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34 Cards in this Set

  • Front
  • Back
diction
a writer's choice of words, phrases, sentence structures, and figurative language, which combine to help create meaning
didactic
tone; instructional, designed to teach an ethical, moral, or religious lesson
dramatic monologue
a character (the speaker) addresses a distinct but silent audience imagined to be present in the poem in such a way as to reveal a dramatic situation and, often unintentionally, some aspect of his or her temperament or personality
elegiac
tone; of relating to, or involving elegy or mourning or expressing sorrow for that which is irrecoverably past
ellipsis
the omission of one of more words that are obviously understood but that must be supplied to make a construction grammatically complete
epigraph
a quotation set at the beginning of a literary work or one of its divisions to suggest its theme
epistrophe
ending a series of lines, phrases, clauses, or sentences with the same word or words. The opposite of anaphora
euphemism
the substitution of an agreeable or inoffensive expression for one that may offend or suggest something unpleasant
euphony
soothing pleasant sounds. Opposite of cacophony. Example: O star (the fairest one in sight)
extended metaphor
differs from a regular metaphor in that several comparisons similar in theme are being made
figurative language/figures of speech
language used to create a special effect or feeling; most commonly alliteration, hyperbole, metaphor, etc.
generalization
an idea or statement that emphasizes the general characteristics rather than the specific details of a subject
genre
a category or type of literature based on its style, form, and content
hyperbole
exaggeration done deliberately for emphasis
hypotactic
see notes on hypo- and paratactic sentence structure

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idiolect
a person's idiolect is their own personal language, the words they choose and any other features that characterize their speech and writing (related to style, voice)
idiomatic
of or pertaining to, or conforming to, the mode of expression peculiar to a language; use of figures of speech
imagery
the words or phrases a writer uses to represent objects, feelings, actions, or ideas; appeals to one or more of the five senses
inflection
the change of form that words undergo to mark such distinctions as those of case, gender, number, tense, person, mood, or voice
invective
of, relating to, or characterized by insult or abuse
verbal irony
stating the opposite of what is said or meant
situational irony
what happens is the opposite of what is expected
dramatic irony
the audience is aware of something the characters onstage are unaware of
juxtaposition
placing two or more things side by side for comparison or contrast
metaphor
an implied comparison between two unlike things
metonymy
a figure of speech consisting of the use of the name of one thing for that of another of which it is an attribute or with which it is associated
mood
the feeling a piece of literature arouses in the reader
motif
a usually recurring salient thematic element especially a dominant idea or central theme
onomatopoeia
the use of words whose sound reinforces their meaning
oxymoron
a combination of contradictory or incongruous words ("cruel to be kind")
pacing
use when discussing organization; point out where action/syntax begins to speed up, slow down, is interrupted, etc
paradox(ical statement)
apparently self-contradictory statement, the underlying meaning of which is revealed only by careful scrutiny. The purpose of a paradox is to arrest attention and provoke fresh thought
parallel (structure, parallelism)
a repetition of sentences using the same grammatical structure emphasizing all aspects of the sentence equally
paratactic
see notes on Hypo- and paratactic sentence structure

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