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19 Cards in this Set

  • Front
  • Back
Bordwell says if watch in wrong aspect ratio, you ______
Miss out...because television, tube, top and bottom black and other stuff like that...also says that if you are not watching from same form as intended, don't have validity of viewing and lose purpose in the film..says fewer distractions in theater
What Klinger says about watching it in different environment
different experience, pertains to how you see it, still valid..Klinger says theaters not homogenous in distraction
Home different than theater (5 reaons..last one is main)
1. build on anticipation

2. new movie have to come out

3. event with family

4. Not as much distraction if watching alone

5. REPURPOSING-selling film indifferent formats and ways..helps with anticipation because film already seen but new supplements
Some theaters cut _______
some images if wrong aspect ratio
character type
person as the trampin in all of his films--same character of Charlie Chaplan
Lack of depth in what part of Metropolis
Workers working with background , in blocks and on structure
In catacombs in Metropolis, freedom to _____
think for themselves, less symmetry in architecture
With wide angle lens, when object gets too close it becomes ________
distorted
Wide angle lens makes things look _______

While long lens, like telephoto lens, makes image running look _______
fast; slow
As soon as using sound in silent films, the speed _____
the speed slows down because less room for image and frame rate
Parallel editing
simultaneous action conveys action and movement with narrative
Early silent cinema was aimed at _______
working class
now narrative film is going for _______
middle class
one reason why His Girl Friday adapted well to radio
much of it in press room..lots of dialogue
If do jump cut, be specific if _____
in space or time...look at lecture for this too
Intercutting
interposing shots of two or more actions, locations or contents
flashbacks are ______ editing because...
flashbacks are continuous editing because it distinguishes past and present in their own continuous sequences
Two reasons why going to disjunctive editing in the 60s
boredom and distinguishing from TV
room ton
natural silence in room where action shot..gives environment