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34 Cards in this Set
- Front
- Back
diction
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a writer's choice of words, phrases, sentence structures, and figurative language, which combine to help create meaning
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didactic
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tone; instructional, designed to teach an ethical, moral, or religious lesson
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dramatic monologue
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a character (the speaker) addresses a distinct but silent audience imagined to be present in the poem in such a way as to reveal a dramatic situation and, often unintentionally, some aspect of his or her temperament or personality
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elegiac
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tone; of relating to, or involving elegy or mourning or expressing sorrow for that which is irrecoverably past
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ellipsis
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the omission of one of more words that are obviously understood but that must be supplied to make a construction grammatically complete
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epigraph
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a quotation set at the beginning of a literary work or one of its divisions to suggest its theme
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epistrophe
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ending a series of lines, phrases, clauses, or sentences with the same word or words. The opposite of anaphora
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euphemism
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the substitution of an agreeable or inoffensive expression for one that may offend or suggest something unpleasant
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euphony
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soothing pleasant sounds. Opposite of cacophony. Example: O star (the fairest one in sight)
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extended metaphor
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differs from a regular metaphor in that several comparisons similar in theme are being made
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figurative language/figures of speech
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language used to create a special effect or feeling; most commonly alliteration, hyperbole, metaphor, etc.
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generalization
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an idea or statement that emphasizes the general characteristics rather than the specific details of a subject
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genre
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a category or type of literature based on its style, form, and content
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hyperbole
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exaggeration done deliberately for emphasis
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hypotactic
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see notes on hypo- and paratactic sentence structure
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idiolect
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a person's idiolect is their own personal language, the words they choose and any other features that characterize their speech and writing (related to style, voice)
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idiomatic
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of or pertaining to, or conforming to, the mode of expression peculiar to a language; use of figures of speech
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imagery
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the words or phrases a writer uses to represent objects, feelings, actions, or ideas; appeals to one or more of the five senses
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inflection
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the change of form that words undergo to mark such distinctions as those of case, gender, number, tense, person, mood, or voice
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invective
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of, relating to, or characterized by insult or abuse
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verbal irony
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stating the opposite of what is said or meant
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situational irony
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what happens is the opposite of what is expected
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dramatic irony
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the audience is aware of something the characters onstage are unaware of
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juxtaposition
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placing two or more things side by side for comparison or contrast
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metaphor
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an implied comparison between two unlike things
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metonymy
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a figure of speech consisting of the use of the name of one thing for that of another of which it is an attribute or with which it is associated
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mood
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the feeling a piece of literature arouses in the reader
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motif
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a usually recurring salient thematic element especially a dominant idea or central theme
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onomatopoeia
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the use of words whose sound reinforces their meaning
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oxymoron
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a combination of contradictory or incongruous words ("cruel to be kind")
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pacing
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use when discussing organization; point out where action/syntax begins to speed up, slow down, is interrupted, etc
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paradox(ical statement)
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apparently self-contradictory statement, the underlying meaning of which is revealed only by careful scrutiny. The purpose of a paradox is to arrest attention and provoke fresh thought
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parallel (structure, parallelism)
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a repetition of sentences using the same grammatical structure emphasizing all aspects of the sentence equally
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paratactic
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see notes on Hypo- and paratactic sentence structure
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