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56 Cards in this Set
- Front
- Back
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production of Culture:
Interactionist Approach |
Interaction among people, creates culture, culture is transmitted by repeated expression and socialization
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Production of Culture:
Production of Culture Approach |
looks less at interactions and more at the organization of producers/consumers, markets etc.
Grounded in organizational and economic sociology |
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Art World
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network of people whose cooperative activity produces art
extensive division of labor w/in art world |
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Core and Periphery
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necessary for something to be considered artistic, usually associated with the artist
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Periphery
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activities that are seen as not as important in producing the art
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Conventions
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a common practice structured through agreement, people use their special art knowledge there
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Relationship artists to art World:
Intergrated professional |
someone with a profession in the art world
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Relationship artists to art world:
Maverick |
previous engagement want more innovation
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Relationship artists to art world:
Folk Artists |
Art that is done in the ordinary life
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Naive Artists
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They do not have any knowledge of the convention in the art world, they use unconventional material
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Origin of Talk Shows
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radio programs, tablooids, true confession genre, carnival shows,
The Donahue show: eliminated the host desk, opening monologue, guests on stage, he roamed the audience, phone in, changes of content |
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Origin of Talk Shows Cont.
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oprah and geraldo come into play,
focused on emotion , 90s proliferation, more sensational topics, ordinary are now the stars and experts |
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Classy
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serious focus, more restrained style, and execution
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Trashy
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focus on interpersonal conflict in service of on air confrontation
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Money Shot
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moment of letting go, losing control, hall mark of genre, control to claims of authenticity
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Hunting
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searching for the right people to be on a show, some producers use lexis nexis
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Blind Date
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extensive pre interview before the show ...they try to gauge and make sure guests are completely honest so on and so forth
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Maintenance Work
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Producers have frequent follow up conversations to iron the exact details of the narrative and to get a sense of how the show will unfold on the air
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Fluffing
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Coaching the guest behind stage, preparing them for the show
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Emotion Work
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The process of managing feelings to create a publicly observable display of emotion
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condition Emotioning
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Surface acting a change in body language, tone of voice, facial expression,
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Deep Acting
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an intentional, self induced change in feeling itself
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Guest Motivations:
Evangelicals |
want to change the world, national world
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Guest Motivations:
Moths |
15 minutes of fame
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Guest Motivations
Plaintiffs |
plead case
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Guests Motivations
Marketers |
publicize their own book, hawk - business
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Markets
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are constructed by producers to make consumer tastes understandable
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Industry Structure
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The number of firms and their relative size
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Small competing firms
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produce innovative products
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oligarchic system
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produces standardized products
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open oligarchic system
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system of large firms with autonomous divisions
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craftsman
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those who are concerned with gaining recognition from fellow craftsmen
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showmen
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those concerned with about appealing and pleasing audiences
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entrepreneurs
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sense an unmet demand and try to bring together financing, marketing, and distributing in unique ways
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functionaries
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those who fill bureaucratic organizations, while providing continuity for the music industry
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Reception
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the meaning drawn from cultural objects
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mass culture theory
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audiences as passive, powerless, recipients of content
audience controlled by fantasy whatever meaning is in the cultural object transmitted directly to the consumer |
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Active Audience Theory
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audiences are not cultural dopes, but are active producers of meaning
meanings bounded by context of consumption audiences are easily able to distinguish between fiction and reality |
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encoding
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meanings attached to objects by products
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decoding
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making sense of econded meanings by consumers
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dominant reading
oppositional negotiated |
understands the authors intent
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Textual Poaching
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when audiences takes a cultural object and manipulates it to tell stories or express ideologies different from original meaning
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cultural capitol
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familiarity with high culture
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cultural capital and class structure
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cultural capitol preserves and reproduces the class structure
access, solidarity culture can be a power source |
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working class
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accomplishment of natural growth
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homology argument
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culture patterns align with specific occupations and class fractions
upper class taste for freedom |
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individualizations
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cultural patters are no longer determined by class, importance of gender, race, and religion,
proliferation of images |
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omnivore
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those in high status groups consumer a variety of culture
high class dont like heavy metal, rap, gospel, or country music |
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univore
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those in low status groups mainly consume just a few types of culture
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sex
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physical characteristics
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gender
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societies rules about masculinity and feminity
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gender variation
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varies from culture to cultue
changes over time varies of the course of life |
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masculinity
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is a performance, constructed vision of manhood
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women
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protected, emotinoal, nurturing, hormones are in check
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intersectionality
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study of multiple, dimension of social life, specifically race, class, and gender
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fan stereotypes
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brainless, devoted to worthless knowledge, social misfits
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