Use LEFT and RIGHT arrow keys to navigate between flashcards;
Use UP and DOWN arrow keys to flip the card;
H to show hint;
A reads text to speech;
41 Cards in this Set
- Front
- Back
message theme
|
an outline of key ideas that the advertisinnng program is supposed to convey.
|
|
leverage point
|
the key element in the ads that taps into or activates a cosumer personal value system
|
|
appeal
|
how the leverage point and executional theme combine to attract attention through humor, fear sexual suggestiveness, rational logic, or some method
|
|
executional framework
|
how the message will be deliviered
|
|
advertising management program
|
the process of preparing and integrating a company's advertising efforts with the overall IMC message
|
|
general preplanning input
|
the task of studying a client organizationby the advertising agency from a rich set of sources to gain understanding and background before preparing and ad campaign
|
|
product specific research
|
research that identifies information about a good or service and the major selling idea to be used in the ad campaign
|
|
major selling idea
|
the primary message concerning the good or service benefits to be transmitted to consumers in an ad campaign.
|
|
qualatitive research
|
collecting subjective information and opinions about the company its prducts, and services, often through the use of focus groups.
|
|
value and lifestylemodel
|
research design to predict consumer behavior by understanding self orientation and resources
|
|
personal drive analysis
|
a model that helps the researcher understand individual psychological drives towqrds indulgence, ambition, or individuality, which affects brand choice
|
|
advertising account executive
|
the key go between for both advertising agency and the client agency
|
|
creatives
|
the people who creat and develop and produce ads
|
|
advertising campaign management
|
the process of preparing and integrating a specific ad program in conjunction wth the overall IMC message.
|
|
top of mind brand
|
the brand that is nearly always mentioned when consumers are asked to identify brands that quickly come to mind from a product category.
|
|
top choice
|
the first or second pick when a consumer reviews his or her evoked set of possible purchasing alternatives
|
|
promotional campaign
|
combining ads with other marketing efforts into a larger, more integrated effort revolving around a central idea or theme
|
|
pulsating schedule of ads
|
continuous ads with bursts of higherintensity during the course of the year
|
|
continous campaign of schedule of ads
|
when the company ads in level of amounts throughout the year
|
|
support
|
the facts that substaniae the unique sellig poit of creative brief
|
|
constraints
|
the company legal, and mandatory restriction placed on ads. The include legal protection for trademarks, logos, and copy registration
|
|
messsage theme
|
the outline of the key idea that ad program is supposed to convey
|
|
message strategy
|
the primary tactic used to deliver the message theme
|
|
cognitive message strategy
|
the presentation of rational argumentsor pieces of information to consumers
|
|
generic messages
|
direct promotions of product attributes or benefits without any claim of superiority
|
|
preeemptive messages
|
claims of superiority based on a specific attribute or benefit of a product that preemts the copetition from making the same claim
|
|
unique selling propisition
|
an explicit testable claim of uniqueness or superiority that can be supported or substantiated in some matter
|
|
hyperbole
|
making an untestable claim based upon some attribute or benefit
|
|
comparative advertisment
|
the direct or indirect comparison of a good or service to the competition
|
|
affective message strategies
|
ad designed to invoke feelings and emotions and match them with good service or company
|
|
resonance advertising
|
attempting to connect a product with a consumers experience to develop stronger ties between the product and the consumer
|
|
emotional advertising
|
attempting to elicit powerful emotions that eventually lead to brand recall and choice
|
|
action inducing conative advertisements
|
ads that create situations in which cognitive knowledge of the product or affective liking of the product follow the actual purchases or arise durng usage of the product
|
|
promotional support conative advertisement
|
ads designed to support other promotional efforts
|
|
executional framework
|
the manner in which an ad appeal is presented
|
|
expert authority
|
when advertiser seeks to convince viewers that a given product is superior to other brands in some authoritive manner
|
|
sources and spokespersons
|
person in the ads who make the actual presenation
|
|
similarity
|
consumers are more inclined to be influenced by a message delivered by a person who is somehow similar
|
|
identification
|
occurs when the recevier is able, in some manner, to identify with the source, either through a fantasy or by similar belief, attitudes, preference, behaviors, or by being in the same or similar situation
|
|
visual consistency
|
occurs when consumers see a specific imae or visual display repeatdly
|
|
variability theory
|
a theory stating that when a consumer sees the same ad in different environments, the ad will be more effective.
|