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7 Cards in this Set
- Front
- Back
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Melody |
1. Use of tritone/augmented 4th in melody line 2. Blues scale/notes used 3. Higher tessitura in second section than first 4. Melodic riffs used - repeated riff in accompaniment 5. Syllabic 6. Use of triplets 7. Longer eight bar phrases |
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Rhythm |
1. Syncopation 2. Cross rhythms 3. Push rhythms to anticipate the beat 4. Driving rhythms 5. Oom-cha bass in the accompaniment |
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Harmony and Tonality |
1. D major tonality 2. Jazz based harmony/dissonances 3. Extended chords added - 7th, 9th and 11th chords 4. Two contrasting sections in C major (diminished 7th of D major blues scale) 5. Conventional chords with added blues notes 6. Use of stab chords 7. Tritone/ augmented 4th used as part of a chord (D major with added G#) |
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Structure |
1. Not a typical verse-chord structure 2. Introduction, Section A-B, Sections B1 - A1 3. Outro/coda/codetta/ad lib fade bar linking to the change of scene instrumental 4. Ends unresolved on the flat 7th C natural (reflection of Tony's future) |
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Instrumentation |
1. Large orchestra/band/30 players 2. Any four of: Flute, oboe, clarinet, bassoon, saxophone (SATB), trumpets, violins, drum-kit, percussion, piano and guitars (acoustic, electric and mandolin) 3. Muted trumpet/bass |
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Texture |
MDH with elements of monophony where he says "it could come canonballing" |
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Dynamics |
Quiet with short bursts of excitement shown with forte markings |
