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48 Cards in this Set

  • Front
  • Back

Marjory: And this will be your bedroom.

Emilie: Oh…uh…

M: Is there a problem?

E: ..Is this not the parlor?

M: It’s your bedroom. Ma’am.

E: …Oh, but you see, it looks like…?


I see. Yes. Of course.

M: Now there’s dishes to attend to in the scullery.

E: Just a moment.

M: Yes ma’am?

E: Which maid did you say you were?

M: I’m the maid. Your maid.

E: And you have the typhus?

M: Sort of everybody’s maid. Yes , yes I do.

E: Are you the one with the typhus or the one with the baby?

M: I’m both, sort of both.

E: How are you both of something? Either you are something, or you are another thing.

M: When I’m in the scullery, I have the typhus. When I’m in the parlor, I have the baby.

E: Oh.

M: It’s how the time passes here.

E: I see. That is one way of doing things.

M: Indeed it is.

E: Im terribly sorry to hear about your…conditions.

M: I don’t need you to be.

E: Ah-just a moment.

M: Yes ma’am.

E: How long have you worked for this household?

M: Oh. Forever, ma’am.

E: How old are you?

M: I haven’t been counting. Ma’am.

E: But you were raised out here on these savage moors, you were treated kindly, perhaps they took you to church on Sundays to hear their father’s sermons…? Master Branwell said-

M: You spoke to him!

E: In the letter. He wrote me a letter.

M: Oh.

E: …What surprises you?

H: I have a diary.

E: …I’m sorry?

H: A diary. I keep one.

E: Well that’s lovely.

H: I have a very active imagination.

E: Master Branwell - is he also a man of God?

H: No, I wouldn’t say that.

E: A kind man, would you say? A gentle one?

M: Nothing. I’m not surprised.

E: You seem so. You seem greatly surprised.

M: No, not I.

E: Is Master Branwell very frightening? Are you frightened of him?

Huldey: There you are!

Emilie: Mistress Huldey!

H: I’m so excited you’re here!

E: Oh- well- thank you…

H: But in general, the moors are very pretty.

E: Mistress Huldey-

H: Oh, just Huldey, please.

E: Huldey -

H: It sounds so wonderful how you say my name.

E: Can I ask you something?

H: Anything!

E: …Is this my bedroom?

H: Of course.

E: Ah.


But.


Does it not - I mean - does it not look very much like the parlor?

H: Do you keep a diary, Emilie? (May I call you Emilie?)

E: I don’t keep a diary, I’m afraid.

H: Oh that’s too bad. That’s too bad. But you might start!

E: I…might, I suppose.

H: You might start tonight, if you wanted.

E: I’m not much of a writer, I have to confess-

H: And when you have a different feeling, you write down a different header, TUESDAY, for example-

E: (laughing) but you can’t just start a new day whenever you like.

H: That’s how the time works out here.

E: …Well, that’s very helpful, I’ll consider it. If you don’t mind my asking about your brother-

H: You might describe what it was like.

E: I- yes, I suppose I could.

H: I’ve heard that in London? one gets murdered.

E: Murdered?

H: Most horribly murdered, I’ve heard.

E: Would you describe your brother as a gentle man, do you think, Huldey?

H: My brother?

E: Yes.

H: Describe him?

E: For example- he had a very nice hand. In his letters.

H: Did he.

E: A very gentle and well-formed hand.

H: That’s nice.

E: And the words he used were educated ones.

H: In which to be educated in one thing or another.

E: But I imagine your brother went to study somewhere? London, perhaps? France?

H: Studying, was not. Quite.

E: Just like a boy. I imagine he preferred lively debates about the law, and dances, perhaps?

H: Hmm.

E: I’m so looking forward to meeting your brother - and the child -

H: I might read you a page or two from my diary, if you very much wished it.

E: (Alarmed) That wouldn’t be necessary, I’m sure.

H: It’s very vivid and upsetting, and I might, I might, if you very much-

E: Oh, no-

H: Just one page, or two, or perhaps a chapter, or -

E: We should both get ready for dinner, don’t you think?