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19 Cards in this Set
- Front
- Back
Bordwell says if watch in wrong aspect ratio, you ______
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Miss out...because television, tube, top and bottom black and other stuff like that...also says that if you are not watching from same form as intended, don't have validity of viewing and lose purpose in the film..says fewer distractions in theater
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What Klinger says about watching it in different environment
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different experience, pertains to how you see it, still valid..Klinger says theaters not homogenous in distraction
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Home different than theater (5 reaons..last one is main)
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1. build on anticipation
2. new movie have to come out 3. event with family 4. Not as much distraction if watching alone 5. REPURPOSING-selling film indifferent formats and ways..helps with anticipation because film already seen but new supplements |
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Some theaters cut _______
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some images if wrong aspect ratio
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character type
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person as the trampin in all of his films--same character of Charlie Chaplan
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Lack of depth in what part of Metropolis
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Workers working with background , in blocks and on structure
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In catacombs in Metropolis, freedom to _____
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think for themselves, less symmetry in architecture
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With wide angle lens, when object gets too close it becomes ________
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distorted
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Wide angle lens makes things look _______
While long lens, like telephoto lens, makes image running look _______ |
fast; slow
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As soon as using sound in silent films, the speed _____
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the speed slows down because less room for image and frame rate
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Parallel editing
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simultaneous action conveys action and movement with narrative
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Early silent cinema was aimed at _______
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working class
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now narrative film is going for _______
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middle class
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one reason why His Girl Friday adapted well to radio
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much of it in press room..lots of dialogue
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If do jump cut, be specific if _____
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in space or time...look at lecture for this too
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Intercutting
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interposing shots of two or more actions, locations or contents
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flashbacks are ______ editing because...
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flashbacks are continuous editing because it distinguishes past and present in their own continuous sequences
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Two reasons why going to disjunctive editing in the 60s
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boredom and distinguishing from TV
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room ton
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natural silence in room where action shot..gives environment
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