a good intro
|
1. Get the attention and interest of the audience
2. Reveal the topic of the Speech 3. Establish your credibility and goodwill 4. Preview the body of the speech |
|
Rhetorical question
|
question that the audience answers mentally rather than out loud
|
|
Credibility
|
audience's preception of whter a speaker is qualified to speak on a given topic
|
|
Goodwill
|
the audience's preception of whether the speaker has the best interest of the audeince in mind
|
|
Preview statement
|
statement in the introduction of a speech that identifies the main points to be discussed in the body
|
|
Conclusion
|
End of the speech
|
|
Introduction
|
beginning of the speech
|
|
Reasons for the conclusion:
|
1. To let the audeince know you are ending the speech
2. to reinforce the audience's understanding of, or commitment ot, the central idea |
|
Types of endings
|
1. Crescendo ending
2. Dissolve ending 3. |
|
Crescendo ending
|
conclusion in whcih the speech builds to a zenith of power and intensity
|
|
Dissolve ending
|
conclusion that generates emotional appeal by fading step by step to a dramatic final statement
|
|
Preparation Outline
|
detailed outline developed during the process of speech prep. that includes the title, specific purpose, central idea, introduction, main points, subpoints, connectives, coclusion, and bibliography of a speech
|
|
Visual framework
|
pattern of symbolization and indentation in a speech outline that shows the relationships among the speakers ideas
|
|
Bibliography
|
list of all the sources used in preparing a speech
|
|
Speaking Outline
|
brief outline used to jog a speaker's memory during the presentation of the speech
|
|
Guidelines for the speaking outling
|
1. Follow the visual framework
2. Make sure the outline is legible 3. Keep the outline as brief as possible 4. give yourself cues for dlievering the speech |
|
Guidelines for the preparation outline
|
1. State the specific purpose
2. Identify the central idea 3. Label the introduction, body, and conclusion 4. Use a consistent pattern of symbolization and identation 5. state main points and subpoints in full sentences 6. Label transistions, internal summaries, and internal previews 7. Attach a bibliography 8. Give your speech a title |
|
Delivery cues
|
directions in a speaking outline to help a speaker remember how she or he wants to deliver key parts of the speech
|
|
True or False:
Reading from a manuscript is a method of delivering a speech |
True
|
|
True or False:
Reciting from memory is not a method of delivering a speech |
False
|
|
Manuscript speech
|
a speech that is written out word for word and read to the audience
|
|
Impromptu Speech
|
a speech delivered with little or no immediate preparation
|
|
Extemporaneous speech
|
carefully prepared and rehearsed speech that is presented from a brief set of notes
|
|
True or False:
The extemporaneous and impromptu styles are technically the same |
False
|
|
Advantages of Extemp. Style
|
1. More control over tought and language
2. offers greater spontaniety and directness 3. adaptable to a wide range of situations 4. Encourages the conversational quality |
|
Informative speech
|
speech designed to convey knowledge and understanding
|
|
types of Informative Speeches:
|
1. Speeches about objects
2. Speeches about processes 3. Speeches about events 4. Speeches about concepts |
|
Guidelines for Informative Speeches
|
1. Don't overestimate what the audeince knows
2. Relate the subject direclty to the audience 3. Don't be too technical 4. Avoid abstractions 5. Personalize your ideas |
|
Description
|
a statement that depicts a person, event, idea, or the like with clarity and vividness
|
|
Comparison
|
statement of the similarities among two or more people, events, ideas, etc.
|
|
Contrast
|
a statement of the differences among two or more people, events, ideas, etc.
|
|
Personalize
|
to present one's ideas in human terms that relate in some fashion to the experience of the audience
|