Review For App Final

Front 1

The picture editor receives the footage for the film on this format, when cutting digitally. (Note: They receive it without any sound, just picture.)

Back 1

Digibeta

Front 2

____________ are used to add an edge to your sound designs, whether they are processed sounds, low frequency elements or other subconscious elements.

Back 2

Sweeteners

Front 3

The ____________ is responsible for negotiating with the record labels for rights to songs for the film.

Back 3

Music Supervisor

Front 4

The ____________ is a term to describe the crowding of wavefronts around a moving sound source.

Back 4

Doppler Effect

Front 5

The use of a specific recording by a specific artist in a film requires the purchasing of _____________.

Back 5

Master Rights

Front 6

Who is the person, in music, who helps generate spotting notes, edits together the temp score, maintains documentation and is responsible for post-recording fixes on the score?

Back 6

Music Editor

Front 7

Printed 4 times into each frame of video on lines 17 & 19.

Back 7

VITC

Front 8

This static cue gives primarily Azimuth information and works best with frequencies about 1.4k.

Back 8

Interaural Intensity Difference

Front 9

After Cloth/Movements and Steps have been recorded, the next thing you record in foley is are the ____________.

Back 9

Incidentals

Front 10

To ensure the best possible speech ____________, you should edit dialogue at a level between 70 and 90dB.

Back 10

Intelligibility

Front 11

The _____________ contains little hairs of differing lengths that correspond to different frequencies.

Back 11

Basilar Membrane

Front 12

True or False: When you spot foley, it is necessary to spot each footstep individually.

Back 12

False

Front 13

Though we will keep them around for reference, in sound design we typically do not use ______________ because they do not sound large enough.

Back 13

Original Sound Effects

Front 14

_________ affiliated voice over artists get about $750 per four hour VO session for a game.

Back 14

SAG

Front 15

The most popular form of EDL is ____________.

Back 15

CMX 3600

Front 16

The foundation of backgrounds/ambiences will be constructed out of _____________________.

Back 16

Subtle Continuous Loops

Front 17

_______________ provides azimuth and zenith information and tell us whether a sound source originates in front of or behind us.

Back 17

Pinna(e) Response

Front 18

Who's responsibility is it to cut the obvious sound effects for a film?

Back 18

Hard Effects Editor

Front 19

The primary cues to perceive or simulate distance are ratio of direct to reverberant signal, amount of high frequency content and _______________ of sound source.

Back 19

Intensity

Front 20

Re-synchronizing cues that are not in time is the job of the Foley ___________.

Back 20

Editor

Front 21

When printmaster format has additional channels in the front (Li and Ri)?

Back 21

SDDS

Front 22

In a soccer video game, when your player kicks the ball at the goal, the resulting sound of the foot impacting on the ball will be ______________.

Back 22

Triggered from RAM

Front 23

An AAF file is made of ______________ and Media Data.

Back 23

MXF Data

Front 24

The ________________ will be used as a template for backgrounds and are basically overlapped ghos regions that mark where backgrounds will be placed later.

Back 24

Skeleton Tracks

Front 25

The _____________ octave can be used to improve speech intelligibility, especially when it sounds lispy or features difficult to understand consonants.

Back 25

8th

Front 26

The supervising sound editor requested that we create some custom sound effects recordings for the sound designers (to be used in addition to their field recordings). What method should we use when recording these elements?

Back 26

Wild Tracking

Front 27

Blending sound sources from Editor into more managable submixes.

Back 27

Predubbing

Front 28

When working with linear video, you need both _____________ reference and clock reference in order to have accurate synchronization.

Back 28

Positional

Front 29

Where are you likely to find actual audio on a digital re-recording stage?

Back 29

Credenza

Front 30

When the director tells you he wants the sound of a car to menacing and dark, he is describing a ______________ sound.

Back 30

Subconscious

Front 31

Much of the emotional support for a film's soundtrack comes from the ___________.

Back 31

Music

Front 32

The ADR ______________ deals with documentation during an ADR session.

Back 32

Recordist

Front 33

In psychoacoustics, the dynamic cue that depends on the reflections within the first 50-100 ms is called ________________.

Back 33

Early Echo Response

Front 34

The scientific study of the human perception of sound.

Back 34

Pyschoacoustics

Front 35

The ___________ takes, in animation voice over, are the takes the director wanted to use in the actual final version of the movie.

Back 35

Buy

Front 36

In order to make up for the 6 frame difference between film and video speed during telecine, a 2/3 or 3/2 _____________ occurs.

Back 36

Pulldown

Front 37

Who handles all of the music contracs for a film?

Back 37

Music Executive

Front 38

A _____________ mic is the most common microphone used to record Foley.

Back 38

Shotgun

Front 39

Which microphone configuration makes use of two omni mics spaced two feet apart and provides a very weak center image.

Back 39

Spaced Pair

Front 40

When creating skeletons, your scene changes should have a _____________ overlap.

Back 40

2 Frame

Front 41

What is a term for the process of programming a sound's behavior and location in the game engine?

Back 41

Wiring

Front 42

Which motion picture featured the first synchronized sound effects to picture?

Back 42

Showboat

Front 43

Term for musical passage that accompanies the reoccurrence of a character or situation.

Back 43

Leitmotif

Front 44

The first job people typically have in sound design is as the _______________ (not counting interning and running).

Back 44

Backgrounds Editor

Front 45

What is typically found on analogue channel 2 of a VHS or SVHS worktape?

Back 45

LTC

Front 46

The first step intelling the story of a picture through sound is ______________.

Back 46

Spotting

Front 47

When dialogue is panned and bounces around based on perspective, we call it the _________________.

Back 47

Ping Pong Effect

Front 48

If your X/Y microphone was giving you too much of a boost in the center of your vehicle's By's, which stereo microphone patter could you use to get smoother pans?

Back 48

ORTF

Front 49

_______________ Sound Effects are contained on the PFX track.

Back 49

Production

Front 50

When connected your machines for working with linear video, which Pro Tools box will receive the incoming timecode and reference and generates timecode as well?

Back 50

Sync I/O

Front 51

This is a large acoustically treated room with cement floors built specifically for recording sound effects to picture.

Back 51

Foley Stage

Front 52

Conceptualizing sounds often requires the use of ___________________, whereby a sound is derived as a result of visual association.

Back 52

Analogous Visualization

Front 53

The ________________ is the head of the Re-Recording stage and takes directions directly from the Director; He also may help mix the Foley.

Back 53

Dialogue Re-Recording Mixer

Front 54

Which printmaster codec uses sub-band coding with linear prediction and quantization and has its audio stored separate from the film on a proprietary format of CD-ROM?

Back 54

DTS

Front 55

The stapedius reflex protects against loud, _____________ sounds for a limited time.

Back 55

Sustained

Front 56

This person is responsible for making sure all parts of a score are playable, withing the instruments proper ranges and are not technically awkward.

Back 56

Orchestrator

Front 57

This printmaster format makes use of AC-3 Compression.

Back 57

Dolby SRD

Front 58

If in your backgrounds, you heard the sound of a bird chirping every 3 seconds, you are experiencing the ____________________.

Back 58

Washing Machine Effect

Front 59

The director has decided to shoot on film. As a result the fram rate will be ______ fps.

Back 59

24

Front 60

Once the dialogue has been prepared, the _____________ will not be heard during the re-recording phase, yet might be useful to keep around for reference.

Back 60

Dialogue Editor

Front 61

Two characters sharing the same space and speaking will need to have their dialogue placed on the ______________ track.

Back 61

Master

Front 62

In order to prevent an LCR sound effect from touching the center channel (and interfering with your dialogue) you could turn down the ______________ for the duration of the effect.

Back 62

Center Percentage

Front 63

After a film has been converted to video, an _______________ will happen to make sure the audio can be synchronized to the new video footage.

Back 63

Audio Pulldown

Front 64

Which Ambience Perspective contains vague sounds that establish a general location?

Back 64

Background

Front 65

When Ben Burtt used the sounds of irritated chickens to be the sounds of hundreds of rats in "The Last Crusade," he was utilizing the sound design concept of ________________.

Back 65

Sounds Without Visual Congruence

Front 66

The Panned Dialogue predub consists of _______________.

Back 66

Futz

Front 67

Which part of the ear vibrates according to acoustic eneragy?

Back 67

Timpanic Membrane

Front 68

Music that appears within a scene (and can be heard by the characters) is known as ______________ music.

Back 68

Incidental

Front 69

What parameter of a 5.1 pan window is used to bleed the signal into adjacent channels?

Back 69

Divergence

Front 70

What score, assembled by the Music Editor, is shown to the composer so as to communicate the style in which the director would like the music written?

Back 70

Temp Score

Front 71

The process of converting film to video is known as _____________.

Back 71

Telecine

Front 72

_____________ is an attribute of audiotory sensation by which sounds can be ordered on a musical scale.

Back 72

Pitch

Front 73

The composer should be able to communicate in ___________ terms with the director, rather than musical terms.

Back 73

Dramatic

Front 74

It is necessary to sculpt and shape layers being used in a sound design. Otherwise, you risk making the sound _____________.

Back 74

Muddy

Front 75

When working with linear video, once you have everything connected appropriately you should set your clock source to _______________.

Back 75

Video Reference

Front 76

Consolidate Selected (Mac)

Back 76

Shift + Option + 3

Front 77

Due to their understanding of the props they will be recording, the foley artist will choose the ___________ for the session.

Back 77

Mics

Front 78

Where do we get clues as to the backgrounds or ambiences needed for a scene when reading a screenplay?

Back 78

Scene Headers

Front 79

Human beings perceive intensity as _____________.

Back 79

Loudness

Front 80

The most _____________ frequencies of the human voice fall in the range of 1k - 3.1k.

Back 80

Prominent

Front 81

We see a telephone on screen. It begins ringing. This sound effect is an example of a ______________ sound.

Back 81

Conscious

Front 82

This is sometimes referred to as "Speed" or "Rate".

Back 82

Clock

Front 83

What software is the most popular for game sound based on its advanced batchlist features?

Back 83

Sound Forge

Front 84

What is a responsibility of the foley recordist?

Back 84

Documentation

Front 85

When you return to the studio after field recording, you will prepare your files for the _____________ process by trimming ambiences, removing artifacts and fading sound effects with sharm transients.

Back 85

Archival

Front 86

The process of conforming a score to the picture after the score has already been recorded, in the case that the picture changes, is known as _______________.

Back 86

Score Editing

Front 87

Which variety of Mag Stock will typically contain the production audio from the set when the movie is being cut on film?

Back 87

Mag Stripe

Front 88

Once you have your sound effect in sync, you can timestamp the region by pressing the quick key combination ______________ (Mac).

Back 88

Shift + Command + M

Front 89

The quick key combination for repeat paste to fill selection is ______________ (Mac).

Back 89

Option + Command + V

Front 90

In command focus mode, you can press ______________ to move a selection down to the track below its current position.

Back 90

;

Front 91

The _____________ contains important details about a game's style, gameplay and potentially clues about the sorts of audio you will need to create for the game.

Back 91

Design Document

Front 92

If you wanted to reduce the "nasal" quality of a line of dialogue, which octave could you adjust?

Back 92

6th

Front 93

Which channels are small sound effects fed to for a Predub in Dolby SR-D?

Back 93

LCR

Front 94

Sometimes a director will site a _______________ to help direct the composer into creating a certain variety of music for the soundtrack.

Back 94

Classical Reference

Front 95

The digital assistant phases up the dialogue by maching the recorded takes with their timecodes noted on the _____________.

Back 95

EDL

Front 96

The shorter the sound, the _________ the sound needs to be.

Back 96

Louder

Front 97

Which octave is said to give a tinny sound?

Back 97

7th Octave

Front 98

Sub band coding with linear production.

Back 98

DTS