Quiz 4

Front 1

George Grosz
The Big City
1916

Back 1

Dada Triumphs! Photomontage and Berlin Dada

Front 2

Hannah Hoch
Cut with the Kitchen Knife
1919

Back 2

Dada Triumphs! Photomontage and Berlin Dada

Front 3

Otto Dix
The Actor Heinrich George
1932

Back 3

New Objectivity in Germany

Front 4

August Sander
Pastry Cook
Cologne
1928

Back 4

New Objectivity in Germany

Front 5

What does Neue Sachlichkeit mean?

Back 5

New Objectivity

Front 6

The Bauhaus (city names)

Back 6

Weimar, Dessau and Berlin

Front 7

Johannes Itten

Back 7

"Intuition and method"
"subjective experience and objective recognition"

Front 8

"Vokurs"

Back 8

preliminary course or foundations course at the Bauhause

Front 9

Additional Bauhaus professors...

Back 9

Oskar Schlemmer, Gunta Stolzl, Gerhard Marcks, marcel Breuer, Lyonel Feininger, Paul Citroen

Front 10

kenetic sculpture

Back 10

...?

Front 11

Gropius and Meyer
Fagus Shoe Factory
1911-1916

Back 11

Revitalizing Design: The Bauhaus in Germany

Front 12

Walter Gropius
Bauhaus Building
Dessau
1925-26

Back 12

Revitalizing Design: The Bauhaus in Germany

Front 13

Paul Klee
Around the Fish
1926

Back 13

Revitalizing Design: The Bauhaus in Germany

Front 14

Paul Klee
Individualized Altimetry of Stripes
1930

Back 14

Revitalizing Design: The Bauhaus in Germany

Front 15

Vasily Kandinsky
On White II
1923

Back 15

Revitalizing Design: The Bauhaus in Germany

Front 16

Josef Albers
Homage to the Square
1961

Back 16

Revitalizing Design: The Bauhaus in Germany

Front 17

Laszlo Moholy-Nagy
Light-Space Modulator
1921-1930

Back 17

Revitalizing Design: The Bauhaus in Germany

Front 18

Robert Henri
Laughing Child
1907

Back 18

Early 20th Century American Art

Front 19

John Sloan
Hairdresser's Window
1907

Back 19

Early 20th Century American Art

Front 20

Alfred Stieglitz
Sun ray's-- Paula, Berlin
1889

Back 20

Early 20th Century American Art

Front 21

Alfred Stieglitz
Equivalent (sorta)
1927

Back 21

Early 20th Century American Art

Front 22

Edward Steichen
Cover Design for Camera Work
1906

Back 22

Early 20th Century American Art

Front 23

John Marin
Lower Manhattan (...From the top of the Woolworth)
1922

Back 23

Early 20th Century American Art

Front 24

look in book, page 251
Early 20th Century American Art

Back 24

Arthur Dove
Abstraction No. 2
1910-1917

Front 25

Georgia O'Keeffe
Light Coming on the Plains III
1917

Back 25

Early 20th Century American Art

Front 26

Marsden Hartley
Portrait of a German Officer
1914

Back 26

Early 20th Century American Art

Front 27

Joseph Stella
Battle of Lights, Coney Island
1913

Back 27

Early 20th Century American Art

Front 28

Charles Demuth
I Saw the Figure 5 in Gold
1928

Back 28

Early 20th Century American Art

Front 29

Stuart Davis
Lucky Strike
1921

Back 29

Early 20th Century American Art

Front 30

FLW
Ward Willetts House
Highland Park IL
1909

Back 30

FLW and International Style Archietecture

Front 31

FLW
Robie house
Chicago, IL
1909

Back 31

FLW and International Style Archietecture

Front 32

FLW
Robie house
Chicago, IL
1909

Back 32

FLW and International Style Archietecture

Front 33

FLW
Robie House
Chicago IL
1909

Back 33

FLW and International Style Archietecture

Front 34

FLW
Kaufmann house (Falling Water), bear Run, PA
1936

Back 34

FLW and International Style Archietecture

Front 35

Hector Guimard
Metro Entrance
Paris
c. 1900

Back 35

FLW and International Style Archietecture

Front 36

Gerrit Rietveld
Schroeder House
Utrecht
1925

Back 36

FLW and International Style Archietecture

Front 37

Le Corbusier
Villa Savoye
Poissy, Frnce
1928-1930

Back 37

FLW and International Style Archietecture

Front 38

Henri Rousseau
The Dream
1910

Back 38

Surrealism

Front 39

Girogio de Chririco
The Soothsayer's Recompense
1913

Back 39

Surrealism

Front 40

Marc Chagall
I and the Village
1911

Back 40

Surrealism

Front 41

Masson
Battle of the Fishes
1927

Back 41

Surrealism

Front 42

Max Ernst
Two Children are Threatened by a Nightengale
1921

Back 42

Surrealism

Front 43

Max Ernst
The Elephant Celebes
1921

Back 43

Surrealism

Front 44

Max Ernst
Europe After the Rain
1940-1942

Back 44

Surrealism

Front 45

Joan Miro
The Hunter (Catlan Landscape)
1923-1924

Back 45

Surrealism

Front 46

Joan Miro
The Harlequin's Carnival
1924-1925

Back 46

Surrealism

Front 47

Tanguy
Mama, Papa is wounded!
1927

Back 47

Surrealism

Front 48

Salvador Dali
The Persistence of Memory
1931

Back 48

Surrealism

Front 49

Salvador Dali
Soft Construction with Boiled Beans: Premotion of Civil War
1935

Back 49

Surrealism

Front 50

Magritte
The Lovers
1928

Back 50

Surrealism

Front 51

{woman with "montagne" on her head]

Back 51

Magritte
The Phantom Landscape
1928-1929

Front 52

Magritte
The Human Condition I
1934

Back 52

Surrealism

Front 53

What is L'mour fou?

Back 53

Crazy Love

Front 54

What is automatism?

Back 54

something that is automatic, just allowing it to happen

Front 55

What is surrealism?

Back 55

The exploration of the intersection of dream and waking states

Front 56

As a concept, surrealism was a concept born out of __________'s rejection of __________ ________.

Back 56

Breton
Paris Dada

Front 57

Surrealism was coined by ___________ but defined by ______________

Back 57

Apollonaire
Breton:
• In the manifesto…
o Surrealism was pure psychic automatism
• How does this term relate to some of the agendas that the surrealists are proponents in terms of link between dream states and waking states
 Streaming from the unconscious
• Letting thoughts go, drugs, meditate, automatic writing
o Practice stream of consciousness
o Chance meeting of thoughts
o Omnipotence of the dream
• Hallucinatory poets
• Lautremont (poet) quote…
 “Chance encounter of an umbrella and sewing machine on a dissecting table”
o based on the relief of superior …..blah blah blah
• Look this up?

Front 58

cultural givens (breton)

Back 58

Suggest in a very general way that there is an accepted way for how people think about dream states and waking states
There is a space for critique

Front 59

suprematism

Back 59

Suprematism is an art movement focused on fundamental geometric forms (squares and circles) which formed in Russia in 1913.
When Kasimir Malevich originated Suprematism in 1913 he was an established painter having exhibited in the Donkey's Tail and the Blaue Reiter exhibitions of 1912 with cubo-futurist works. The proliferation of new artistic forms in painting, poetry and theatre as well as a revival of interest in the traditional folk art of Russia were a rich environment in which a Modernist culture was being born.

Front 60

cubo-futurism

Back 60

Cubo-Futurism was the main school of Russian Futurism which imbued influence of Cubism and developed in Russia in 1913.
The Cubo-Futurist works combine the Cubist usage of forms with the Futurist interest in dynamism.
Kazimir Malevich developed the style which is seen in his The Knife Grinder (1912), but he soon abandoned the style for a form of non-objective art called Suprematism.

Front 61

Ashcan School

Back 61

realist artistic movement that came into prominence in the United States during the early twentieth century, best known for works portraying scenes of daily life in poor urban neighborhoods. The movement is most associated with a group known as, The Eight, or, The Ash Can Painters, whose members were Robert Henri, Arthur B. Davies, Maurice Prendergast, Ernest Lawson, William Glackens, Everett Shinn, John French Sloan, and George Luks. The Eight exhibited as a group only once, at the Macbeth Gallery in 1908, but they are still remembered as a group, despite the fact that their work was very diverse in terms of style and subject matter.

Front 62

Armory Show

Back 62

1913, became a legendary watershed date in the history of American art, introducing astonished New Yorkers, accustomed to realistic art, to Modern art. The show served as a catalyst for American artists, who became more independent and created their own artistic language. Impressionist, Fauvist, and Cubist works were represented.

Front 63

Precisionism

Back 63

Precisionism was an artistic movement that emerged in the United States after World War I and was at its height during the inter-War period. The term itself was first coined in the early 1920s. Influenced strongly by Cubism and Futurism, its main themes included industrialization and the modernization of the American landscape, which were depicted in precise, sharply defined, geometrical forms. There is a degree of reverence for the industrial age in the movement, but social commentary was not fundamental to the style. Charles Demuth, Charles Sheeler, and Georgia O'Keeffe.

Front 64

Social Realism

Back 64

depicts working class activities..
Jack Levine, Dorthea Lang, Diego Rivera

Front 65

Diego Rivera

Back 65

Mexican Muralist

Front 66

cantilever

Back 66

A cantilever is a beam anchored at one end and projecting into space. This beam may be fixed at the support, or extend to another support as illustrated. The beam carries the load to the support where it is resisted by bending moment and shear. Cantilever construction allows for long structures without external bracing.

Front 67

biomorphism

Back 67

Biomorphism was an art movement of the 20th century. The term was first used by Alfred H. Barr, Jr. in 1936. Biomorphist artists focused on the power of natural life and used organic shapes, with hints of the shapeless and vaguely spherical forms of biology. It has connections with Surrealism and Art Nouveau. Nowadays the effect of the influence of nature isn’t as obvious, instead of objects looking exactly like the natural form they only use slight characteristics to remind us of nature.

Front 68

delcalcomania

Back 68

The process of transferring pictures or designs printed on specially prepared paper to materials such as glass or metal

The surrealist Oscar Domínguez (referring to his work as "decalcomania with no preconceived object") took up the technique in 1936, using gouache spread thinly on a sheet of paper or other surface (glass has been used), which is then pressed onto another surface such as a canvas. Black gouache was originally used in Dominguez's practice, though colours later made their appearance.
Max Ernst also practiced decalcomania,

Front 69

Lenora Carrington
Self-Portrait
1938

Back 69

Surrealism- Sculpture and Women Artists

Front 70

art nouveau

Back 70

Dynamic, undulating, and flowing, with curved 'whiplash' lines of syncopated rhythm, characterized much of Art Nouveau. Another feature is the use of hyperbolas and parabolas. Conventional mouldings seem to spring to life and 'grow' into plant-derived forms.