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138 Cards in this Set
- Front
- Back
Invention |
the way the writer or speaker finds something to say, rather than how he/she will say it |
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Arrangement |
concerned with how the author organizes what he/she has to say |
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Style |
the particular manner of expression of a writer which distinguishes him/her from other writers |
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Rhetoric |
basically an umbrella term for all of strategies, modes, and devices a writer employ to allow the reader to easily accept and understand his/her point of view (how the author conveys his/her ideas) |
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Ethos |
the character or credibility of the speaker/writer |
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Logos |
the content of the writer or spoken message; facts and reasoning |
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Pathos |
the emotional appeal to the audience by the speaker or writer |
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Discourse |
"conversation" on a specific subject |
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Mode of Discourse |
particular method or organization or arrangement (exposition, narration, description, and argumentation) |
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Exposition |
illustrates a point by elaborating on it with facts and details |
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Narration |
tells a story |
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Description |
creates sensory imagery |
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Argumentation |
takes a position on an issue and defends it |
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Exemplification (Examples) |
specific event, person, or detail of an idea cited and or developed to support or illustrate a thesis or topic |
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Definition |
identifies the class to which a specific term belongs and those characteristics which make it different from all the other items in that class |
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Comparison and Contrast |
similarities and differences |
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Casual Analysis |
analyze why something happens and describe the consequences of a string of events |
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Process Analysis |
analyze a process; explain how to do something or how something happens |
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Diction |
refers to the author's purposeful selection of words to craft a particular tone and effect |
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Monosyllabic |
one syllable in length |
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Polysyllabic |
multiple syllables in length |
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Colloquial |
conversational; slang; relaxed |
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Informal |
personal; conversational |
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Formal |
academic; literary; professional |
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Old-fashioned |
archaic |
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Concrete |
specific |
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Euphonious |
pleasant sounding |
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Cacophonous |
non-pleasant sounding |
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Syntax |
the grammatical structure of sentences |
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Deliberate Sentence Structure |
the author chooses to make his/her desired point |
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Parallelism |
grammatical or structural similarity between sentences or parts of a sentence |
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Telegraphic Sentence |
fewer than five words in length |
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Short Sentence |
approximately five words in length |
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Medium Sentence |
approximately eighteen words in length |
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Long and Involved |
thirty words or more in length |
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Declarative |
(assertive) sentence that makes a statement |
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Imperative |
sentence that gives a command |
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Interrogative |
sentence that asks a question |
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Exclamatory |
sentence that makes an exclamation |
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Simple Sentence |
one subject and one verb |
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Compound Sentence |
two independent clauses joined by a coordinate conjunction or by a semicolon |
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Complex Sentence |
an independent clause and one or more subordinate clauses |
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Compound-Complex Sentence |
two or more principal clauses and one or more subordinate clauses |
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Loose Sentence |
the independent clause comes at the beginning and makes complete sense if brought to a close before actually ending |
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Periodic Sentence |
makes sense only when the end of the sentence is reached because the independent clause comes at the end |
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Balanced Sentence |
the phrases or clauses balance each other by virtue of their likeness or structure, meaning, and/or length |
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Juxtaposition |
a poetic and rhetorical device which normally unassociated ideas, words, or phrases are placed next to one another, creating an effect of surprise |
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Antithesis |
contrasting words, phrases, or clauses are placed next to each other |
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Repetition |
words, sounds, and ideas are used more than once for the purpose of enhancing rhythm and creating emphasis |
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Rhetorical Question |
question that expects no answer |
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Selection of Detail |
particular details that a writer chooses to include in the text |
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Language Devices |
the writer's use of figurative language, poetic devices, and imagery |
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Simile |
a comparison of two different things or ideas using like or as |
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Metaphor |
a comparison without using like or as |
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Personification |
a kind of metaphor which gives inanimate objects or abstract ideas human characteristics |
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Hyperbole |
a deliberate, extravagant, and often outrageous exaggeration (serious or comedic effect) |
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Understatement (Meiosis) |
opposite of hyperbole; kind of irony, deliberately represents something as much less than it really is |
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Paradox |
statement that contradicts itself |
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Oxymoron |
form of paradox which combines a pair of contrary terms into a single expression |
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Pun |
a play on words which are identical or similar in sound but which have sharply diverse meanings |
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Irony |
the result of a statement saying one thing while meaning the opposite |
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Sarcasm |
a type of irony in which a person appears to be praising something while he/she is actually insulting the thing |
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Antithesis |
involves a direct contrast of structurally parallel word groupings generally for the purpose of contrast |
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Apostrophe |
form of personification in which the absent or dead are spoken to as if present, and the inanimate as if animate |
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Allusion |
a reference to a mythological, literary, historical, or Biblical person, place or thing |
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Satire |
use of irony, sarcasm, and ridicule to expose or denounce human folly |
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Synecdoche |
part of something that is used to signify the whole (a form of metaphor) |
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Metonymy |
the name of one thing is applied to another things with which it is closely associated; a closely associated object is substituted for the object or idea in mind |
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Imagery |
language that appeals to the five senses |
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Sound Devices |
devices that imitate sounds |
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Alliteration |
the practice of beginning several consecutive or neighboring words with the same sound |
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Assonance |
the repetition of vowel sounds in a series of words |
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Consonance |
the repetition of a consonant sound within a series of words to produce a harmonious effect |
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Onomatopoeia |
the use of words in which the sounds seem to resemble the sounds they describe |
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Point of View |
the narrator's position in relation to the narrative being old |
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1st Person |
the narrator is the story's protagonist |
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2nd Person |
the narrator directly addresses the reader |
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3rd Person Omniscent |
the narrator knows the thoughts and events of all characters |
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3rd Person Limited |
the narrator is limited to the thoughts of one character |
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Stream-of-consciousness |
a narrative technique that places the reader in the mind and thought process of the narrator, no matter how random and spontaneous the writing may be |
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Tone and Attitude |
the author's perception and presentation of the material and the audience |
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Accusatory |
charging of wrong doing |
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Apathetic |
indifferent due to the lack of energy or concern |
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Awe |
solemn wonder |
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Bitter |
exhibiting strong animosity as a result of pain or grief |
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Cynical |
questions the basic sincerity and goodness of people |
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Condescension; Condescending |
a feeling of superiority |
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Callous |
unfeeling, insensitive to feelings of others |
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Contemplative |
studying, thinking, reflecting on an issue |
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Critical |
finding fault |
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Choleric |
hot-tempered, easily angered |
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Contemptuous |
showing or feeling that something is worthless or lacks respect |
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Caustic |
intense use of sarcasm; stinging; biting |
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Conventional |
lacking spontaneity, originality, and individuality |
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Disdainful |
scornful |
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Didactic |
author attempts to educate or instruct the reader |
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Derisive |
ridiculing, mocking |
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Earnest |
intense, a sincere state of mind |
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Erudite |
learned, polished, scholarly |
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Fanciful |
using the imagination |
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Forthright |
directly frank without hesitation |
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Gloomy |
darkness, sadness, rejection |
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Haughty |
proud and vain to the point of arrogance |
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Indignant |
marked by anger aroused by injustice |
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Intimate |
very familiar |
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Judgmental |
authoritative and often having critical opinions |
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Jovial |
happy |
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Lyrical |
expressing a poet's inner feelings; emotional; full of images; song-like |
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Matter-of-Fact |
accepting of conditions; not fanciful or emotional |
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Mocking |
treating with contempt or ridicule |
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Morose |
gloomy, sullen, surly, despondent |
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Malicious |
purposely hurtful |
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Objective |
an unbiased view-able to leave personal judgments aside |
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Optimistic |
hopeful, cheerful |
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Obsequious |
polite and obedient in order to gain something |
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Patronizing |
air of condescension |
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Pessimistic |
seeing the worst side of thing; no hope |
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Quizzical |
odd, eccentric, amusing |
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Ribald |
offensive in speech or gesture |
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Reverent |
treating a subject with honor and respect |
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Ridiculing |
slightly contemptuous banter; making fun of |
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Reflective |
illustrating innermost thoughts and emotions |
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Sarcastic |
sneering; caustic |
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Sardonic |
scornfully and bitterly sarcastic |
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Satiric |
ridiculing to show weakness in order to make a point, teach |
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Sincere |
without deceit or pretense; genuine |
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Solemn |
deeply earnest, tending toward sad reflection |
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Sanguineous |
optimistic, cheerful |
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Whimsical |
odd, strange, fantastic; fun |
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Pacing |
the movement of literary piece from one point to another |
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Connective Tissue |
holds the various points of your paper together |
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Transitions |
indicate a logical connection between ideas |
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Voice Consistency |
use of the active and avoidances of the passive voice when possible |
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Tense Consistency |
use of the same tense throughout the selection |
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Subject Consistency |
the subjects of the main clauses in a sequence of sentences is consistent |
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Ascribe |
attribute something to (a cause) |
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Fervently |
having or displaying a passionate intensity |
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Invoke |
cite or appeal (to something or someone) as an authority for an action or in support of an argument |